1840s Prints

Title: Dutch Regional Costumes – North Holland and Zuyderzee Figures, c.1845 This finely executed hand-colored lithograph, titled “Europe – Hollande,” originates from the mid-19th-c...

Title: German Regional Costumes – Bavarian and Saxon Figures, c.1845 Description: This elegant hand-colored lithograph, titled “Europe – Allemagne,” originates from Le Monde en Esta...

These beautiful hand-colored botanical illustrations, drawn and lithographed by the renowned artist Walter Hood Fitch, were featured in Sir William Jackson Hooker's *"Curtis's Botanical Magazine,"* published in London in 1847. Fitch was one of the most prolific and skilled botanical illustrators of the 19th century, known for his ability to capture the intricate details and vibrant hues of the plants he depicted. Sir William Jackson Hooker, a famous British botanist and the director of the Royal Botanic Gardens, Kew, commissioned these illustrations as part of his work to document newly discovered plants from around the world. The *Curtis’s Botanical Magazine* has been published since 1787 and remains one of the longest-running botanical periodicals. Detailed Descriptions of Each Plant #### 1. **Dipladenia Rosa-campestris** (*Hortul. ex Veitch*) - **English Name**: Rose Dipladenia - **Description**: This illustration showcases *Dipladenia rosa-campestris*, a striking flowering plant known for its showy pink to deep red trumpet-shaped flowers. Native to tropical regions of South America, particularly Brazil, *Dipladenia* belongs to the family Apocynaceae and is prized in horticulture for its vibrant blooms and ability to climb. Fitch's illustration emphasizes the waxy leaves and the vivid color of the petals, bringing the plant to life on the page. #### 2. **Begonia fuchsioides** (*Hook.*) - **English Name**: Fuchsia-flowered Begonia - **Description**: The *Begonia fuchsioides* is depicted with its characteristic red, pendulous flowers, which closely resemble the blooms of fuchsia plants. This species of Begonia is native to tropical regions and is popular for its delicate, bell-shaped flowers and glossy leaves. Fitch’s attention to the arrangement of the leaves and the contrast between the flowers' vibrant red and the soft green leaves provides a lifelike representation of this exotic plant. #### 3. **Agalmyla staminea** (*Blume*) - **English Name**: Staminate Agalmyla - **Description**: This illustration captures the unique red tubular flowers of *Agalmyla staminea*, a plant native to Southeast Asia. The species is part of the Gesneriaceae family and is known for its bright, showy flowers that grow in dense clusters. Fitch’s careful rendering of the plant’s leaves and the intricate veining, along with the vibrant red flowers, highlights his talent for bringing the botanical subject to life with both scientific accuracy and artistic flair. ### About the Makers #### **Walter Hood Fitch** (Artist and Lithographer) Walter Hood Fitch (1817–1892) was one of the most influential botanical artists of the 19th century, working primarily with Sir William Hooker and later his son, Joseph Dalton Hooker, at Kew Gardens. He produced thousands of illustrations for various botanical publications, including *Curtis’s Botanical Magazine*, where he was responsible for the majority of its plates from 1834 to 1877. Fitch’s mastery of lithography allowed him to create richly detailed and accurate depictions of plants, with a particular talent for illustrating both the botanical structure and the vibrant colors of flowers. #### **Sir William Jackson Hooker** (Director and Editor) Sir William Jackson Hooker (1785–1865) was a prominent British botanist and the director of the Royal Botanic Gardens, Kew. Under his leadership, Kew Gardens expanded its collection of plants from around the world, and Hooker was instrumental in promoting the scientific study and illustration of these species. As the editor of *Curtis’s Botanical Magazine*, Hooker collaborated with Fitch to document and share the beauty and diversity of plants with the scientific community and the public. ### The Lithographic Technique Lithography, particularly chromolithography, was a crucial innovation in botanical illustration. Fitch was skilled in the traditional method of lithography, where an image was drawn onto a stone plate with a greasy substance and then inked for printing. Hand-coloring was often applied afterward to bring the prints to life, as seen in these illustrations. This method allowed for highly detailed, accurate representations of plants and their botanical features, making it invaluable for both scientific study and aesthetic appreciation. ### Conclusion These prints from *Curtis’s Botanical Magazine* reflect the height of botanical art in the mid-19th century. The combination of Walter Fitch...

