Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint.
Edition of 50
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching, Intaglio
Naked Girl in Spray, Head Thrown Back
— 1930s Modernist Female Nude
By Eric Gill
Located in Myrtle Beach, SC
Eric Gill, 'Naked Girl in Spray, Head Thrown Back to Left, Four Leaves' and 'Naked Girl in Spray, Head Upright, Hands Over Head', wood engraving, 1930, edit...
Category
1930s Art Deco Ifpda International Fine Print Dealers Association
Materials
Woodcut
$960 Sale Price
20% Off
Nu, mains dans ses cheveux (Nude, Hands in Her Hair)
By Marcel Gromaire
Located in Chicago, IL
Signed and dated, upper right
Provenance:
Atelier of the artist
Category
1950s Expressionist Ifpda International Fine Print Dealers Association
Materials
Paper, Ink
The White House
— Vintage Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches.
ABOUT THE ARTIST
Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
La Baie, Double Page du No 132 de Derriere le Miroir
By Marc Chagall
Located in Fairlawn, OH
La Baie, Double Page du No 132 de Derriere le Miroir
Color lithograph, 1962
Unsigned as issued in DLM
From: "Derriere le Miroir" (Behind the Miroir) No. 132
Printed by Mourlot, Par...
Category
1960s French School Ifpda International Fine Print Dealers Association
Materials
Lithograph
Baigneuse Debout, à Mi-Jambes
— French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
$600 Sale Price
20% Off
Reflet - In Celebration of Pride Month
By Mikio Watanabe
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
This impression is #8 of 50
Mezzotint artist Mikio Watanabe was born in 1954 in Ja...
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Mezzotint
$650 Sale Price
24% Off
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968)
(Untitled) - HUNTERS with REFLECTIONS. ca 1925
Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
$600 Sale Price
29% Off
To the Sea
By Jack Coughlin 1
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category
1960s American Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
$131 Sale Price
34% Off
The Second Tournament with the Tapestry of Samson and the Lion
By Lucas Cranach the Elder
Located in Chicago, IL
Watermark:
Bull's Head with Serpent and Cross (Briquet 1575, dated 1492 by Briquet)
Provenance:
Martin Folkes (Lugt 1034)
Reverend G. L. Blake (Lugt 1172)
Reference:
Bartsc...
Category
18th Century and Earlier Northern Renaissance Ifpda International Fine Print Dealers Association
Materials
Woodcut
NIGHT GLOW
Located in Portland, ME
Adolph Gottlieb (1903-1974). NIGHT GLOW. Etching and aquatint in colors, 1971. Edition of 65. Signed and dated in pencil, numbered 17/65 in pencil. Published and printed by 2RC Edizi...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Foul Rope (Left)
— Early American Southwest Rodeo
By William Robinson Leigh
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed.
Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm).
ABOUT THE ARTIST
Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’
The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama.
In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes.
Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians.
In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911).
In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers.
For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955.
In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape.
Leigh's work is held in many museum collections of American Western art...
Category
1920s Realist Ifpda International Fine Print Dealers Association
Materials
Etching
MALLORCA
By Dorr Bothwell
Located in Santa Monica, CA
DORR BOTHWELL ( 1902 - 2000)
MALLORCA
Serigraph, Signed, titled and numbered 8/25 in pencil. Signed and dated in the print. Image. 13 1/8 x 9 inches, sheet 19 7/8 x 12 3/4 inches. ...
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Screen
Flower in Vase (Summer)
Located in Fairlawn, OH
Flower in Vase (Summer)
Color woodblock, c. 1950
Signed "B. Ohno" lower right (see photo)
Sealed lower right (see photo)
Series: Flowers of the Four Se...
Category
1950s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Woodcut
Street Corner, L
Ile Saint Louis, Paris — Mid-Century Photogravure
Located in Myrtle Beach, SC
Rémy Duval, 'Street Corner, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives pap...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Photogravure
The Whale
s Back [Connecticut]
By Kerr Eby
Located in Storrs, CT
The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby.
The scene is probably Westport or Cos Cob, Connecticut.
The scene is probably Westport or Cos Cob, Connecticut.
Kerr Eby...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
![The Whale
s Back [Connecticut]](https://a.1stdibscdn.com/kerr-eby-prints-works-on-paper-the-whales-back-connecticut-for-sale/a_3352/a_115476821673484515318/whalesbackeimage3_master.jpg?width=240 "Kerr Eby - The Whale
s Back [Connecticut]")
$750 Sale Price
25% Off
Encircled
— Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Engraving
Search
— Australian Romanticism
Located in Myrtle Beach, SC
Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...
