Jan s Co Fine French Antiques Inc. Furniture

A fine French 19th-20th century Belle Époque gilt bronze "Versailles" style four light hanging lantern attributed to Baccarat, Paris, circa 1900. Measures: Height: 33 1/2 inches (8...

A very fine and charming Italian 19th century carved Carrara Marble Group "Playful Putti with Goat" depicting two young children, one riding the goat whose two front legs are in the ...

A very fine and rare French 19th century Louis XV style ormolu-mounted and cut-glass eight-light chandelier with a suspended bell-shaped blown-glass candle-bowl, by Mottheau et Fils,...

A very fine French Belle Époque 19th-20th century Louis XVI style tulipwood parquetry and ormolu-mounted guéridon (round table) with a single drawer, circa: Paris, 1900. Height: 2...

A very fine pair of French 19th century Louis XVI style patinated and gilt bronze figural two-light candelabra after a model by Claude-Michel Clodion (French, 1738-1814), one modeled...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

A Very Fine and Large French Belle Epoque 19th/20th Century Louis XIV Style Twelve-Light Gilt-bronze Figural Chandelier with frosted glass shades. The ovoid shaped body with scrolled...

An extraordinary fine English victorian marquetry Sycamore, Amboyna, burr-walnut and ormolu-mounted circular tulipwood crossbanding tip-top center table with inlaid decorations depicting wicker baskets full of flowers, vines, butterflies and hummingbirds, in the manner and attributed to Edward Holmes Baldock (1777-1845) after a design by Richard Bridgens, circa London, 1840. Measures: Height: 29 1/4 inches (74.3 cm). Diameter: 53 1/2 inches (135.9 cm). Edward Holmes Baldock (1777-1845) is listed in London Trade Directories of the period in various capacities. He first appears listed at 7 Hanway Street, London in 1805 described as a 'dealer in China and glass' and by 1821 as ' an antique furniture and ornamental furniture dealer'. By 1826 the various facets of the business included 'buying and selling, exchanging and valuing China, cabinets, screens, bronzes etc' Baldock's business seems to have largely involved trading in foreign items and from 1832-1837 he was the purveyor of earthenware and glass to William IV and later purveyor of china to Queen Victoria from 1838 until his death. He is known to have repaired, re-modelled and adapted furniture...

A fine French Belle Époque 19th-20th century eighteen-Light gilt bronze and alloys figural chandelier. The scrolled acanthus corona suspending a rope-hung quiver, supporting six win...

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

A fine pair of French 19th century Rouge-Royal marble and figural gilt bronze-mounted flambeaux urns surmounted with four ormolu figures of dolphins supporting the center urn with th...

A very fine and rare lifesize French 19th century patinated metal figure of a standing maiden holding a lantern, the impressive figure depicting a young scantily dressed and barefoot...

A very fine French 19th century Louis XV style mahogany and finely chased ormolu mounted "Pietra Dura" top gueridon side table. The "Pietra Dura" inlaid marble top in the form of wre...

A Very Fine and Palatial French 19th Century Empire Style Giltwood Carved Figural Center Table with Figures of Winged Eagles and Wreaths, the center medallion with a figure of a bull and and raised on lion paws over a sphere, fitted with a veined verde d'alps marble top (Marble top is recent and not the original - Gilding restored with 23.5 cart...

The Spelling Manor living-room chandelier. A very Fine and Palatial French 19th century Louis XV style gilt bronze and Crystal Thirty-Three Light Twelve...

A Superb Quality French 19th Century Louis XVI Style Ormolu Mounted Mahogany and Kingwood Vitrine Table, Attributed to Henry Dasson (French, 1825-1896), with a beveled glass lift top...

A very fine and impressive pair of French 19th century Louis XVI style ormolu-mounted blue-glazed enamel over bronze vases with allegorical masks, rings and wreaths. The porcelain is...

A very fine French early 20th century Empire style ormolu and figural patinated bronze-mounted amboyna and veined Verde d'Alps marble top "Gueridon" attributed to François Linke (185...

A large and impressive French 19th century life-size bust depicting Othello, the North African Moor of Venice character in the 1603 play written by William Shakespeare (1564-1616), a...

