1840s Prints

These exquisite lithographs from the "Costume du Moyen Âge" series, published in 1847, offer a captivating glimpse into the world of medieval fashion and elegance. Each print showcas...

Title: "The Mercenary's Garb: Armor and Attire in 'Costume du Moyen Âge'" Description: This lithograph from the "Costume du Moyen Âge" series, dated 1847, showcases the practical an...

Title: "Youthful Elegance: A Young Gentleman's Attire in 'Costume du Moyen Âge'" Description: This lithograph, part of the 1847 "Costume du Moyen Âge" series, depicts a young gentle...

Title: "Imperial Majesty: Emperor Frederick III in 'Costume du Moyen Âge'" Description: This lithograph from the "Costume du Moyen Âge" collection, printed in 1847, depicts Emperor ...

Title: "The Melancholic Minstrel: A Musical Performer's Attire in 'Costume du Moyen Âge'" Description: This expressive lithograph from the 1847 collection "Costume du Moyen Âge" por...

Title: "Civic Pride: A Podestà's Robe in 'Costume du Moyen Âge'" Description: This detailed lithograph from the 1847 "Costume du Moyen Âge" collection features a Podestà, a chief ma...

Title: "Ecclesiastical Splendor: The Archbishop's Regalia in 'Costume du Moyen Âge'" Description: This historically rich lithograph from the 1847 edition of "Costume du Moyen Âge" d...

Title: "Aristocratic Elegance: A Lord of Richard II's Court in 'Costume du Moyen Âge'" Description: This lithograph from "Costume du Moyen Âge," dated 1847, presents a nobleman from...

Title: "Stylish Swagger: A Young English Gentleman in 'Costume du Moyen Âge'" Description: This lithograph from the 1847 publication "Costume du Moyen Âge" captures the confident st...

Title: "Medieval Discourse: A Moment Between Officials in 'Costume du Moyen Âge'" Description: This vibrant lithograph, extracted from the 1847 publication "Costume du Moyen Âge," i...

Title: "The Stature of a Milanese Noble: An Artistic Depiction from 'Costume du Moyen Âge'" Description: This finely detailed lithograph is part of the 1847 seminal work "Costume du Moyen Âge," which portrays a Milanese nobleman, attired in the fashion of the Middle Ages. The nobleman stands in a dignified pose, with a slight turn to the side that suggests movement or the commencement of an address. His garment is a robust, terracotta-hued robe, which falls in heavy folds to the ground, indicating the weight and quality of the fabric. The robe features elegant blue cuffs and a blue collar, which provide a contrast to the warm primary color and are adorned with diamond-shaped embellishments, implying a subtle yet unmistakable wealth. Atop his head sits a distinctive chapeau with a jaunty feather, adding a touch of personal flair to his ensemble. This hat, along with his full, neatly groomed beard, contributes to the air of wisdom and experience that the nobleman exudes. His expression is one of contemplation and sagacity, with eyes that appear to be observing or assessing the scene before him. As in other plates from the collection, the background is left intentionally plain, directing the viewer’s focus to the subject and his elaborate attire. This lithograph not only captures the fashion and dignity of a nobleman from Milan but also serves as a cultural and historical record, revealing the meticulous attention to detail in costume design and social hierarchy of the time. The lithograph serves as a visual study of the mores and attire of the period, crafted with reverence for the historical accuracy and an appreciation for the aesthetics of medieval clothing...

Title: "Seigneur de la Cour du Roi Henri VI" (Lord of the Court of King Henry VI) Description: This hand-colored engraving from the 1847 "Costume du Moyen Age" series represents a nobleman from the court of King Henry VI. The title "Seigneur de la Cour du Roi Henri VI" identifies the subject as a lord or high-ranking individual within the royal court of the 15th-century English monarch. The lord is portrayed in a long, ornately patterned robe that falls gracefully to the ground, indicative of the elaborate fashion of the high nobility during the time. The garment is colored in a rich teal hue, with a detailed pattern that suggests luxury and status. The robe is trimmed with a contrasting color at the neck and cuffs, and a red belt cinches the robe at the waist, highlighting the layered aspect of medieval...

Title: "Chevalier" (Knight) Description: This 1847 hand-colored engraving from the "Costume du Moyen Age" series depicts a "Chevalier," the French term for a knight. The image illus...

