Arizona - Art

This is a "Figurative Abstract" Acrylic on Stretched Canvas The sides are painted as a continuation of the design and colors as the Front of the Piece, with no staples on any side ...

This is an Original 11" X 12.5 " Acrylic painting on Winsor & Newton Watercolor Paper. The Artist's Signature is in the Lower Center. It is Hinged to an Archival Grey Mist Black ...

(Insolent Grammar Series) Original Framed Painting: Acrylic & Metallic Acrylic on Deep Gallery Wrapped Canvas. This Piece comes Completely Framed with a Satin Black Contemporary S...

You can Purchase ...A REAL WINNER!! THIS PAINTING WON the 1st Prize, Blue Ribbon at the prestigious WVAC SOUTHWESTERN REGIONAL Mixed Media Exhibition held in Glendale AZ.....CLICK ...

Original 10" x 10" Abstract Oil Pastel and Acrylic Mixed Media Painting on Gessoed Linen+Ampersand Panel. ( 3 DIMENSIONAL DOUBLE PANEL ARTWORK ) Multiple layers of rich Oil Pastel, ...

This is an Acrylic and Metallic Acrylic painting on an 8" x 10" x 1 3/8" Gallery Wrapped Canvas, Sides have no staples and are painted Black. The Artist's Signature in Lower Right Co...

Modern / Contemporary / " RED GLASS "... is the first piece completed in my continuing Series: " AGGRESSIVE TENDENCIES " . This 6" X 6" Painting has been Professionally (Archival) "...

Modernist / Minimalist Painting - Collage / Construction MATERIALS: Mercury Acrylic Paint on 1/16th Inch Shaped Archival Plexiglas Collage on Canvas - Archival mount to Gessoed Birc...

"DELOS"-Modernist Painting - Collage / Construction MATERIALS: Gesso, Graphite, Acrylic Paint on 1/16th Inch Shaped Archival Plexiglas Collage on Canvas+Archival mount / Birch Wood ...

My Fermata-series paintings are quiet sanctuaries for personal reflection. Painting is my antidote to troubling times, my way of contemplating the nuanced gray areas neglected by our increasingly polarized society. I create fields of light and darkness by staining raw canvas with layer upon layer of diluted acrylic pigments that soak into the fabric. These subtle layers of pigment reveal themselves gradually after several minutes of viewing, bringing the dimension of time to the two-dimensional surface. I also blur the distinction between object and ground to create an ambiguity of space. My intent is to create simple but elusive paintings that beckon a hectic world to slow down, pause, and reflect. DETAILS *Acrylic stain on raw canvas built up in many thin layers. The stain technique soaks into the canvas, creating a naturally velvety matte surface with neither the glare of glossy paint nor the deadening of matting agents. *There is no need to frame this painting since the edges are the same background/border color with process artifacts of the underlying colors used to stain the canvas. *This painting ships on heavy-duty stretchers ready to hang to destinations in the continental US and Canada. No hassle and expense of taking to a framer for re-stretching. *For other locations, the canvas will be removed from stretchers and shipped rolled, unless you request otherwise and pay additional shipping charges. Not responsible for taxes or duty. *Signed on the rear canvas margin along with year and artist's inventory database number for provenance. *Colors: sky blue, orange, brown, yellow ochre, rust...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

Framed Dimensions: 30.5h x 30.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

A beautiful contemporary sculpture by Susan Woods. This artwork would be a great addition to any location and a wonderful decor for your home or commercial space. The sculpture is a...

A beautiful contemporary sculpture by Susan Woods. This artwork would be a great addition to any location and a wonderful decor for your home or commercial space. The sculpture is a...

A beautiful contemporary sculpture by Susan Woods. This artwork would be a great addition to any location and a wonderful decor for your home or commercial space. The sculpture is a...

A Visual Journey: Landscape #10, Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

A Visual Journey: Landscape #5, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Distraction, Original Signed Contemporary Minimalist Abstract Painting, 2022 24" x 30" x 1.5" (HxWxD) Acrylic on Canvas Hand-signed by the artist in verso. A modern minimal abstract painting by artist KR Moehr...