Wonderful image of The Massacre of The Innocents Fine steel engraving Published by Fisher. C.1850 Unframed. Free shipping

Battle of Montmirail, February 11, 1814 - Iconic Napoleonic War Engraving by Lechard This impressive 19th-century engraving captures the dramatic Battle of Montmirail, fought on Feb...

Description: Antique print titled 'Sydney in New-South-Wales'. View of the city of Sydney, Australia. Originates from 'Meyers Universum'. Artists and Engravers: Joseph Meyer ...

Napoleon Shows Mercy to Princess Hatzfeld, 1806 - Emotional Historical Engraving This striking 19th-century engraving portrays the poignant scene of Princess Hatzfeld imploring Napo...

"Dame du XIIIe Siècle" (Lady of the 13th Century) Description: This delicate hand-colored engraving from the 1847 "Costume du Moyen Age" series depicts a lady from the 13th century....

This lithograph, titled "Samoyèdes," depicts a man from the Samoyedic peoples, an ethnic group from the Arctic parts of Russia, known for their nomadic reindeer herding. The 1844 h...

Title: "Noble Bearing: A German Gentleman in Medieval Attire from 'Costume du Moyen Âge'" Description: This 1847 lithograph from the esteemed collection "Costume du Moyen Âge" showc...

Wings of Elegance: Hand-Colored 1849 Lithograph of Exotic Butterflies from Carl Hoffmann’s 'Book of the World' This captivating hand-colored lithograph from Carl Hoffmann’s 'Book of...

Great image of baboons Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Publishe...

Title: "Striking 1844 Lithograph of a Formosan Warrior in Traditional Attire" This print is a handcolored lithograph from the "Moeurs, Usages et Costumes de tous les Peuples de Mond...

The image is labeled "Juge criminel anglais," which translates to "English Criminal Judge." The figure depicted is wearing a long, flowing robe with a blue undergarment and a red cape, which is indicative of the traditional robes worn by English judges, especially in higher courts. The judge also wears a white coif, which was a typical head covering for English judges and serjeants-at-law. He carries a staff, which may symbolize authority or the office of the judiciary. His belt is richly decorated, suggesting the importance and high status of his position within the legal system. The robes and coif show significant detail, such as the fur lining on the cape and the gold fastening on the belt, which alludes to the formality and solemnity of the judicial office. The judge's expression is stern and somber, reflecting the serious nature of his role in adjudicating criminal matters. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

The image features three different mammal species: 1. **Sciurus aureventer** - This is likely an old taxonomic name, and the animal depicted resembles a squirrel, recognizable by it...

Title: Handcolored 1849 Engraving of Siamese Brother Woman from Calcutta, d'Orbigny This remarkable handcolored engraving, created by Fournier after an illustration by Werner, originates from Charles d'Orbigny's *Dictionnaire Universel d'Histoire Naturelle* (Universal Dictionary of Natural History), published in Paris in 1849. It captures ethnographic portraits with exceptional detail and accuracy, offering an invaluable glimpse into 19th-century anthropological studies. The top two figures represent one of the famous "Siamese brothers," likely referring to the conjoined twins...

Title: Guam Island Ethnographic Lithograph – "Mariquitta, Jeune Fille de Gubam" Description: This striking lithograph, "Mariquitta, Jeune Fille de Gubam," beautifully captures the...

Title: 19th Century Guam Mourning Costume Lithograph – Dolorida, Gubam Island Description: This poignant lithograph, titled "Dolorida (Gubam)," captures a woman from Guam in a tr...