Category
1910s Romantic Ifpda International Fine Print Dealers Association
Materials
Monotype
Baigneuse debout à mi-jambes
By Pierre Auguste Renoir
Located in Santa Monica, CA
PIERRE-AUGUSTE RENOIR (French, 1841 - 1919)
BAIGNEUSE DEBOUT A MI JAMBES (D., S. 23)
Etching, 1910, a later impression on laid paper, the only state. Full margins with deckle edge...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
$760 Sale Price
20% Off
Navajo Reservation Landscape
— Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Reservation Landscape', lithograph, 1945, edition c. 30. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (1 3/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 12 3/4 x 15 3/4 inches (324 x 400 mm); sheet size: 15 1/2 x 19 inches (394 x 482 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Lithograph
UNICEF Bouquet - Tom Wesselmann, Pop Art, Still-life, Print, Screenprint
By Tom Wesselmann
Located in London, GB
Screenprint in colours, 1998.
From 'Meine Kindheit - Schmerz und Heilung, UNICEF'.
Signed in pencil, numbered from the edition of 100.
Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm
Category
1990s Pop Art Ifpda International Fine Print Dealers Association
Materials
Screen
Hostellerie des Chiens du Guet
— British Impressionism
By Sybil Andrews
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy.
In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association
Materials
Monotype
$4,320 Sale Price
20% Off
Woman on a Patio
By Karl Albert Buehr
Located in Fairlawn, OH
Woman on a Patio
Pastel on paper, c. 1915
Unsigned
Provenance: Gift of the artist to his wife, Mary Hess Buehr
By decent to the artist's niece, daughter of Will...
Category
1910s Abstract Impressionist Ifpda International Fine Print Dealers Association
Materials
Pastel
WINDMILL AND WORKERS (Large Pastel)
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B.J.O. NORDFELDT (Swedish/American 1878 – 1955)
(WINDMILL AND WORKERS). c.1900. Color pastel on colored paper, unsigned. 22 ¼ x 15”. Sheet: 24 ½ x 18 ¼”. In 1900 Nordfeldt studied ...
Category
Early 1900s Modern Ifpda International Fine Print Dealers Association
Materials
Pastel
$1,600 Sale Price
66% Off
Parisian Boulevard
By André Gisson
Located in Storrs, CT
Beautiful Impressionist painting featuring elegantly-dressed Parisians out for an afternoon stroll. Bouquets of flowers rest in a tub to the left of the streetlamp, while a horse-dra...
Category
Mid-20th Century Impressionist Ifpda International Fine Print Dealers Association
Materials
Oil
$2,500 Sale Price
37% Off
Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures
Color lithograph poster, 1961
Unsigned as issued
Large edition
Published by Maeght Editeur Imprimeur
Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980
Condition: Framed
Colors fresh
Image/sheet size: 25 x 19 inches
Frame size: 34 x 27...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
EARLY JACOULET - A DOWNPOUR AT METALANIM PONOPE EAST CAROLINAS
By Paul Jacoulet
Located in Santa Monica, CA
EARLY JACOULET
PAUL JACOULET (1896 – 1960)
UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935
A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29)
Color woodcut, with metallic ...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Color, Woodcut
Self Portrait with Arms Over Head, vignette on Paul Cadmus on left
Located in Fairlawn, OH
Self Portrait with Arms Over Head, vignette on Paul Cadmus on left
Graphite drawing on thin wove paper, c. 1940's
Unsigned
Provenance: Paull Cadmus
Jon F. Anderson (1937-2018)
Condition:
Sheet size: 15 x 10 1/4 inches
Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her
photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where
she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared
French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio
formed a tight bond, with Cadmus and French continuing their relationship.
Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her
photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where
she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared
French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio
formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends,
and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket
over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s
sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art,
among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus,
particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed.
In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed
with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again
in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome,
with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Graphite
BATHOS / Tail PIece
By William Hogarth
Located in Santa Monica, CA
WILLIAM HOGRATH (1767- 1764)
THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I)
Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto.
This Hogarth’s last print is fascinating as it is prophacy about death.
Various institutions have interesting commentaries - to wit:
Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects.
Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).”
Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin.
British Caricature...
Category
1760s Old Masters Ifpda International Fine Print Dealers Association
Materials
Woodcut
Brutus Killed Caesar.
