Arizona - Art

Artist : Svetlana Shalygina, "The Elegance of Simplicity" Original black & white textured diptych. Large scale, uniquely textured Contemporary paintings, with 2.5" gallery wrap edg...

Clare Leighton (1819-1989) (Connecticut Artist) original wood engraving on paper. Copy number 14 of the edition of 50 signed and numbered by the ar...

Robert Rauschenberg pop art offset lithograph created 1976. Pencil signed, dated, and numbered lower right. The edition size is 16 of 125. Titled: Artists rights today. The work is...

Full Speed Ahead 1985 Ed Mell 1942-2024 Original signature lower right Stone Lithograph 22 x 30 inches MINT CONDITION. NEVER FRAMED! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING...

California Image by well known watercolorist Milford Zornes (1908-2008). This work in mint condition, is signed lower right “Zornes,” and dated ‘67. The watercolor is also signed on the verso ‘Milford Zornes, ANA’ and titled “From Dana Point.” This painting is unframed and measures 21"h x 27"w. It’s a beautiful depiction of Dana Point in Orange County. A prominent artist in the watercolor movement known as the California Style, Milford Zornes became especially known for his application of watercolor in broad brush strokes to large sheets of paper. He was born in Camargo, Oklahoma, and moved to Los Angeles while a teenager. In Santa Maria, California, he enrolled in Santa Maria Junior College, where he had art instruction from Stanley Breneiser and lived for a period of time with him and his wife, Babs Breneiser who was an art teacher at the local high school. Then at age 20, he began adventurous travel that took him across the United States that had him working on the docks of New York City, and then shipping out to Denmark as a merchant seaman, a job that eventually led to a tour of Europe. He returned to Los Angeles by 1930, and studied at the Otis Art Institute with F. Tolles Chamberlain, and at Pomona College where Millard Sheets was his teacher. Throughout the 1930s, he was exhibiting widely including the 1938 Art Institute of Chicago International Watercolor Exhibition, Seventeenth Year. Zornes did murals during World War II for the Federal Arts Project of the W.P.A., and was a United States Army artist correspondent in Burma and India. Because of the distinction of his W.P.A. and other wartime artwork, he was honored with a one-person exhibition at the Corcoran Gallery in Washington DC, and one of his paintings was selected by President and Mrs. Franklin Roosevelt for the White House Collection. This attention brought him much positive publicity. After the war, he lived in several locations in California and in 1963, Milford and his wife Pat, bought the Maynard Dixon summer home and studio in Salt Lake City, Utah from Edith Hamlin...

Original abstract painting created with charcoal, graphite, inks, and acrylic on rolled canvas. Can be stretched prior to shipping upon request. Artist statement : My visual langu...

"Sonoran Kings" Ed Mell 1942-2024 Stone lithograph 32" x 24" **PRINTS ARE ESTATE SIGNED WITH WITH EMBOSSED LOGO AND SIGNATURE STAMP*** Edition. 200, 2020 Print is unframed. Biograp...

36"x12" acrylic on gallery wrapped canvas. 36 lines/stripes. Hang vertically or horizontally. Enjoy one of my favorite and best selling types of art. Wired and ready to hang. :: ...

Original lithograph created 1935 by Pennsylvania artist - Benton Spruance. Titled “Pass Coming Up.” The edition size is small - just 30. The image measures 10 x 14 inches and the pri...

Original serigraph by Sister Mary Corita Kent (1918-1986). Sheet size: 25"h x 30"w. Titled “Would You Go to Jail if it Would End the War? Quote by activist Daniel Ellsberg. Importan...

Nikolai Timkov (1912-1993) Russian artist. Oil on board dated 1968 in a gold-leaf frame. Titled and signed twice on the verso. Titled: The Kremlin. Measures: 13 ½ x 20. Frame size: 2...

Beautiful etching by John Marin (1870-1953) created 1921. Title: Downtown, The El (From the New Republic Set) Medium: Etching Size: 6 7/8 x 8 5/8. Sheet: 10 3/4 x 14. Mat: 16 x 17 3...

oil on canvas b. 1951, Nagasaki, Japan Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes o...