Wonderful set of 6 natural history prints. Original hand colored lithographs. After drawings by Cpt. Brown. Published by Fullarton, 1847 Unframed.

1856 Hand-Colored Lithograph of Rhinoceros Beetles – Natural History Illustration of Exotic Coleoptera This illustration depicts rhinoceros beetles, likely a species from the genus ...

19th-Century Hand-Coloured Lithograph of a Knightly Joust in Bold Red and Green This rare and original hand-coloured lithograph, produced in 1842, transports the viewer back to the ...

Title: "Elegant Tartar Woman from Tomek: 19th-Century Hand-Colored Portrait" This captivating print, entitled "Femme Tartare de Tomek," illustrates a Tartar woman from Tomek, Asia, dressed in traditional attire that highlights her cultural heritage. The Tatars are a Turkic ethnic group native to Eastern Europe and Central Asia. Historically, they have been associated with the Tartar regions within the Russian Empire, particularly in areas like Crimea (Crimean Tatars...

Title: Dramatic 19th-Century Lithograph of Knights with Elaborate Spiked Shields Description: This remarkable hand-coloured lithograph features two armoured knights engaged in an in...

German Travelers - After Lucas Cranach, 1840 - Hand-Colored 19th Century Engraving This charming hand-colored engraving, titled "Voyageurs" ('Travelers'), is based on a design inspi...

Title: "Medieval Bourgeois: A Portrait of Urban Sophistication" Description: This print appears to depict a man of the bourgeoisie, the urban middle class, during the medieval perio...

The lithograph titled "Mingrelien" depicts a man from Mingrelia (historically part of Western Georgia), showcasing traditional attire and daily activities typical for the region. Here are some insights: This 1844 handcoloured lithograph captures a Mingrelian man engaged in daily activities, part of Auguste Wahlen’s "Moeurs, Usages et Costumes de tous les Peuples de Monde." Published in Paris, the print vividly illustrates the traditional dress and lifestyle of Mingrelia, a region known for its rich cultural heritage within Georgia. The man is depicted carrying a basket of grapes, suggesting involvement in viticulture, which is a significant aspect of Georgian agricultural practices. His outfit is practical yet colorful, with a combination of a red tunic...

19th-Century Hand-Coloured Lithograph of Fallen Knights and Horses Post-Joust This original hand-coloured lithograph, produced in 1842, offers a poignant a...

Title: Die gefleckte Hyäne (Spotted Hyena) - Hand-Colored Zoological Print, Circa 1840 Description: This beautifully hand-colored zoological print titled "Die gefleckte Hyäne" (Spot...

Title: Prise de Breda, 24 Février 1793, from Galerie Historique de Versailles Description: This finely engraved print depicts the French forces capturing Breda on February 24, 179...

Antique print titled 'Religieuse Feuillantine'. Print of a Nun of the order of Feuillantines, Congregation of Our Lady of the Feuillants, Cistercian. This print originates from 'Histoire et Costumes des Ordres Religieux'. The Feuillants were a Catholic congregation originating in the 1570s as a reform group within the Cistercians in its namesake Les Feuillants Abbey in France, which declared itself an independent order. In 1630 it separated into a French branch (the Congregation of Our Lady of the Feuillants) and an Italian branch...

"Indostan People's Traditional Attire Depicted in Auguste Wahlen's 19th Century Prints" This lithograph represents a man from the common people of Hindustan, captured in his traditi...

This handcoloured lithograph titled "Femme Persane" vividly captures the traditional attire of a Persian woman, showcasing the rich cultural heritage and detailed craftsmanship of 19th-century Persia. The print is part of Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde," published in 1844 in Paris. The image stands out for its intricate detailing, especially the veil and robe, which are adorned with elaborate patterns and vibrant colors typical of Persian fashion. The woman's attire includes a veil that covers the face partially, known as a "ruband," which was commonly worn in public by women in some regions of Persia as a sign of modesty and status. Her robe, layered and colorful, reflects the sophisticated textile techniques of the time, including embroidery and fabric dyeing, which were highly regarded skills in Persian society. The attractiveness of such prints lies in their ability to convey the elegance and intricacy of Persian women's fashion, providing a window into the everyday life and social customs of the time. The use of handcoloured lithography, a popular printing technique of the era, allows for vivid coloration and detailed representation, making these prints highly desirable for collectors and enthusiasts of historical fashion and cultural heritage. Keywords: - Antique Persian prints...