Untitled, Painting, by Dennis Numkena, Hopi, Architect, Artist, landscape, blue Dennis Numkena was a Hopi Pueblo visual artist and architect. Additionally, he was a computer progra...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Gallery in New York City; Urban Art in Seoul; Guy Pieters Gallery in Belgium; Galerie von Braunbehrens in Stuttgart, Germany; Gallery Delaive in Amsterdam; Rarity Gallery in Mykonos; Scott Richards Contemporary Art in San Francisco; Gallery Valentine in East Hampton; and Arcature Fine Art in Palm Beach. Mr. Anton has exhibited in numerous museums, including solo exhibitions at the Netherlands’ Museum Jan van der Togt in Amstelveen and the Lyman Allyn Art Museum in New London, Connecticut. Anton has also participated in group exhibitions at the Museum Villa Rot in Burgrieden-Rot, Germany; the Austin Museum of Art in Texas; the Hudson River Museum in Yonkers, New York; the Fresno Metropolitan Art Museum; the Nassau County Museum of Art; the Nicolaysen Art Museum in Casper, Wyoming; the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; the Castellani Art Museum in Niagara, New York; the COPIA Museum in Napa Valley, California; the William Benton Museum in Storrs, Connecticut; the Schloss Gottorf Museum in Schleswig, Germany; the Museum Ritter in Waldenbuch, Germany; the Strathmore Museum in Bethesda, Maryland; the Schloss Neuenburg Museum in Neuenburg, Germany; the Wilhelm Hack Museum in Ludwigshafen, Germany; the Staatliche Kunsthalle in Karlsruhe, Germany; the Woodson Art Museum in Wausau, Wisconsin; the Kemper Museum of Contemporary Art in Kansas City, Missouri; the Historic City Hall Arts & Cultural Center in Lake Charles, Louisiana; the Copelouzos Art Museum in Athens; and the Madden Museum of Art in Denver, Colorado. Peter Anton's work is widely collected and is featured in several prestigious private, corporate, and museum collections including Steven A. Cohen; Ron Dennis of McLaren Automotive; the Kemper Museum of Contemporary Art; Sir Howard Stringer; Keith Richards of the Rolling Stones; the Jordanian Royal Family; architect Lord Norman Foster; Oppenheim Bank; the Lisser Museum in the Netherlands; the Copelouzos Art Museum in Athens; The Blackstone Resort Hotel in Korea; Breitling Watches; Raymond James Financial; Perfetti Van Melle...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Gallery in New York City; Urban Art in Seoul; Guy Pieters Gallery in Belgium; Galerie von Braunbehrens in Stuttgart, Germany; Gallery Delaive in Amsterdam; Rarity Gallery in Mykonos; Scott Richards Contemporary Art in San Francisco; Gallery Valentine in East Hampton; and Arcature Fine Art in Palm Beach. Mr. Anton has exhibited in numerous museums, including solo exhibitions at the Netherlands’ Museum Jan van der Togt in Amstelveen and the Lyman Allyn Art Museum in New London, Connecticut. Anton has also participated in group exhibitions at the Museum Villa Rot in Burgrieden-Rot, Germany; the Austin Museum of Art in Texas; the Hudson River Museum in Yonkers, New York; the Fresno Metropolitan Art Museum; the Nassau County Museum of Art; the Nicolaysen Art Museum in Casper, Wyoming; the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; the Castellani Art Museum in Niagara, New York; the COPIA Museum in Napa Valley, California; the William Benton Museum in Storrs, Connecticut; the Schloss Gottorf Museum in Schleswig, Germany; the Museum Ritter in Waldenbuch, Germany; the Strathmore Museum in Bethesda, Maryland; the Schloss Neuenburg Museum in Neuenburg, Germany; the Wilhelm Hack Museum in Ludwigshafen, Germany; the Staatliche Kunsthalle in Karlsruhe, Germany; the Woodson Art Museum in Wausau, Wisconsin; the Kemper Museum of Contemporary Art in Kansas City, Missouri; the Historic City Hall Arts & Cultural Center in Lake Charles, Louisiana; the Copelouzos Art Museum in Athens; and the Madden Museum of Art in Denver, Colorado. Peter Anton's work is widely collected and is featured in several prestigious private, corporate, and museum collections including Steven A. Cohen; Ron Dennis of McLaren Automotive; the Kemper Museum of Contemporary Art; Sir Howard Stringer; Keith Richards of the Rolling Stones; the Jordanian Royal Family; architect Lord Norman Foster; Oppenheim Bank; the Lisser Museum in the Netherlands; the Copelouzos Art Museum in Athens; The Blackstone Resort Hotel in Korea; Breitling Watches; Raymond James Financial; Perfetti Van Melle...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collec...

Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...

Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...

Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...

Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...

Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Jealousy, bronze edition sculpture of a man with two women, Eduardo Oropeza Jealousy, bronze and straw sculpture of a man with two women edition of 12

pastel on fabric (bathrobes) on wood panel with upholstery tacks

Quim Bove' first picked up a paintbrush when he was six, and hasn't put it down since. Born in the Catalonia region of Spain along the Pyrenees, he became fluent in Spanish, French ...