Original pencil signed etching and aquatint by Karl Schrag, 1958. In excellent condition - neither matted nor framed. No. 1 of the edition of 50. Image measures 19 7/8 x 27 3/4 inche...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

oil and wax on canvas, three panels (84 x 90 x 1.5 inches, each panel) 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California ...

This is a wonderful naive painting on wood panel by the self-taught black artist Mose Tolliver (1920-2000). It’s a great example of Mose’s unique folk-art style. It features the rat...

Abstract Gouache on Paper by Minnesota/Chicago artist Richard Koppe (1916-1073). Simply titled “Woman,” the work is an excellent composition by the artist created 1941. The painting ...

Wonderful original color lithograph by Paul Berthon (1872-1909). In excellent condition with great color. Unframed. Presents in a 4-Ply Archival Mat. Titled: "Les Chrysanthemes.” Cre...

Uniquely textured black white abstract paintings by Svetlana Shalygina with (4) 60" x 12" x 2" gallery wrapped canvas. Each piece varies with intricate texture formations and ...

"Strength of the Maker" by Denny Haskew Figurative Bronze with wood base, ed/25 21x21x14" Signed and numbered 12/25. This is a sold-out limited edition available on the secondary ma...

Original Oil on Canvas by Jose Salazar Ruiz Esparza signed by the artist lower left. The work presents in the original frame and is in excellent condition. Created circa 1960's. The...

Minimalist in scale and composition, but this original painting adds a vibrant punch of color and brings a wow factor to your space with intriguing unique texture. **It is with a h...

Wonderful sculpture of two figures by Native American artist Allan Houser (1914-1994). The work is in excellent condition and measures 19 1/2"h x 12"w x 9"deep. His signature is seen...

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

Rockwell Kent (1882-1971) wood engraving in excellent condition titled: Diver. Created 1931. Edition size: 150. Image measures: 7 7/8"h x 5 3/8"w. The print is unframed and presents ...

Stencil Print by Sadao Watanabe, hand colored on hand-made washi paper. This image depicts Adam & Eve with the snake in the garden of Eden from Genesis. Artist’s chop mark and penci...

A large scale uniquely textured abstract painting by Contemporary artist Svetlana Shalygina. Subtle stencil detailing combined with her soft palette and intricate texture. **It is ...

Julius Bloch (1888-1966) German/American painter - Lovely Still Life Oil on Canvas. Created in the 1920's, this lovely work features a Chinese Tray with Blue and White Pottery and fr...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

2 Lazy 2P, ca. 1939 Lon Megargee Serigraph 20 x 24 inches Signed in screen Original serigraph print by Lon Megargee 1883 - 1960 Featured in "Hot Irons" by Oren Arnold and John Hale, 1940 SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Lon Megargee created this serigraph from his commission with Oren Arnold and John Hale to do their dust jacket for the book, " Hot Irons", 1940. Arnold and Hale wanted to establish a reference work, an "authority", with a entertaining history about the evolution of the brand. Megargee created a painting of a steer that was branded with the script, 2 Lazy 2 P. Surrounding the steer is a random display of famous brands of ranches in the Southwest. It was well received and must have prompted Megargee to create the likeness as a print. The brand is described in chapter thirteen, page 207-208 and says, " Ed Stram, who was Arizona state veterinarian for sixteen years, fire-branded his cattle with this peculiar crest. It isn't peculiar unless you have an equally peculiar sense of humor. At a glance it appears to be just another typically unimaginative brand, but it has been used to make many a thousand girls blush, and a few thousand bashful young men as well". COLLIER GALLERY, FINE ART ESTATE OF LON MEGARGEE Born and raised in Philadelphia, Pennsylvania, Lon Megargee, at age 13, ran away from his upper class home and went West in 1896 led by his zest for the wild and adventuresome life. There he established a reputation as a cowboy painter and illustrator with work most associated with Arizona Brewing Company ads featuring humorous aspects of cowboy life. In his youth, he worked as a free-lance cowboy, exhibition roper, poker dealer, and bronco buster in Arizona, and then went east again to study art in Philadelphia at the Pennsylvania Academy of Fine Arts, and to New York at the Art Students League and Pratt Institute. He returned to Arizona, living in Cave Creek, Salt River Canyon, Phoenix and the last years of his life near Sedona. His Phoenix home later became a popular hotel and dining place called the Hermosa Inn. Megargee was a ranch owner and also did oil canvases of the places he loved and the cowboy life he admired. By 1910, he was among the earliest resident artists, and was probably the best known artist in Arizona. His name was first associated with a landscape series of 15 large murals for the Capitol Building, newly constructed just after Arizona became a state in 1912. Another one of his paintings, Elemental, was the first painting by an artist living in Arizona to be acquired for the Municipal Collection of Phoenix. These works were chosen from entries in the State Fair, where he continued to win prizes for figure and landscape painting. From 1911 to 1953, he did numerous commission works for the Santa Fe Railroad, including a work titledNavajos Watching a Santa Fe Train. Between 1915 and 1930, he also painted in the Los Angeles area of California and had entries in the California State Fair. He died in Cottonwood, Arizona. After his death, theSaturday Evening Post had a double-page reproduction of his painting Cowboy's Dream. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Titled "Winter Reflections," this is an excellent oil painting by Russian artist Mikhail Germachev also known as Michael or Michel Guermacheff. (1867...

