Italian Paintings

each horizontal painting in an octagonal painted and gilded frame, the paintings depicting floral still lifes in cachepots

PAIR of Italian Venetian style (19th Cent) gilt framed oil paintings of canal scenes.

The floral bouquet a beautiful assortment of rich colors in a figural painted urn with a shadowy background, unframed

Maximilian Pfeiler (active Rome, circa 1694-circa 1721 Budapest) Still life with peaches, grapes, figs and pomegranate Oil on canvas, Measures: cm H 63,5 x W 47. With frame cm ...

Decorate an office or study with this beautiful antique pastoral painting. Hand painted in Italy circa 1870, the painting depicts a tranquil ...

Italian painting from the mid-20th century. Oil painting on board depicting impressionist landscape signed at the bottom left Carlo Musso (1907-1968), without authentic. Framework fo...

Roman school, late 16th-early 17th century Praying Madonna Oil on canvas, 81 x 69 cm Frame 83 x 95.5 cm A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory. The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...

19th Century Italian Classical Style Oil on Canvas Landscape in Frame

A pair of Italian baroque paintings of Jesus Christ: - An 18th Century painting that depicts the Holy Family, Child Jesus, the Virgin Mary and the elderly Saint Joseph, with the An...

Large and impressive painting of still life of flowers with a white cockatoo In an Italianate landscape with ancient columns and ruins in the background...

Italian hand painted oil on board still depicting centered floral urn with flanking parrots resting on decorative floral painted border. Early 19th Century.

Original oil on canvas painting of goats on a riverbank by an Italian mountain village. Signed C. B. M. Condition: A few minor peelings. Slight bulging in corners. Will benefit from ...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

This is a charming painting of a cherub with an arm extending forward, perhaps hold out a bouquet of flowers. The painting dates to the mid-18th century and is probably cut from a larger painting. The putti is well-framed in a French a gold leafed neoclassical-style. Considering the quality of this painting, and although not signed, the painting was most probably painted by a recognized Italian 18th century artist.

Very early Italian School Madonna and Child, Italian Baroque oil on board painting. Professionally restored. The careful removal of accumulated dirt and age-related damage, followed ...

Italian Neo-classic oil on canvas of a dark landscape with horses and figures in the foreground with a gilt frame. Chips on frame

English Victorian style full lengths portrait of a gentleman (possibly Toscanini) with a mustache wearing a long black coat & hat holding a cane (signed: LUCIA TARDITI 1913 ROMA VII)...

Original oil on canvas allegorical paining of harvest represented by Demeter, goddess of agriculture with sheaf and scythe. Unsigned. Painter unknown, 18th century Italian School. C...

Miniature depicting a Memento Mori painted in gouache on paper, grisaille technique. The frame, in ebonized fruitwood and finished with wax, black in color, is oval in shape with an ...

An early 20th century oil painting of the coastline off the Isle of Capri, near Naples painted in the impressionist style, showing rocky cliffs and the azure Mediterranean sea. The painting is titled ‘Capri’ and is signed Matteo Sarno...

Pair of grand scale oil on canvas Capriccios by a Follower of Viviano Codazzi. Mid to late 17th century of ruins and figures. Neoclassical landscape. Beautifully imagined arches with...

Painting Abstract On canvas Signed Gabriele Dali Dated 1970 Italy

This a charming late 19th or early 20th century plein aire paiting by the Italian artist Attilio Simonetti (1843-1925). The painting is inscribed al dorso "San Benedetto Del Tronto S...

This is a charming Post-Impressionist painting of a late 19th century Italian village street. The painting is well-executed by a competent artist and is signed at lower right. The in...

-Madonna Lactans, Gold Background Quattrocento Our painting is on poplar wood, characteristic of Italian Quattrocento works. The gold background is stuccoed and engraved. Our Madonna Lactans is a variation on the theme of the Madonna and Child. In Christian iconography, this subject is depicted at a moment of great intimacy, as the Virgin Mary delicately takes Christ's foot. When cleaning the work, small jets of milk can be seen ... Sano di Pietro...

Vintage Original Lithograph Featured Mother and Child Print Signed by Alexander Dobkin, Carved and Handcrafted Wooden Gold Leaf Frame with Linen...

19th century, Lombard school Portrait of a Gentleman Oil on canvas, 92 x 71 cm With frame 107 x 87 cm The elegant portrait in question depicts a carefully dressed gentle...

Original gouache & ink masterwork on paper. The artist captures the magnificence of the era with precise architectural perspective. Cerulean, ochre, & shell white celebrate the nosta...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

A portrait of The Samian (Camea) Sibyl, Italian school oil on canvas, circa 1700. sight: 19 ½ by 25 ½ inches frame: 23 ¾ by 29 ¾ inches

Nicola Simbari, Italian painter of semi-abstract impressionist works known for using colors and favoring brilliant tones, especially with a palette knife. Considered by many to be It...

This amazing piece comes from a vintage multi-million dollar Rancho Mirage, CA estate. This piece was hung on the wall in a specially designed Italian brass hardware (INCLUDED) in th...

Oil painting, possibly by Italo Cenni. I can't date it. I believe it's from the 1930s. At the bottom left, the signature is in red, but it's not legible. Good condition. Thank you.

The colors remain vivid in this 4' tall original oil on canvas painting of Greek gods Zeus and Hera. Unsigned. This portrayal of the love of the gods includes Zeus, king of the gods ...

An impressive pair of large 19th-century Italian School paintings, expertly restored and stretched to bring out the original vibrancy and detail of each piece. Recently set in elegan...