By John Baldessari
Located in New York, NY
BALDESSARI, John. Brutus Killed Caesar. [4] pp. Illustrated with 33 photographic tryptichs. Oblong 8vo., 100 x 275 mm, bound in publisher's spiral-bound wrappers. Preserved in tan cloth box. Akron: The Emily H. Davis Art Gallery of The University of Akron, [1976]. $ 2500.00
First Edition. Printed in a limited edition. The artist John Baldessari juxtaposes three images in a triptych format. Each page repeats the use of the same two portraits: an young man on the left and and an older man on the right. The center image then creates the crucial dialogue between the other two - Baldessari makes use of a variety of objects that could all be used as murder weapons - some a bit more mundane than others: a kitchen knife...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Paper
Atlas Cornice Drawings 2 —Vienna Secessionist
By Heinrich Brad Schmidt
Located in Myrtle Beach, SC
Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to ...
Category
1920s Vienna Secession Ifpda International Fine Print Dealers Association
Materials
Pencil
Rue dans la banlieu de Paris (Street scene on the outskirts of Paris)
By Roger Lersy
Located in Chicago, IL
This exuberantly-painted Parisian street scene is typical of Lersy's colorful and energetic style. His work combines mid-century Modern abstraction with subjects beloved by the Impre...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Canvas, Oil
$4,800 Sale Price
20% Off
Wareham, Dorset
By Stanley Roy Badmin
Located in Storrs, CT
Beetles 36. 5 1/4 x 6 1/4 (sheet 9 1/4 x 11 1/4). Edition 50 for the Print Collector's Club. Exhibited: Royal Academy, 1934; Royal Society of Painter-Etchers and Engravers, 1934 and ...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching
$1,250 Sale Price
21% Off
Green Column/Figure
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching, Woodcut
Claude Renoir, la Tete Baisee (Claude Renoir, Head Lowered)
By Pierre-Auguste Renoir
Located in Fairlawn, OH
Claude Renoir, la Tete Baisee
(Claude Renoir, Head Lowered)
Lithograph, 1904
Edition 1,000, this one of 950 on wove paper with the stamp signature (there were also 50 impressions pri...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
THREE HEADS - FRONTAL
By Lester Johnson
Located in Portland, ME
Johnson, Lester (American 1919-2010). THREE HEADS FRONTAL. Lithograph, 1963. Edition of 39. Titled, numbered 29/38 and signed in pencil in the margin bel...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Lithograph
Rio del Santi Apostoli, Venice.
By John Taylor Arms
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
$1,250 Sale Price
37% Off
Nude Dancer — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude Dancer in Modernist Stage-setting), lithograph, edition 250, 1929. Signed and numbered 20 in pencil. Number 20 of Volume ...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Lithograph
Women
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1893 – 1949)
WOMEN, 1934 ( Orozco 25)
Lithograph, One of 127 signed & unnumbered impressions, (total printed 255)
Printer Jesus Arteaga. Image 12 1/2 x 17 inches, sheet 17 x 23 inches.
Large sheet. top sheet edge with deckle edge and with some remnants of old old tape. Some slight mat burn verso., just a hint on the recto.
This impression is also dedicated to Rosita Boyce by Clemente Orozco - (the Artist's Son) in 1961
From "Jose Clemente Orozco - Graphic Work" by Clemente Orozco, University of Texas Press, 2004.
"The image is a detail of the Mural "Contemporary World" in the Palace of Fine Arts, Mexico City.
The mural depicts "the real prostitution of power is implied by prostitutes fighting for survival. in a game of exuberance and decadence. The theme of women, especially prostitutes, has a special significance in Orozco's work, from his early watercolors to this fresco.."
This print is related to Orozco's MACHINES also on 1stdibs offered by this dealer.
Mexican Prints...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Tree Peony and Blue and White Flycatcher — 19th century woodblock print
Located in Myrtle Beach, SC
Imao Keinen, 'Tree Peony and Blue and White Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban dipty...
Category
1880s Naturalistic Ifpda International Fine Print Dealers Association
Materials
Woodcut
$440 Sale Price
20% Off
Cartella A
By Michelangelo Pistoletto
Located in London, GB
Set of 4 color screenprints, 1983, on polished aluminum foil, signed and numbered from the edition of 500, published by Fratelli Alinari Stamperia d'Arte, Florence, 42 x 33 cm. (16 3/4 x 13 in.)
Including La Testa...