Walter Koeniger (1881-1943) oil on canvas, winter scene. Beautiful river bend in snow. Signed W. Koeniger lower left. Measures: 24 x 36. The frame measures 30 x 42 inches. In excell...

Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...

A really great painting by American artist Robert Philipp (1895-1981), Oil on canvas, circa 1950s . Image measures: 20" H x 24" W. Frame measures: 31" H x 35" W. Signed lower right....

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Oil on Canvas by post-impressionist French artist Francois Gall (1912-1987). Signed lower right and titled on the verso “Jeunne Fille de Coiffan.” Painting measures: 16” H x 13” W. ...

Fred Karoly (1897-1987) Oil on Canvas created 1963. In excellent condition. A very attractive abstract subject and typical for the artist. Signed and dated 1963 on the verso. Framed simply in a modern black wood frame. Measures 28"h x 24"w. Frame size: 29.5"h x 25.5"w x 1.25"d. Fredric Karoly was born in Budapest in 1897. According to Karoly's own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently lifelong. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926. In New York, Karoly worked in women's fashion as a designer. By the early 1950's, Karoly started experimenting with the drip...

Beautiful gouache of the shoreline by Dutch artist Gerard Hordyk (Hordijk) 1899-1958. The work is in excellent condition with strong bright color and is signed lower right. Bathers c...

Original aquatint by Mexican artist Emilio Amero (1901-1976) created 1969. Titled: “The Fetish.” Edition size is 9 of 50. Signed and dated in pencil lower right and numbered lower l...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 14 1/2," sheet measures...

Prefate Duffaut (1923-2012) Haitian Folk Art painting. Oil on canvas, circa 1960. Signed lower right. Measures: 23 1/2" H x 19 1/2" W. Frame: 25" H x 21" W. Excellent condition. Tit...

Harry Crowley (1898-1979) oil on board, 1954. Abstract Expressionist. Titled on the verso “Slow Solitude.” Measures: 33 x 38. Frame: 42 x 47. In excellent condition and in the origi...

LUZI GIRL PAPAGO, 1907 Portfolio 2, Plate 53 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS Image size 15.5 x 10 1/4 inches, Excellent condition. This is an original photogravur...

Graceful original graphite drawing by French artist Marie Laurencin (1885-1956). Signed lower right with her initials "M.L." Created circa 1930's. Graphite on Paper. Image size: 10...

Joichi Hoshi (1913-1979) Original Color Woodblock, 1974. Title: “Early Spring.” Image: 9 5/8"h x 7.” Frame: 17 1/4"h x13 5/8"w. Signed in pencil lower right and dated ‘74. Chop mark...