This antique print for sale portrays a halberdier from the time of Charles the Bold, also known as Charles the Rash, who was Duke of Burgundy from 1467 to 1477. The halberdier is dressed in a traditional military garb indicative of the late Middle Ages. He stands poised with a halberd, a combined spear and battle-axe weapon that was a common part of the infantry's arsenal during that period. His attire is both functional and symbolic, featuring a tabard with what appears to be a heraldic emblem over a chainmail armor...

Title: 'Billbergia liboniana – A Stunning Botanical Print by Hoola van Houten' This vibrant hand-colored botanical print depicts the Billbergia liboniana, an exotic bromeliad nati...

19th-Century Hand-Coloured Knights Jousting in Ornate Black Caparisons This splendid original hand-coloured lithograph, created in 1842, captures the elegance, drama, and artistry...

19th-Century Hand-Coloured Jousting Print: Heraldic Knights Charging in Contest This original hand-coloured lithograph, created in 1842, offers a striking window into the martial pa...

19th-Century Hand-Coloured Jousting Print: Knights on Striped and Starry Caparisoned Horses This splendid original hand-coloured lithograph, produced in 1842, offers a fascinating g...

19th-Century Hand-Coloured Lithograph of Swords, Axes, and War Hammers Description: This finely executed hand-coloured lithograph features an impressive display of medieval and Re...

Title: 19th-Century Lithograph of Early Stone Tools from 'Der Rittersaal' Series Description: This unique monochromatic lithograph showcases a collection of early stone tools, met...

Title: 19th-Century Hand-Coloured Lithograph of Armoured Duel with Spiked Shields Description: This original hand-coloured lithograph is a captivating scene from the 1842 publicati...

19th-Century Hand-Coloured Print of a Drummer on Horseback in Medieval Attire This original hand-coloured lithograph, dating from 1842, provides a captivating look into the ceremoni...

Title: 19th-Century Hand-Coloured Lithograph of Medieval and Renaissance Helmets Description: This hand-coloured lithograph features a diverse collection of medieval and Renaissan...

Description: Antique map Asia titled 'Asie Ancienne'. This is an original antique map of Ancient Asia and originates from 'Atlas de la Geographie Un...

Title: "Agnes Sorel: Grace of the Royal Court" Description: This print depicts Agnes Sorel, famously known as the chief mistress of King Charles VII of France and a noted beauty of ...

Antique map titled 'Germany'. Old map of Germany. This map originates from 'A New Universal Atlas Containing Maps of the various Empires, Kingdoms, ...

Old colored lithograph by Fairland after W. Nicholson, from "The Breeds of the Domestic Animals of the British Isles" by David Low, published in London, 1842. The lithograph depicts...

Title for catalogue: The Castle of Stolzenfels on the Rhine, 1840 Detailed description: This vibrant chromolithograph from 1840 offers a striking view of the Castle of Stolzenfels...

"1844 Vibrant Indian Cultural Prints: Musician and Dancer Lithographs" Description: Explore the rich heritage of India with these 1844 handcoloured ...

