Arizona - Art

Original Modernist / Minimalist Acrylic Painting on Ampersand Gessoboard MDF Panel. IMAGE SIZE: 8 X 8 X .2 Inches Copyright © Richard Moyers 2021 All Rights Reserved — Studi...

GEO is a modern minimalist-style abstract of blue, white brushstrokes. Created on paper, this is matted and framed and ready to hang. Size: 12" x 12" Signed. Lightweight modern white...

gilded wood and fabric For over a decade Mateo has focused his work on the analysis of the rites and symbols of power, the high classes, aristocracy, and royalty. He is known amo...

Lon Megargee 1883-1960 "Self Portrait" Wood block print Signed in plate, lower right Image size: 15.63 x 12 inches Frame size xx x xx inches Creator of S...

Modern / Contemporary / Abstract - FRAMED Original Abstract Acrylic and Oil Pastel Painting on Pro-Ampersand Gessoed Hardboard Panel + Krylon Museum Archival Varnish. This 10" X 10" ...

OIL PASTEL OVER ACRYLIC painted on a 1 3/8" Deep x 8" x 10" Gallery Wrapped Canvas. The Sides are painted Black and an Archival Varnish coating has been applied. It is Signed by th...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

Framed Dimensions: 37h x 34w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received in...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

Black and white still-life in acrylic :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Ye...

My Fermata-series paintings are quiet sanctuaries for personal reflection. Painting is my antidote to troubling times, my way of contemplating the nuanced gray areas neglected by our...

This piece is From the Artist's Personal Favorites Collection! TITLE: "SEMBLANCE OF ORDER" - SERIES: "Rhetorical Fallacies" Modern 3 Dimensional Painted Wood Relief Constructio...

Inspired by the long nights of winter, the cool crisp air and darkness descending over straw-colored fields at twilight and nights spent beside the fire. This painting incorporates n...

Framed Dimensions: 31.5h x 45.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he receive...

The art room floor, with amazing spills and designs, Inspires me to save these images and recreate them in this work called Splash. :: Mixed Media :: Abstract :: This piece c...

Horses fleeing the confrontational pair :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sig...

TITLE: "BLUE ESSENCE" SERIES: "CHROMATIC CONSTRUCTIONS" SIZE: 10 x 10 x 1.5 Inches Deep Central Image: 6 x 6 x .375 Inches Deep MATERIALS: Gesso / Acrylic Paint / Oil Pastel / S...

This is an 11" X 12.5" Acrylic and Metallic Acrylic painting on Winsor & Newton Watercolor Paper. The Artist's Signature is in the Lower Right Corner. It is Hinged to an Archival 100...

This is an Original Oil Pastel over Acrylic painting on a 1 3/8'' Deep x 8'' x 10'' Gallery Wrapped Canvas. The Sides are painted Black and an Archival Varnish coating has been appl...

Original Modernist / MinimalistAcrylic Painting on Italian Polyester / Cotton Canvas over MDF Panel. The piece is Float Mounted in a thin Minimalist Satin Black & Gold Edge Metal Fra...

TITLE: "PRECIPICE" SERIES: "AGGRESSIVE TENDENCIES" MEDIA: Gesso, Acrylic Paint / Pintura Canvas Panel / Ampersand Panel 3 Dimensional Double Panel / Archival Mount FRAMED SIZE: 12...

This is an Acrylic and Metallic Acrylic painting on 1 3/8" X 8" X 10" Gallery Wrapped Canvas. The 4 Sides have no staples and are painted Black. The Title "EXUBERANCE" and the Arti...

" CADENCE OF SHADOWS " is an Original Acrylic Painting on Italian Fabriano Artistico Watercolor Paper This piece is from my continuing series " Illusional Directives - Propensities...

TITLE: GRANADA - Modernist Geometric / Minimalist Abstract Painting MATERIALS: Acrylic Paint / Stretched Canvas SIZE: 12 x 9 x 1.5 Inches Deep Gallery Wrapped Canvas DETAILS: Th...