This beautiful, limited edition original color woodblock is by the famous Showa Shin Hanga woodblock master Clifton Karhu (1927-2007). It bears the original frame and has a label on the back from a Tokyo gallery. The work is a beautiful impression with rich color. It and the frame are in excellent condition. The print measures 16 x 16 inches. The frame is 23 ½ x 23 ½ inches. It is numbered lower left as AP5 - Artist Proof #5 and is pencil signed and dated ‘74 lower right. An American of Finnish descent, Clifton Karhu was born in Minnesota in 1927. Raised together with his twin brother Raymond, Karhu was the son of painters Arne and Anna Karhu. After his graduation in 1946 he served in the military at an American Navy base in Japan. Returning to America following his military service in 1950, Karhu enrolled at the Minneapolis School of Art but quit two years later to pursue missionary work as a Lutheran minister. Karhu left the missionary work in 1958 and chose to move his new family to Gifu City, a small provincial town northwest of Kyoto, Japan where he set about returning to his art. Karhu soon found local success in 1961; obtaining first prize at the Chubu Taiheijo Bijutsu Kyokai Ten (The Middle Pacific Art Group Exhibition) and fixing his first single, professional exhibition at the Shin Gifu Gallery. In hopes of providing their three children with an international education, Karhu settled in Kyoto in 1963. The next few years proved heavily influential in Karhu’s work. Arguably forming the foundation for all his future success, Karhu found tutelage under recognized woodblock artist and gallery owner Tetsuo Yamada and colour theorist Stanton Macdonald-Wright. Responsible for shifting Karhu’s artistic doubts, Karhu proceeded to fulfill a very successful career in woodblock printing - carving his own works largely by himself. Clifton Karhu passed away in 2007 after an illustrious career that saw him viewed and celebrated as a local Kyoto celebrity, as well as having exhibited widely in many countries around the world. His woodblock prints have been collected by many famous museums including the Tokyo Modern Art...

Etching and drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Title: Navajo Canyon Cliffs. Unframed and un-matted. Kloss #563 Pencil titled lower left. Pencil signed lo...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Original lithograph signed lower right, by California/New York artist Don Freeman. Seeing as Don Freeman liked to attend theater in New York and go backstage to meet the players and ...

Original pencil signed etching by Ukraine/Pennsylvania artist Louis Lozowick (1892-1973). The print, created 1929, measures 8 3/4 x 15 inches and is unframed. It is in excellent cond...

Western Flare Terrence Moore Photograph, Archival Pigment Print Size: 23 x 34.5 inches SPECIAL EDITION OF 25, PRICE FOR THE HOLIDAYS Terrence Moore ha...

Jo Mora's 1928 "Carte" of San Diego, Very Rare Pictorial Map Size: 28 x 22.5 in (71.12 x 57.15 cm) Every good condition for it's age Originally came folded in envelope for mailing....

This is a wonderful naive painting on wood panel by the self-taught black artist Mose Tolliver (1920-2000). It’s a great example of Mose’s unique folk-art style. It features the ratt...