This hand-colored engraving, titled "Sergent d'Armes," depicts a Sergeant at Arms from the Middle Ages, a role that historically combined duties of law enforcement, security, and ceremonial functions within the royal court. The figure stands in a poised and authoritative stance, dressed in a rich blue doublet with full sleeves, edged with a yellow patterned trim that denotes his official capacity. The doublet is belted at the waist, accentuating the length of the garment which falls to the mid-thigh, a typical fashion of the period for men of status. Over the doublet, he wears a cape that drapes over one shoulder, suggesting readiness for action. The cape, matching the doublet in color and trim, reinforces his dignified position. His hose are golden, fitting snugly and shimmering in contrast to the matte finish of the doublet, indicative of the esteem of his office. The sergeant...

Title: "Noble Roman Lady of the Middle Ages" Description: The print shows a portrayal of a "Dame Noble Romaine," which translates to "Noble Roman Lady," from the Middle Ages. It is ...

Title: "Philippe le Hardi: The Bold Duke in Council" Description: This print captures Philippe le Hardi, also known as Philip the Bold, Duke of Burgundy, seated in a posture of cons...

Title: "Isabeau of Bavaria: The Queen's Regalia" Description: This print is a depiction of Isabeau of Bavaria, Queen Consort of King Charles VI of France. She is shown in an ornate ...

The image presents a nobleman of the court of Philippe le Bon (Philip the Good), Duke of Burgundy. The nobleman stands in profile, gazing into the distance, with an air of contemplat...

Title: "Italian Maidens in Traditional Attire" Description: This print is titled "Jeunes Italiennes," which translates to "Young Italian Women." It is likely a part of the 19th-cent...

Title: "Philippe le Bon: The Duke's Prestige" Description: The print showcases Philippe le Bon, also known as Philip the Good, Duke of Burgundy, standing in a dignified pose that conveys authority and nobility. He was known for his patronage of the arts and the opulence of his court, and this is reflected in the intricate detail of his attire. Philippe is dressed in a doublet with a patterned design, possibly embroidered with gold thread, which would have been a symbol of wealth and status during his time. The garment fits snugly to his form, a style that was fashionable among the nobility in the 15th century. The lower part of the doublet extends into a skirt, which is edged with fur, adding to the luxuriousness of his ensemble. He wears hose that fit tightly to his legs, a common fashion of the time, which are practical for riding and daily activities of a nobleman. His shoes are pointed, following the style of the Burgundian court. On his head, Philippe sports a chaperon, a type of headgear that was popular among men of rank. The chaperon features a rolled brim and an extended tail, known as a 'liripipe', which adds a distinctive flair to his profile. Around his neck, he has a chain, from which hangs a badge or medallion, denoting his high rank and perhaps an order of chivalry. His right hand rests on the hilt of a dagger, hinting at the martial aspect of his role as a duke and the necessity for self...

Title: "Renaissance Youth: The Italian Page" Description: This print depicts a young Italian page, a common figure in Renaissance courts, whose duties often included serving nobilit...

Title: "Louis the Bavarian: Sovereignty Enthroned" Description: This sepia-toned print from the "Costume du Moyen Age" series likely dating from 1847, features a figure known as Lou...

Title: "Maid of Orléans: A Symbol of Valor" Description: This original handcolored antique print portrays an iconic historical figure, the Maid of Orléans, known for her pivotal rol...

Title: "Dutch Peasant Woman of the Middle Ages: A Portrait of Rural Life" Description: This delicate print depicts a Dutch peasant woman from the Middle Ages, evoking a sense of sim...

This print represents King Henry VI of England, depicted in a regal and contemplative pose with hands clasped in prayer. He is dressed in a blue robe with a pattern that suggests opu...

The original antique print shows a seated figure labeled "Muger plebeia," which translates from Spanish to "Plebeian Woman" or "Common Woman." The woman is dressed in a simple yet elegant manner, indicative of the common people of the time. She is wearing a long dress in a pinkish hue with a red overdress or tunic, which drapes gracefully around her. On her head, she wears a blue hood that covers her hair, which was typical for women during various historical periods to denote modesty or as a fashion statement. Her seated position and the presence of the cane suggest rest or perhaps age. The simplicity of her clothing, without elaborate jewelry or adornments, signifies her status as part of the lower social class, although her clothing is neat and well-kept. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