A very fine and rare pair of French 19th century Louis XVI style giltwood carved marquises bergere wide-armchairs, each with four fluted scrolled legs, a bowed finely carved top back...

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

A very fine French 19th-20th century Louis XV style burr walnut, kingwood and satinwood floral marquetry and finely chased ormolu-mounted two-drawer bombé commode, in the manner of F...

A very fine French Louis XVI style Belle Époque gilt bronze and carved verde green and parcel-gilt exhibition vitrine display cabinet with side doors, circa 1900, Paris. Measures:...

Fine pair of Italian 19th-20th century baroque style giltwood carved winged throne armchairs, each finely carved throne with scrolls and wavy armrests, on cabriole carved feet. (New ...

A very fine and large Italian 19th-20th century Carrara marble group "Allegory to Music" depicting five Bacchic putti musicians playing various instruments. The finely carved Palatia...

A French Louis XV style ormolu-mounted and end-cut floral and fruit marquetry two-drawer serpentine-shaped bombé commode by François Linke (1855-1946), Index number 720, the mounts d...

A very fine and important palatial Louis XV style 19th-20th century figural gilt bronze white marble mantel clock with figures of cherubs, the enamel dial with Arabic numerals and fo...

A very fine and palatial French 19th-20th century allegorical figural cast-iron group torchere - sculpture - fountain - representing spring and the harvest, probably cast by Le Fonderies d'Art du Val d'Osne. The charming four-putti sculpture with a front standing putto holding a pole amongst wheat stalks, another putto kneeling and collecting wheat, a third one wearing a hat and picking flowers for a wreath and the fourth kneeling putto holding a bird's nest, all below an elongated classical stem with a glass globe (Electrified), circa: Paris, 1900. Overall height: 84 inches (213.4 cm). Width: 29 1/2 inches (74.9 cm). Circular base diameter: 24 inches (61 inches). Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Canvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...

A very fine and Palatial French 19th Century Louis XV Style gilt bronze figural cartel clock by Lerolle Frères, the finely frame body with a circular face with Roman numerals, the ce...

A large Italian 19th-20th century neoclassical and Greco-Roman style architectural scagliola wall plaque depicting chariots, horses, allegorical maidens and gods, inlaid and painted ...

A large Italian 19th-20th century neoclassical and Greco-Roman style architectural Scagliola wall plaque depicting chariots, horses, allegorical maidens and gods, inlaid and painted ...

Gaston Leroux (French, 1854-1942). A very fine French 19th century polychromed and patinated bronze sculpture of "Aida" resting on a sphinx, her legs crossed and holding a gilt-bronze tambourine, after the model by Gaston Veuvenot Leroux "Aida, A Femme Au Tambourin Assise Sur Une Tete De Sphinx". Signed: Gaston Leroux, Paris, circa 1890. Measures: Height 29 inches (74 cm). Width 15 inches (38.1 cm). Depth 15 inches (38.1 cm). The opulent and extensively detailed version of Aida was inspired by ethnographic findings of the mid-19th century in ancient Egypt as well as the influences of theatre and costume design. Travelers to the East had often recorded their journeys, either in writing or in pictures, but the movement of Egyptomania was wider-reaching than Egyptology. The immensely popular vogue of Egyptomania is without doubt due to the success of performing arts in recreating this era, in particular, Giuseppe Verdi's Aida. Both the Cairo and Paris premieres created sensations so large that they influenced generations of artists from Alexander Cabanel to Cecil de Mille. In Aida, the ruins of Egypt were brought back to life in full color and scale before the eyes of a generation that would make history as romantics, adventurers and explorers. The Cairo premier of Aida was entirely conceived by one of the foremost Egyptologists of the day, Auguste Mariette, who was assigned to the project by Khedive Ismail Pasha...

A very fine French 19th-20th century Louis XV style pear-shaped gilt bronze and diamond-cut-bent-glass lantern. The ovoid gilt bronze body with a single light, surmounted with three glass panels centered with a sunburst design. The scrolled gilt bronze body with scrolls, acanthus, rosettes and leaves, each panel crowned with gilt bronze bows and ribbons...

Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century interior scene of a young 'High Society' maiden getting dressed for ...

An English George II style giltwood carved console table with marble top. The ornately carved apron with filigree floral, scrolls, acanthus and flowers, centered with shell-shaped leaf flanked by a pair of cornucopias...

A fine and unusual English 19th century Edwardian style painted satinwood and silver-mounted two-door side cabinet with a twin-front-doors and a single apron drawer. The doors, sides...

A fine Italian Mid-20th century oil on panel "Battipanni" (The Carpet Beaters) by Nino Caffè (1908-1975) depicting a group of Cardinals playing around with ...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

A fine pair of French Louis XV style gilt and green-cream painted carved Fauteuils armchairs, attributed to Maison Jansen. The arched back frame crowned with carvings of flowers with...

A French belle époque Louis XV style giltwood carved pedestal stand with marble top. The circular pedestal with a carved floral apron depicting flowers and fitted with a veined white...

A French belle époque Louis XVI style giltwood carved pedestal stand with marble top. The circular pedestal with carvings of flowers and fitted ...

A French Belle Époque Louis XVI style giltwood carver pedestal stand with marble top. The circular pedestal with carvings of flowers and fitted ...

A fine French 19th-20th century Art-Nouveau patinated bronze bust of "Marie Antoinette" (Queen of France 1755-1793), after the model by Agathon Léonard or Léonard Agathon van Weydeve...

A monumental architectural French 19th century neoclassical Revival gilt bronze mounted beige and red onyx longcase grandfather clock. The very impressive clock-case surmounted by a figure of seated Classical male figure...

A fine and rare French belle époque early 20th century neoclassical Revival style gilt bronze and frosted cut-glass "Lyre Style" six-light figural chandelier. The slender scrolled gi...

A very fine and palatial French 19th century Louis XV style carved giltwood and gesso figural beveled mirror frame trumeau. The arched plate within a main...

A fine pair of French 19th-20th century Louis XVI style giltwood carved bergères, the recently upholstered and restored armchairs with a padded back, sides and loose cushion seat in ...

A very fine French Louis XV style Palissandre, Tulipwood, mahogany and Marquetry Meuble D' Appui with one door and veined black marble top, Stamped: M. Descotte & Fils, circa 1880-18...

A Louis XIV style veined white cultured cast-marble fireplace mantel. The ornately detailed mantel centered with a seashell flaked by flowers and leaves, circa late 20th century. Measures: Shelf width 67 3/8 inches (171.2 cm) Shelf depth 12 1/2 inches (31.8 cm) Body width 66 inches (167.6 cm) Overall height 44 inches (111.8 cm) Opening width 50 1/2 inches (128.3 cm) Opening height 34 inches (86.4 cm) Projection 5 inches (12.7 cm) Cultured marble...

A very fine French Louis XV style Belle Époque mahogany and tulipwood ormolu-mounted vitrine cabinet with a Brêche violette marble top, attributed to François Linke (1855-1946). The ...

A pair of Louis XVI style carved and Laqué gilded bergère settees. The elegant pair of carved loveseats, upholstered in a blue velvet, with padded backs and sides and a cushion seat,...

A very fine French 19th century Patinated bronze Figure of "Milo of Croton and the Lion" after the marble sculpture of Milon de Crotone by renown French...

A very fine French 19th century Louis XV style bureau plat (Desk - Writing Table - Ladies Desk) Cartonnier by Antoine Krieger, the quarter-veneer satiné with fruitwood stringing, the cartonnier set with a circular timepiece above seven gilt-tooled brown leather faceted drawers, the bureau plat with a gilt tooled brown leather writing surface above three frieze drawers, all lock-plates stamped MON KRIEGER...

A fine Italian 19th century Baroque style carved walnut figural throne armchair, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon...

A fine and rare Italian 19th century Baroque style carved walnut figural settee (Sofa-Loveseat), attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon...

A very fine French 19th century Napoleon III Empire style mahogany and ormolu-mounted freestanding Cheval swiveling mirror. The oval framed mirror plate surmounted with Empire style ...