1840s Prints

Polish Chevau-Léger Light Cavalry, Napoleonic Wars Hand-Colored Print 1812 This finely hand-colored military print depicts a Chevau-Léger (Polonais), a Polish light cavalryman servi...

Napoleonic Swiss Grenadier, Régiments Suisses 1812 – Imperial Guard Print This finely executed hand-colored military print depicts a grenadier of the Swiss regiments in French Imper...

Napoleon I Dragoon of the Imperial Guard on Horseback, French Military Print This original 19th-century hand-coloured military print depicts a Dragoon of the Imperial Guard serving under Emperor Napoleon I, shown mounted on horseback in full ceremonial and campaign uniform. The scene represents one of the elite cavalry units of Napoleon’s Grande Armée, renowned for discipline, strength, and their prominent role in both battlefield action and imperial pageantry. The print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, illustrated after designs by Horace Vernet and published in Paris in 1843. Although issued decades after the events, the series is widely regarded for its historically accurate rendering of Napoleonic uniforms, equipment, and military bearing. Vernet, the foremost painter of Napoleonic subjects, drew upon first-hand military knowledge and contemporary sources to recreate the imperial army with precision and authority. The Dragoon is shown wearing the distinctive helmet with horsehair crest, green and white uniform with yellow facings, tall riding boots, and full accoutrements, including saber, musket, and rolled equipment. The powerful horse and poised posture emphasize the mobility and striking presence of the Imperial Guard cavalry, a formation personally associated with Napoleon and symbolic of his rule. The clean background and restrained landscape focus attention on uniform detail, making this an especially strong decorative and documentary example. Such prints were intended both as historical record and patriotic tribute, celebrating Napoleon I and the military structure that supported his empire. Today, they are highly sought after by collectors of Napoleonic history, French military art...

Napoleon I Polish Legion Infantry, Legion Polonaise Uniform Print 1843 This original 19th-century hand-colored military print depicts soldiers of the Polish Legion (Légion polonaise...

Hussar Cavalryman on Horseback, Napoleonic Military Print, France 1809 This hand-coloured 19th-century military engraving depicts a French hussar in full mounted action, dated 1809,...

Train of Artillery and Foot Artillery, Napoleonic Military Print 1809 This finely hand-coloured 19th-century engraving depicts two soldiers of Napoleon Bonaparte’s artillery arm: a ...

Artillerie à Cheval, Imperial Guard Cavalry, Napoleonic Military Print, 1843 This finely hand-coloured 19th-century engraving depicts a mounted artilleryman of Napoleon Bonaparte’s ...

Imperial Guard Foot Artillery and Train, Napoleonic Military Print c1843 This finely hand-coloured 19th-century engraving depicts members of the Imperial Guard artillery during the ...

Napoleonic Carabinier 1805, Imperial Guard Heavy Cavalry Print Description: This original hand-coloured 19th-century engraving depicts a Carabinier of the French heavy cavalry during the Napoleonic Wars, dated 1805, at the height of Napoleon Bonaparte’s imperial power. Shown standing beside his horse in full service uniform, the figure represents one of the most elite and physically imposing cavalry units of the Grande Armée. The tall bearskin headdress, red epaulettes, long sword, and carefully detailed equipment emphasize the prestige and battlefield authority of the Carabiniers. The Carabiniers were renowned for their strength, discipline, and shock tactics, serving as heavy cavalry alongside the cuirassiers during Napoleon’s major campaigns, including Austerlitz. Unlike lighter cavalry units, they were intended to break enemy lines through sheer force and momentum, a role reflected in the solid stance of the soldier and the powerful build of the horse. The composition balances military precision with quiet authority, reinforcing the elite status of this corps within Napoleon’s army. This print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843, with illustrations after designs by Horace Vernet. Vernet was the foremost military art...

Napoleonic Gendarme d’Élite, Imperial Guard Cavalry, Hand-Coloured Print This finely hand-coloured 19th-century engraving depicts a mounted Gendarme d’Élite of the Imperial Guard, one of the most prestigious cavalry units serving under Napoleon Bonaparte. Shown in full dress uniform astride a powerful horse, the figure embodies the discipline, authority, and ceremonial grandeur associated with Napoleon’s elite guard formations. The tall bearskin headdress, carefully detailed uniform, and richly rendered horse equipment emphasize the exceptional status of this unit within the French military hierarchy. The Gendarmes d’Élite were not conventional battlefield cavalry but a highly selective corps responsible for internal security, ceremonial duties, and the protection of the Imperial Guard itself. Their role demanded impeccable appearance and absolute loyalty, qualities clearly conveyed in this authoritative and composed representation. The artist presents the figure almost monumentally, reinforcing the symbolic function of the unit as an extension of imperial power. This print originates from Histoire de l’Empereur Napoléon by P.-M. Laurent de l’Ardèche, published in Paris in 1843, with illustrations after designs by Horace Vernet. Vernet was the most influential military artist of 19th-century France and played a decisive role in shaping the visual legacy of the Napoleonic era. His works are renowned for their accuracy in uniforms and equipment, combined with a strong sense of character and historical drama. Produced during the mid-19th-century revival of interest in Napoleon and his empire, this engraving reflects both historical documentation and romantic admiration. It is a strong and collectible image, appealing to collectors of Napoleonic history, French military art...