Pietro Bardellino (Italy - Naples, 1732 - 1806), attr., Sacred Heart of the Child Jesus Measurements: with frame, cm L 86 x H 99 x P 8; only the canvas, cm L 78 x H 64 The painting, made in oil on canvas, represents the Sacred Heart of the Child Jesus. Stylistically the work is attributable to Pietro Bardellino (Italy, Naples, 1732 - Naples, 1806), a pupil of Francesco De Mura and considered by critics one of the most gifted and sensitive exponents of the Rococo style in Naples. The canvas represents the Child Jesus, surrounded by flowers in an outdoor setting, while showing the sacred heart. The canvas has a well-balanced color and a strong sweetness of the child’s traits, which with the complicit gesture of the right hand, involves the viewer in the intimate and delicate sharing of the garden in which he sits. The roses, in addition to being a beautiful piece of still life, contribute to enrich the Christological message, being bearers of symbolic meanings. Marian attributes par excellence, are often side by side with Christ, whose thorns foreshadow the Passion. In the canvas, on the top left, two cherubim are observed: among them, according to the Old Testament, is God: the author therefore puts into place an iconographic and iconological hyperbole that amplifies its meaning. The iconographic theme of the Child Jesus with the Sacred Heart in his hand spread between the second half of the eighteenth century and the first of the following century. With the worship of the Sacred Heart of Jesus, the Catholic Church intends to honour the Heart of Jesus Christ, one of the organs symbolizing his humanity, which by intimate union with the Divinity, has the right to worship and love of the Saviour for men, of which His Heart is the symbol. It represents one of the fundamental devotions of Christian life, as it manifests the true face of God, who is prodigal and boundless love. It was the French mystic Saint Margaret Mary Alacoque...

Nineteenth century. Still life with fruits. Oil on canvas, 64 x 52 cm. The still life analyzed presents a mixture of floral and fruit elements arranged in a circular order o...

Signed and dated expressionistic abstract painting on canvas. Oil paint on canvas in a black and gold profile wood molding frame. Signed and dated, C Cattaneo, '73 (Carlo Cattaneo). ...

Pair of three-dimensional vintage patinated silver paintings, Italy, 1970s Measurements of the silver patinated panels: width 30 cm x height 27 cm. External measurements: width 60 cm...

Beautiful 17th century Italian school " Virgin of Sorrows " Oil on canvas Measures : 50.5 x 42.5 cm very good condition

Italian Panel, Circle of Jacopo Palma the Younger, late 16th–early 17th century " Ecce Homo" (91 x 120 x 0 cm) Good condition The image is an artistic representation of the biblical ...

Bolognese School of the 16th Century Mummy of Saint Catherine of Bologna
Oil on Panel 20,5 x 7 x 0,8 cm This rare painting depicts Saint Catherine of Bologna as a mummy, housed in a ...

A beautiful neoclassical painting made in oil on canvas and framed in a contemporary carved and gilded wooden frame. The painting features a notable use of chiaroscuro and shadows an...

Oil painting on canvas of fruit with bird nest, butterflies, insects, vegetables and Foliate entangled background. presented in a gilt and parcel black painted wooden frame. After ...

We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...

Beautiful oil painting on canvas, made on the first canvas and framed with a contemporary rectangular frame in carved and gilded wood. The painting represents a striking image of the...

The painting presents an unusual shape, that of the circle, a direct reference to the clipeated portrait of the Roman tradition. The frame is made of fruit wood finished in pastille ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Work of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges"8, on the back of the painting we find a “Certificate of Authenticity”. Measures: cm 100 x 100 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984-2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...

18th century oil on canvas of a Mediterranean harbor scene, in the manner of Claude Vernet (1714-1789) depicting a fanciful scene with castles and villas...

Important Circle of Jusepe de Ribera (1588/91-1652), "Portrait of a Bearded Man," 17th century, oil on canvas 64 x 49 cm (25.2 x 19.2 in), Frame: 85 x 70 cm (33.4 x 27.5 in) Good con...

A fully restored small northern Italian Baroque painting on canvas that may have been painted as a study, (or what is referred to as a bozzet...

Squero di San Trovaso, an old gondola boatyard on the Dorsoduro in Venice. A large Palladian style building rises above the rest, signifying a remarkable feat of Classic architectura...

FRANCISCO SOLIMENA (Canale di Serino, 1657 - Naples, 1747) Attributed - "The Madonna and Child" 17th century Oil on canvas 49 x 63 cm Good condition

Beautiful oil painting on canvas from the early 1700s depicting a Venetian landscape with port, figures and castle. The manufacture is Venetian and can be attributed to the school of Jacob De Heusch...

A 1930s futurist watercolor painting of a motorbike race by Italian futurist artist Aris Bacci. Mounted in original geometric cream mottled frame, with stun...

18th century, large Italian neoclassical oil on canvas four panels screen with Trompe L’œil These large screen is composed of four panels in oil on canvas painted. Neoclassical, dating to the second half of the 18th century. Each panel represents a trompe l'oeil, with a classical architecture with square section marble columns and large clogging. Inside the pink space of the first and third panels are painted, as inserted in a niche with bronze frame, ancient busts...

From the Emilia Romagna school of painting this is a depiction of a mother hen protecting her chicks, the period giltwood frame in perfect condition and retaining a paper label at to...

Old master sketch, Attributed to Ippolito Andreasi (Italian, 1548-1608)Angel with Arms Raised black chalk on paper 7 x 4 5/8 inches. Bilbao type marb...

Leonardo da Vinci. The Complete Paintings. Book by Pietro Marani Da Vinci in detail: Leonardo's life and work all paintings. One of the most fully ac...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...