Category
1980s Arte Povera Ifpda International Fine Print Dealers Association
Materials
Screen
Bellos Consejos (Wonderful Advice)
By Francisco Goya
Located in Chicago, IL
An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime.
References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1
Prado ...
Category
18th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association
Materials
Aquatint, Etching
Reclining Nude — Mid-Century Modernism, Renowned African American Artist
Located in Myrtle Beach, SC
Robert Blackburn, Untitled (Reclining Nude), brush and ink, c. 1948, unsigned. A fine, spontaneous work, on cream wove paper. Slight toning to the sheet edges; otherwise in excellent condition. Matted to museum standards, unframed.
Image size 18 3/4 x 23 1/2 inches (476 x 597 mm).
Provenance: Adrienne E. Wheeler Collection, acquired from the artist.
ABOUT THE ARTIST
Robert Blackburn (1920 - 2003) participated in the rich mix of art programs and creative groups available in Harlem as he grew up, including Charles Alston's Harlem Arts Workshop, the Harlem YMCA, and later the Harlem Artist's Guild. In 1937 he joined the WPA at the Harlem Community Art Center, the largest New York center for instruction in the arts. There he was exposed to Harlem's most prominent artists, Aaron Douglas, William Henry Johnson...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Ink
Untitled
By Robert Motherwell
Located in London, GB
29.88 x 22.36 ins (75.9 x 56.8 cms)
Edition of 96
Signature:Signed "R. Motherwell" in pencil lower right
Inscriptions:Numbered in pencil lower right; artist's chop mark lower right
...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Color, Etching, Aquatint
Women Bathing — German Expressionism, Nudes, 1920
Located in Myrtle Beach, SC
Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Etching
$520 Sale Price
20% Off
Parco (Park)
By Antonio Gravina
Located in Storrs, CT
A large Impressionist-style colorful painting of a park with fountain. Oil on canvas measures 36 x 24; frame dimensions measure 44 1/2 x 32 1/2 x 1 1/2. Artist's signature, lower lef...
Category
1970s Impressionist Ifpda International Fine Print Dealers Association
Materials
Oil
$2,000 Sale Price
27% Off
Die Bettler (The Beggars)
By Max Beckmann
Located in Fairlawn, OH
Die Bettler (The Beggars)
Lithograph, 1922
Signed in pencil lower right (see photo)
From: Berliner Reise Series, Plate 7
Printed on wove paper
Edition: 100...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Astral Comic
— Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Dockside
— Mid-Century Modernism
By Alex Minewski
Located in Myrtle Beach, SC
Alex Minewski, 'Dockside', gouache on paper, 1953. Signed in the image, lower left. Annotated 'April 1953, Minewski, ‘Dock Side’, verso. A fine, modernist re...
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Gouache
Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$35,000 Sale Price
30% Off
Elegy Fragment II
By Robert Motherwell
Located in London, GB
Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper
87.6 x 61 cm (34 1/2 x 24 inches)
Edition of 52
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
North End ( Reference to Chicago
s gay sports bar in Boystown near Wrigley)
By Nicholas Krushenick
Located in New Orleans, LA
Nicholas Krushenick 's "North End" is a color silkscreen pencil signed, dated, and editioned; proof from the published edition of 200, .
Nicholas Krushenick (American, 1929 – 1999)
...
Category
1970s Pop Art Ifpda International Fine Print Dealers Association
Materials
Silk, Screen
Man on His Back, Nude
By George Wesley Bellows
Located in Fairlawn, OH
Man on His Back, Nude
Lithograph, c. 1916
Signed by the artist lower right: Geo Bellows (see photo)
Annotated bottom left: No. 3 by the artist (see photo)
An unredorded trial proof b...
Category
1910s Ashcan School Ifpda International Fine Print Dealers Association
Materials
Lithograph
Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
$2,560 Sale Price
36% Off
Sculpturegraph
— Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category
1980s American Modern Ifpda International Fine Print Dealers Association
Materials
Monoprint
House and Home
By William Wegman
Located in New York, NY
William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventional, avoiding the typical "cuddly...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Pigment
Granite Pylon, Karnac
By Francis Frith
Located in Fairlawn, OH
Granite Pylon, Karnac
Original gold toned albumin photograph, c. 1862
Unsigned as is usual
From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates)
Published by William Mackenzie,...
Category
1860s Romantic Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
La Colegiata Toro (Romanesque Santa Maria la Mayor/Zamora province Spain)
By John Taylor Arms
Located in New Orleans, LA
John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284.
One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora.
The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