Title: French Heavy Cavalry 1795, Napoleonic Military Uniform Print This finely hand-colored 19th-century engraving depicts a mounted soldier of the French heavy cavalry (Grosse Cavalerie) as it appeared in 1795, during the formative years of the French Revolutionary Wars that directly preceded Napoleon Bonaparte’s rise to power. Shown astride a powerful horse, the cavalryman wears the characteristic uniform of the period, combining practicality, elegance, and martial presence. The image reflects the transition from Revolutionary armies to the professionalized forces that would soon become the Grande Armée. Heavy cavalry played a decisive role in French military doctrine, valued for shock tactics, battlefield dominance, and symbolic authority. The careful rendering of uniform details, horse equipment, and posture emphasizes discipline and prestige, qualities later strongly associated with Napoleonic warfare. This print originates from Histoire de l’Empereur Napoléon by P.-M. Laurent de l’Ardèche, published in Paris in 1843, and is based on designs by Horace Vernet. Vernet was the leading military artist of 19th-century France and the most influential visual chronicler of Napoleon and his army. His works are celebrated for their accuracy, clarity, and lasting impact on the visual memory of Napoleonic history. Produced during the great Napoleonic revival of the mid-19th century, the print reflects both historical documentation and romantic admiration for the era. It is particularly appealing to collectors of Napoleonic material, French military history, and antique uniform...

French Hussar with Horse 1795, Napoleonic Era Military Uniform Print This finely hand-colored 19th-century engraving depicts a French hussar accompanied by his horse, shown in the distinctive uniform of 1795 during the French Revolutionary period that directly preceded the rise of Napoleon Bonaparte. The figure is presented at rest, holding his sabre, while the saddled horse stands...

Napoleon Bonaparte on Horseback, L’Empereur – French Hand-Colored Print, 1843 This striking 19th-century hand-colored print depicts Napoleon Bonaparte in one of his most enduring and carefully constructed visual roles: the calm, commanding emperor on horseback. Shown mounted on a poised grey horse, Napoleon is rendered in his characteristic attire—dark coat, bicorne hat, and the red sash of the Legion of Honour—projecting authority, discipline, and control. His composed posture contrasts with the dynamic movement of the horse, a visual device frequently used in Napoleonic imagery to suggest mastery over both men and circumstance. Behind him, attendants and officers follow at a respectful distance, reinforcing his position as supreme commander. The sparse landscape keeps the focus firmly on Napoleon himself, turning the scene into a timeless emblem rather than a specific battlefield episode. The caption beneath the image, “L’Empereur,” leaves no ambiguity about the subject and reflects the iconic status Napoleon held in French visual culture long after his fall. This print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843 and illustrated after designs by Horace Vernet, the most influential Napoleonic painter of the 19th century. Vernet’s imagery played a crucial role in shaping the posthumous legend of Napoleon, blending historical reference with idealized representation. Such prints were intended both as historical illustrations and as objects of admiration, suitable for framing in bourgeois and official interiors. As an equestrian portrait, this work belongs to a long artistic tradition associated with power, leadership, and imperial legitimacy. It remains highly appealing to collectors of Napoleonic history, French military art...

Description: Antique print titled 'Interieur de l'Eglise Grecque du Saint-Sepulcre'. Tinted lithograph depicting the Greek Chapel of the Holy Sepulchre. This print originates from 'La Terre Sainte...

Title: "Jeune Fille Arabe in Traditional Attire from Wahlen's 1844 Lithographs" Description: This hand-colored lithograph, titled *Jeune Fille Arabe* (Young Arab Girl), is from the Asia volume of Auguste Wahlen’s "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners, and Dress of All the Peoples of the World), published in 1844. The print was created by an anonymous engraver after Wahlen’s work, with artists like Evrard Duverger, L. Markaert, and R. King contributing to the collection. Enhanced with Arabic gum on vellum paper, the lithograph offers a striking representation of an Arabian woman in traditional attire, including a striped dress, animal-print shawl, and ornate jewelry. Cultural and Artistic Insight: The subject's attire reflects a blend of practical clothing and decorative elements, such as the striped fabric and the leopard-patterned wrap. Her jewelry, including bracelets and a headpiece, highlights her status or cultural identity. The presence of a background with tropical trees and village buildings suggests that this scene might depict a coastal or rural area, where both traditional and more exotic elements are incorporated into daily life. Attractiveness: The vivid hand-coloring, along with the detailed rendering of fabric patterns and accessories, makes this print particularly appealing. The glossy finish provided by the Arabic gum adds depth to the colors, giving the illustration a luminous quality. The juxtaposition of traditional Arabian dress...