This original antique print for sale shows a figure labeled "Plebeien," which is French for "Plebeian," indicating that this individual is a commoner. The person is depicted in a long, bright yellow robe with a hood, which drapes in wide folds to the ground, a style that might have been worn for warmth or work by common people during certain periods in history. The individual is gesturing outward with his right hand, perhaps in conversation or pointing towards something of interest. The expression on his face appears engaged and animated. The simplicity of the robe, despite its vibrant color, suggests practical clothing rather than the more ornate attire of the upper classes. The color could signify a particular role within the community, a trade, or simply be a choice of personal attire. The title suggests the active role of the plebeian within the community and the everyday setting in which he belongs. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

The image depicts a figure labeled as "Noble Allemand," which means "German Noble." The nobleman is shown kneeling on one leg, with his hands raised in what could be a gesture of exc...

This original antique image for sale depicts a group of figures labeled "Juges Diseurs, 2," which translates to "Judges Speakers, 2." This likely refers to a continuation of the them...

The image is labeled "Arbaletrier," which is French for crossbowman. It depicts a medieval soldier equipped for battle. The crossbowman is dressed in a pink tunic with a blue collar...

The image depicts a man identified as a "Gentilhomme de la cour de Sigismond, empereur d'Allemagne," which translates to "Gentleman of the court of Sigismund, Emperor of Germany." This individual is portrayed in a profile stance, dressed in attire that is indicative of the high-status courtiers during the time of Emperor Sigismund, who reigned in the early 15th century. He is wearing a turban-like headgear, which reflects the influence of Eastern fashion on European court attire, possibly due to the Ottoman influence or the general exchange of culture during the Crusades and subsequent interactions. His doublet is richly patterned and he has puffed sleeves in red, which were fashionable among the nobility during the period. The garment is accented with a decorative belt that holds what appears to be a purse or a pouch. He also sports tight blue hose and pointed shoes, which complete the ensemble typical of a nobleman or a high-ranking court official in the Holy Roman Empire. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

An original hand-colored lithograph showing the "Avocat des Eglises," which translates to "Advocate of the Churches." This title likely refers to a legal position within the church,...

This original antique print depicts a young Venetian man, as indicated by the caption "Jeune Vénitien," which translates to "Young Venetian" from French. The young man is dressed i...

This print from "Costume Di Moyen Age" (Costumes of the Middle Ages) published in Paris in 1847, depicts a scene from the medieval era. The image features a group of individuals in an indoor setting, likely a part of a noble class, given the richness of their attire and the elegant interior. A central figure in a blue cape with a red lining is in a dialogue or exchange with a person wearing a green and yellow patterned garment. They both are in the foreground and appear to be the primary subjects of this interaction. Behind them, there are other individuals who seem to be part of the scene, including a person in red robes who is possibly a clergyman, given the context and attire, which resembles ecclesiastical clothing. The background is adorned with Gothic architectural elements such as pointed arches and intricate detailing. Statues or figures are set within the architectural framework, suggesting a church or a similarly important building. The use of bright, primary colors is notable, and the attention to the detail in the clothing suggests a significant event, possibly a ceremony like a marriage, as indicated by the word "Casamiento" (meaning marriage in Spanish) at the bottom of the print. Overall, the print is rich in historical clothing...

This original hand-colored antique engraving appears to depict a variety of crustaceans, which are characterized by their hard exoskeletons, segmented bodies, and jointed limbs. Each...

The image uploaded is a hand-colored engraving depicting various fungi, likely from the 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez, published in 1845. Here's a description of each depicted fungus and a proposed title for the image: 1. **Agaric Orange (Orange Agaric)**: This mushroom features a cap with an orange-brown color and a white stalk. The underside gills and the volva at the base are also illustrated. 2. **Pezize Bleue (Blue Cup Fungus)**: These are depicted as cup-shaped fungi with a rich blue interior and a pale outer surface, likely representing the genus Peziza. 3. **Tremelle Oreille de Judas (Judas's Ear Fungus)**: A brown, ear-shaped fungus that resembles the species commonly known as "wood ear...

This original antique engraving displays three different mammalian species: 1. **Mephitis mephitis** - Commonly known as the striped skunk. Characterized by its prominent striped fu...

This original antique engraving depicts a variety of marine invertebrates: 1. **Phyllococte de part et d'autre épineux** - This might refer to a type of marine worm or possibly a se...

This engraving showcases two distinct animals: 1. **Meilogale Brune** - This is likely the brown-tailed mongoose (Meilogale moschata), recognizable by its elongated body, short legs...