Frank Vittor (1888-1966) important bronze of mother and child. Signed by the artist “F. Vittor” and dated 1915. Also bears the foundry mark. Measures 12 1/2"h x 12 ½”w x 9"long. Bronze rests on a 1 ½ inch marble plinth. Artist born in Italy, studied with Rodin. The foundry is the National Art bronze works. The bronze was converted to a lamp at one point, and still bears a threaded tube projecting from the lower base approximately ½ inch. Frank Vittor (January, 6, 1888 - January 24, 1968) was an Italian immigrant to the United States who became famous as a sculptor. Vittor was born in Mozzato, Como, a suburb of Milan, Italy. He studied art in Milan at the Academy of Beres and then traveled to Paris, France to study under Auguste Rodin. When Vittor was 18, in 1906, U.S. architect Stanford White brought Vittor to New York to work on his staff. White, who had designed Madison Square Garden II, was murdered at a performance at The Garden two weeks after Vittor arrived. The youth, having little money and knowing very limited English, decided to stay in America and soon opened an art studio. He met his future wife, Ade Mae Humphreys, a resident of Pittsburgh, and made the move to her home town. Aviator Charles Lindbergh's first solo trans-Atlantic 3,600-mile (5,800 km) flight between Long Island, New York and Paris, France was immortalized in bronze by Vittor with a 50-foot-tall (15 m) sculpture showing a winged youth spanning the Statue of Liberty and the Eiffel Tower. Congress approved the expenditure in 1928, and the work was completed in 1929. Perhaps no work by Vittor created as much controversy and media coverage as did his nude statue of Henrietta Leaver, Miss America 1935. Though Leaver posed for Vittor, she did so in a bathing suit, accompanied by her grandmother. Upon first viewing the life-size 5-foot 5-inch plaster statue Leaver was shocked that it was a nude and demanded her representation be draped or veiled. Vittor did not agree and called in art experts to judge the work and all agreed it should stay as it had been created. Leaver did not back down and demanded people her own age review The American Venus, as it had originally been called. Unfortunately for Leaver her 60 peers, many of whom were art students, agreed it should remain unveiled. Though the strong disagreement between the two eventually did subside, Leaver, Vittor and the statue resurfaced five decades later in recaps of controversial Miss America mishaps. Baseball player Honus Wagner, one of the first five players inducted into the Hall of Fame, was memorialized by Vittor in a 17-foot-tall (5.2 m) bronze statue, originally on display near the Pittsburgh Pirates Forbes Field. It was moved to Three Rivers Stadium and, when that stadium was imploded in 1971, the statue was relocated to PNC Park.[6] In 1958, one of Vittor's greatest works, a 50-foot-tall (15 m) granite base and bronze statue of Christopher Columbus, was unveiled in Pittsburgh's Schenley Park. Shortly after the statue was placed, the bronze plaque at the base was stolen by vandals. The Sons of Columbus USA desire to replace the plaque with the original wording; however, there exists no record of what Vittor had written regarding Columbus. Charles Lindbergh was the recipient of a second work of art created by Vittor. The artist and sculptor designed a commemorative stamp picturing the pilot and his plane, the Spirit of St. Louis. Walter F. Brown, the U.S. Postmaster General, authorized a 175th anniversary commemorative "Battle of Braddock" 2-cent stamp to be designed by Vittor. The artwork he created featured a likeness of Colonel George Washington with the inscription "Battle of Braddock's Field, 1755-1930. In 1936 the U.S. Congress authorized minting a half-dollar coin to commemorate the 75th anniversary of the American Civil War. Vittor was the person selected to design the coin. The obverse depicts the profile of two soldiers, one from the North and one from the South and the reverse holds a symbol of the battle placed between the combatant's shields. The coins were distributed through the Pennsylvania State Commission for Gettysburg. Throughout Pittsburgh and the surrounding communities there exist more than 50 statues and fountains, as well as numerous other works, including a dozen historical panels on County bridges...

Original oil painting Created with artist own techniques Light very air sky land painting The latest painting of 2022 Calming dreaming colors :: Painting :: Impressionist ::...

Edith Baretto Parsons (1878-1956) pair of lost-wax cast patinated bronze dog sculptures. The seated pup is signed in the cast “E.B. Parsons” and cold stamped Gorham Co. OFFW. It measures 5 3/4"high x 6 7/8"long x 2 1/2"wide. The leaping pup is signed in the cast “E.B. Parsons,” dated 1911 and cold stamped B. Zoppo Foundry, N.Y. It measures 6 1/2"high x 6 3/4"long x 2 ½"wide. These are part of Parsons' series of playful terrier dogs and are highly desirable. They are in excellent condition with no damage. Born in Virginia, Edith Parsons studied at the Art Students League in New York with John Twachtman, Daniel Chester French...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 14" x 24," sheet measures 18 1/2"...

Indians of North America 1936 Jo Mora Lithograph Paper size: 31 7/8 x 24 1/4 inches Image size; 30 1/4 x 22 7/8 inches These are the original lithographs from the Jo Mora Estate from Jo Mora Jr. THESE ARE NOT REPRODUCTIONS! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Joseph Jacinto Mora 1876 – 1947 Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker. “Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes. In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.” Betty Hoag McGlynn • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Werner Drewes (1899-1985) oil on canvas, 1947 Titled: “Adobe Village” Measures: 15 ½ x 36 Frame: 21 x 42 Signed lower left and also on the verso In excellent condition. Born in Nie...