Title:"Circassian and Imeretian Princes in Traditional Attire, 1844 Lithographs" This horizontal compilation features two lithographs from Auguste Wahlen's 1844 series, "Moeurs, Usages et Costumes de tous les Peuples de Monde," depicting princes from Circassia and Imeretia in traditional attire. These prints, made using handcoloured lithography, highlight the distinctive cultural dress and accessories of these regions in Asia. The Circassian prince is adorned in a decorative military-style outfit, complete with armor and a bow, symbolizing his warrior status. The Imeretian prince's attire is similarly martial but incorporates more vivid colors and a less formal style, reflecting the different ceremonial and functional aspects of his region's attire. The attractiveness of these prints lies in their vibrant coloration and meticulous detail, which not only make them visually striking but also serve as valuable historical records of cultural heritage and traditional dress. The technique of handcoloured lithography allows for precise detail and rich hues, enhancing the visual impact and historical authenticity of each figure. Keywords: - Antique Circassian prints - Imeretian historical attire - Handcoloured lithographs - 19th-century cultural costumes - Auguste Wahlen artwork - Collectible historical prints - Traditional warrior attire lithographs - Asian prince...

Title: "Venetian Dignity: The Doge in Contemplation" Description: This handcolored historical print captures a Doge of Venice in a moment of solemn reflection. The Doge, as the chie...

A Rare Botanical Study of Exotic Flora by Hoola van Houten* This beautifully hand-colored botanical illustration by Hoola van Houten features an exotic flowering plant, carefully ...

"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft" Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan. The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art. The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights: 1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry. 2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations. 3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles. 4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand. 5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century. This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century. Keywords: - Antique Uzbek prints - Handcoloured lithography - 19th-century Central Asian costumes - Auguste Wahlen lithographs - Traditional Bukharan attire - Ethnographic art prints - Collectible cultural lithographs - Historical Uzbek fashion - Asian historical prints - Vintage Uzbek art...

Title: Der Bison (American Bison) - Hand-Colored Zoological Print, Circa 1840 Description: This exquisite hand-colored lithograph, titled "Der Bison" (The Bison), showcases the *B...

Original antique illustration of a depiction of Actinia viridis, commonly known as the Snakelocks Anemone. These creatures possess a green hue due to the presence of a green fluoresc...

Title: "Chivalric Poise: Aubrey de Vere, Earl of Oxford, as Depicted in 'Costume du Moyen Âge'" Description: This lithograph from the 1847 volume "Costume du ...

Description: Antique print titled 'Arabischer Handelsmann'. Original antique print of an Arabian merchant. This print originates from 'Die Volker des Erdballs (..)' by H. Berghau...

Title: Prepusa hookeriana – A Rare Botanical Print by Hoola van Houten in Elegant Matting This finely hand-colored botanical print features 'Prepusa hookeriana', a striking and ra...

‘HIPPOPOTAMUS CAPENSIS – HIPPOPOTAME DU CAP.’ ‘ – (Hippo, a large, mostly herbivorous mammal in sub-Saharan Africa.) The Hippopotamus capensis, commonly known as the Hippopotamus or...

Title: "Cardinal of the Middle Ages" Description: This print depicts a cardinal from the Middle Ages, as part of the work "Costume du Moyen Age" from 1847. The cardinal is shown in ...

Antique print titled 'Hospitalier du Saint-Esprit'. Print of a Hospitaler of the Order of the Holy Ghost, Hospitallers of the Holy Spirit, Roman Catholi...

Title: "Chinese Merchant with Sail Cart from Wahlen's 1844 Lithographs" This hand-colored lithograph titled *Marchand Chinois – Voiture à voile* (Chinese Merchant – Sail Cart) is fr...

Antique costume print titled 'Douran (Asie)'. Original antique print of an Arabian man. This print originates from 'Moeurs, usages et costumes de tous ...

The prints are from Louis Van Houtte's and Charles Lemaire's "Flore des Serres et des Jardins de l'Europe," a detailed collection of botanical lithographs showcasing plants grown in ...

Great images of toucans and woodpeckers Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Title: "Regal Elegance of Marie de Hainaut: An Illustrative Plate from 'Costume du Moyen Âge'" Description: This captivating lithograph is a distinguished illustration from the 1847...