Description: The image portrays two rodent species native to Central and South America: 1. **Chloromys acuti**, likely a historical or alternate name for the agouti, which is now ...

The print is a detailed anatomical illustration of the skeletal structure of a large animal, likely a mammal based on the bone structure. The main focus is on the axial skeleton, sho...

The image depicts two different animals, each labeled in French: 1. **Chrysochloris aurata** - This is commonly known as the Cape golden mole. It is characterized by its cylindrical...

The illustration features two primates and accompanying anatomical sketches of their skulls, indicating a level of scientific study: 1. **Colobe Guéréza** - This is the Guereza, also known as the Eastern black-and-white colobus. It is notable for its stark black and white fur, long bushy tail, and the mantle of long white hair that surrounds its back. Colobus monkeys...

The image is an antique engraving featuring two species of marine fish: Centriscus scolopax and Centriscus scutatus, also known as the Razorfish and Shrimpfish, respectively. On the...

This original antique engraving depicts the Arum Campanulatum, also known as the bell-shaped arum or campanulate arum. This print is hand-colored over 200 years ago. The plant is il...

The title encapsulates the charm and detailed beauty of the two plants, suitable for an audience that appreciates botanical art and history. The images have been cropped and assembl...

An attractive antique hand-colored print by Pierre Auguste Joseph Drapiez, depicting marine species. The English names for the species mentioned are as follows: 1. Pristipoma piqué...

Original beautiful hand-colored print of Lizards. "Scinque bleu" translates to "Blue Skink" in English. The term refers to a type of lizard from the skink family that features a bl...

Original antique print. More research is needed, but some info here: 1. **Doryphore à queue courte:"Doryphore" often translates to "potato beetle" in French, but in the context of r...

The Amboina Sailfin Lizard, scientifically known as Hydrosaurus amboinensis, is a real reptile species native to the Moluccan Islands of Indonesia, including Amboina (now known as Am...

Title: ‘1. PICUCULE A BEC EN COIN, 2. DICEE A PLASTRON, 3. TICHODROME ECHELETTE.’– (1. Woodcreeper, 2. Flowerpecker, 3. Wallcreeper.) Indulge in the allure of avian elegance with th...

Title: ‘1. PICUCULE A BEC EN COIN, 2. DICEE A PLASTRON, 3. TICHODROME ECHELETTE.’ – .(1. Woodcreeper, 2. Flowerpecker, 3. Wallcreeper.) Step into a timeless world of avian enchantme...

The megapose huppe, Turnix a Bandeau Noir and the Eudrome Elegante The "Megapodius cristatus" refers to the Malay Scrubfowl, also known as the Crested Megapode or Tabon Scrubfowl. T...

"Martinet coiffe" translates to "Crested Swift" in English. The Crested Swift is a bird species known for its distinctive crested appearance, often found in various parts of Africa a...

Title: ‘"Maenura lyre" or "Menure Lyre" refers to the Superb Lyrebird, a fascinating bird species native to Australia, particularly found in the forests of southeastern Australia, in...

Title: ‘1. TROCHILUS PELLA – COLIBRI TOPAZE, 2. TROCHILUS LONGIROSTRIS – COLIBRI A LONG BEC.” – Translation: 1. Crimson Topaz, hummingbird, 2. Long-billed Starthroat, hummingbird. ...

The antique print features three captivating bird species: the Ara Tricolore, the Black Sunbird, and the female Argus Pheasant. Each bird is intricately depicted with detailed precis...

Title: ‘1. PODICEPS CRISTATUS – GREBE HUPPE, 2. MORMON FRATERCULA – MACAREUX MOINE, 3. APTENODYTES PATACHONICA – GRAND MANCHOT, 4. LARUS MARINUS – MOUETTE A MANTEAU NOIR.’ 1. Great C...

1. RHYNCHDA CAPENSIS – RHYNCHEE DU CAP OU DE MADAGASCAR, 2. EURYPYGA HELIAS – CAURALE PHALENOIDE. (translated; 1. Painted snipe, 2. Sunbittern, a bittern-like bird of tropical regi...

1. CANCROMA COCHLEARIA – SAVACOU COCHLEARIA, 2. SCOPUS UMBRETTA – OMBRETTO DU SENEGAL, 3. PLATALEA AJAJA – SPATULE ROSE. The antique print showcases three vividly depicted bird spec...