The lithograph of the Georgian woman, titled "Georgienne," is a beautifully rendered depiction of traditional Georgian attire, illustrating not only the cultural fashion but also the detailed craftsmanship typical of the region. Here are some fascinating aspects of the print and its broader cultural context: 1. Traditional Georgian Dress: The woman is depicted wearing a traditional Georgian dress, which is both colorful and ornately decorated. Such dresses typically feature intricate embroidery and vibrant patterns, reflective of the rich textile traditions in Georgia. 2. Headpiece and Veil: The headpiece, adorned with an initial 'A', possibly a personal or family symbol, is characteristic of the regional headdresses worn by women in Georgia, which often signify marital status and regional identity. The veil adds an element of modesty and grace, common in many traditional Georgian women's outfits. 3. Jewelry and Accessories: The use of necklaces and other jewelry in the print highlights the importance of metalwork and jewelry in Georgian culture, often used to signify status and personal wealth. 4. Cultural Representation: Georgian traditional costumes are known for their diversity, influenced by the various historical periods under different empires. Each region in Georgia has its distinct style of dress, which tells a lot about the local customs and the historical influences that shaped them. 5. Artistic Technique: The print is a handcoloured lithograph, a popular method in the 19th century that allowed for detailed and vivid coloration in printed materials. This technique involves drawing onto a stone or metal plate with a greasy substance; the image is then inked and pressed onto paper, after which it is often colored by hand. This particular print not only serves as a visual delight but also as a cultural document, preserving the traditional attire and aesthetic sensibilities of Georgian women in the 19th century. It provides valuable insights into the historical and cultural identity of Georgia during this period. When searching for prints like the Georgian woman lithograph, people typically use keywords that reflect the cultural, historical, and artistic aspects of the piece, like the following: 1. **Antique Georgian prints...

This hand-colored engraving, titled "Jongleur," portrays a medieval entertainer, a precursor to modern-day musicians and performers. The term "jongleur" denotes a versatile artist commonly seen in medieval courts and public spaces, engaging audiences with music, poetry, and storytelling. In this print, the jongleur is shown playing a flute-like instrument, focused intently on his performance. His attire is strikingly colored, with a blue tunic that falls above the knee, allowing for ease of movement during his performance. The tunic is cinched at the waist by a darker belt, which helps to secure his garment during his active profession. Over his shoulders, he wears a red cape, which may symbolize his role as an entertainer, often brightly dressed to stand out in a crowd. He wears tight red hose, a common element of medieval clothing...

This work is a hand-colored toned lithograph, likely created by Théodore du Moncel around 1840. It depicts a picturesque view of a fortified hill with a bustling waterfront and a var...

Antique print, titled: 'Histoire Sainte. - Ancien Testament. Vision des trois Anges' - This plate shows a scene from the Old Testament; The vision of the three Angels. From a Rare set of 60 plates showing scenes from the Old Testament of the Catholic Bible...

Title: "Clerical Dignity: An English Priest in 'Costume du Moyen Âge'" Description: This lithograph, part of the "Costume du Moyen Âge" series from 1847, depicts an English priest a...

Antique Print of the Anglerfish (Lophius piscatorius) – Gaimard, 1842 This striking hand-colored lithograph depicts the Anglerfish (Lophius piscatorius), known in French as La Baudr...

Old colored lithograph by Fairland after W. Nicholson, from "The Breeds of the Domestic Animals of the British Isles" by David Low, published in London, 1842. The lithograph depict...

Old colored lithograph by Fairland after W. Nicholson, from "The Breeds of the Domestic Animals of the British Isles" by David Low, published in London, 1842. The lithograph depict...

Old colored lithograph by Fairland after W. Nicholson, from "The Breeds of the Domestic Animals of the British Isles" by David Low, published in London, 1842. The lithograph depict...

Old colored lithograph by Fairland after W. Nicholson, from "The Breeds of the Domestic Animals of the British Isles" by David Low, published in London, 1842. The lithograph depict...

Title: 1844 Blue-Tailed Bee-Eater Male - Extremely Rare Hand-Colored Lithograph from Carl Hoffmann's *Book of the World* Description: This exquisite 1844 hand-colored lithograph ...

Title: "Japanese Cavalryman and General from 1844 in Wahlen's Historical Lithographs" Description: These hand-colored lithographs feature a *Cavalier Japonais* (Japanese Cavalryman)...