Antique print titled 'Ein Maure aus Algier'. Original antique print of a Moor from Algiers. This print originates from 'Die Volker des Erdballs (..)' by H. Berghaus. Artists ...

Wonderful image after Rembrandt. Fine steel engraving. Published by Fisher, London. circa 1840 Unframed.

Description: Antique print titled 'Jüdisches mädchen aus Algier'. Original antique print of a Jewish lady from Algiers. This print originates from 'Die Volker des Erdballs (..)' ...

Title: Handcolored Engraving of African and Charrúa Men, Paris 1849, from d'Orbigny's 'Dictionnaire Universel d'Histoire Naturelle' This rare and striking handcolored engraving, c...

Title: "Exquisite 19th-Century Lithograph of a Siamese Man by Auguste Wahlen" Description: This handcolored lithograph from Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners and Dress of All the Peoples of the World) features a Siamese man dressed in traditional attire. The print showcases the individual in vibrant colors, donning a distinctive pointed hat and ornate pants, with a palm plant in the background. Created by an anonymous engraver after Wahlen's design, this lithograph was published in Paris by Poiree, Pilout, Duterte, and Martinon in 1843. The technique used, handcolored lithography, enhances the visual appeal, bringing life and depth to the portrayal. These prints captivate viewers with their detailed and colorful representation of cultural attire from around the world, providing a window into the diversity of global traditions in the mid-19th century. Keywords: 19th-century lithographs, handcolored prints, traditional Siamese clothing, historical ethnic dress...

Title: "Chinese Cultural Figures in 1844 Wahlen Lithographs of Dress and Traditions" These colorful lithographs represent a variety of Chinese cultural figures, including a noblewom...

Great images of a zebra and a Mongolian ass Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Great image of crossbills Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Publi...

Great image of an eagle Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Publish...

This original hand-colored engraving showcases three distinct mammals, each labeled in French with their scientific names: 1. **Viverra fasciata** - Known as the banded palm civet. ...

Set of Four Hand-Colored Botanical Prints from Book of Worlds, 1848 This elegant set of four hand-colored botanical lithographs originates from the 1848 German natural history publi...

Great images of trogons and purple headed pigeons Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping...

Title: "Tropicbirds and Gulls: An 1849 Coastal Encounter" Description: This evocative print, titled "Tropicbirds and Gulls," is a detailed illustration from the "Book of Worlds," pu...

This print illustrates a Templar in a more subdued war attire compared to the fully armored depiction in another image of this series. He stands upright, holding a staff topped with ...

Title: Die Giraffe (Giraffe) - Hand-Colored Zoological Print, Circa 1840 Description: This remarkable hand-colored lithograph, titled "Die Giraffe" (The Giraffe), illustrates the ...

Antique Print of the Capelin and Smelt – Gaimard, 1842 This finely hand-colored lithograph depicts two important northern fish species: the Capelin (Mallotus villosus), titled Le Lo...

Great image of a grey horse Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after George Stubbs with original hand color. ...

Antique print titled 'Persischer Mollah'. Original antique print of a Persian priest. This print originates from 'Die Volker des Erdballs (..)' by H. Berghaus. Artists and En...

Amsterdam Maritime Shipyard View by Schelfhout, 19th Century Lithograph This evocative 19th-century lithograph titled 'Le Chantier d’Amsterdam' (The Shipyard of Amsterdam) offers a ...

Great image of shrike Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Great image of trogons Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Publishe...

Title: 19th-Century Hand-Coloured Lithograph Compilation of Medieval Polearms and Weapons Description: This exquisite hand-coloured lithograph compilation features a striking arr...

Title: "The Esteemed Jurist: A Magistrate's Robe in 'Costume du Moyen Âge'" Description: This lithograph, originating from the mid-19th century "Costume du Moyen Âge" series, presen...

Title: "The French Archer: Precision and Readiness" Description: This print depicts a French archer, possibly from the late Middle Ages, demonstrating his skill and readiness for combat. The archer is in a dynamic stance, captured in the moment of drawing his bow, a testament to his expertise and role as a crucial member of the military during this era. He is dressed in a red gambeson, a padded defensive jacket that was commonly worn under armor...

Antique map titled 'A Map of the Dutchy of Holstein, with the Territories of the Imperial Towns Hamburg & Lubek, Also The Bishoprick of Eutin, Laid down from Fischer's Map (..)'. Sca...

Great map of Kerry Steel engraving Drawn under the direction of A.Adlard Published by How and Parsons, C.1840 Unframed.

Brazilian Market Scene – Poultry Seller and Maize Vendor, c.1845 This lively hand-colored lithograph, titled “Amérique du Sud – Brésil,” is from Le Monde en Estampes: Types et Costu...

Great image of golden oriole. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. P...