SERIES: Dimensional Abstracts Original Acrylic Painting / Construction, with 2 Pintura Canvas MDF Relief Panels = 3 X 6.875 X .09375 inches Deep, + 5.875 x .375 Inches + Basswood ...

Framed Dimensions: 30.5h x 42.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Greg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...

A Visual Journey: Landscape #4, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Abstractly, Original Contemporary Blue and White Abstract Painting, 2022 12" x 12" x 0.5" (HxWxD) Acrylic on Canvas Hand-signed by the...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

Framed Dimensions: 36.5h x 36.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

GEO, Original Framed Contemporary Blue and White Abstract Painting, 2022 10" x 11" Acrylic on Paper 12" x 12" x 1.5" (HxWxD) Framed and matted with a plexiglass front. Hand-signed by the artist. A modern and minimalist blue and white painting by artist KR Moehr...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Desertscape #4, Original Contemporary Abstract Expressionist Landscape Painting, 2022 14" x 17" (HxW) Acrylic on Paper Hand-signed and dated by the artist. This abstract expressionist work by artist Simona Gocan...

"Turn", acrylic on canvas - 46"H x 36"W Julia Nee Chu is an internationally acclaimed abstract painter born in 1938 in Shanghai, China and currently living in Los Angeles. Her pain...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Mark Pomilio is a visual artist using the traditional mediums of charcoal and oil paint on a variety of traditional and non-traditional supports. His MFA is from the University of Mi...

A Visual Journey: Landscape #9, Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

A Visual Journey: Landscape #7, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Black Matter, Original Signed Contemporary Abstract Black and White Painting, 2022 20" x 16" x 0.25" (HxWxD) Acrylic on Canvas Board Hand-signed by the artist in verso. A modern abs...

A Visual Journey: Landscape #8, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Desertscape #5, Original Contemporary Abstract Expressionist Landscape Painting, 2022 14" x 17" (HxW) Acrylic on Paper Hand-signed and dated by the artist. This abstract expressionist work by artist Simona Gocan...

Blues Night, Original Framed Contemporary Blue Abstract Acrylic Painting, 2021 20" x 16" x 0.125" (HxWxD) Acrylic on Canvas Board 20" x 16" x 1.5" (HxWxD) in White Frame Hand-signed ...

SOMEONE, Original Signed Contemporary Minimal Abstract Painting, 2022 20" x 20" x 1.5" (HxWxD) Acrylic on Gallery-Wrapped Canvas Hand-signed by the artist in verso. There is a calm simplicity to this abstract work by artist KR Moehr...

Pouring Down, Original Signed Contemporary Abstract Blue and White Painting 10" x 8" x 0.5" (HxWxD) Acrylic on Canvas Hand-signed by the artist...

Weathering Hypothesis, 2020, 30 1/2” x 69,” Kanekalon Hair Extensions, Cotton twine. Based on the proposal of American public health research professor, Arline Geronimus that African American women...

The Beautiful Ones, 2020, 35” x 72,” Kanekalon hair, organic silk, turmeric, cotton. A special commission for Gigi Journal pt II with V Magazine .

SIZE: 12.75 X 12.75 X 1.5 Inches Deep (Framed)... CENTRAL IMAGE: 8 X 8 X .375 SERIES: "Dimensional Abstracts" MIXED MEDIA: Gesso / Acrylic Paint / Oil Pastel / Lanaquarelle 140...

Modern Painting **Archival Mounted piece "Floats" away from wall approximately .750 Inches via hidden / recessed wooden stretcher sub-frame (See Back Picture)** OVERALL MOUNTED SIZ...

Three Dimensional Modern Painting / Construction SERIES: "Dimensional Abstracts" MATERIALS: Gesso, Acrylic Paint, on 12 x 12 Inches Pintura Canvas Panel + 9.65 x .250 x .125 In...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...