Berlin - Art

Emil Faesch (1865 Basel - 1915 Basel). Sketch of a head. Charcoal on painting cardboard, 60 x 47.5 cm (folio size), signed and dated at lower right "E. Faesch. 1888.". Minor browning. - Carved in stone - About the artwork The life-size head has an immensely present presence. This effect is due to the fact that Faesch took his cue from academic classical...

Intense physical gestures were used to throw paint for two hours. A red monochrome colour palette and medium sized brushes were used. This is part of the artist’s ongoing self ref...

I Can’t Tell If I’m Experiencing Heartbreak, Or I Just Think That I’m Experiencing Heartbreak / Wisteria Vine An abstracted version of a digital drawing of a wisteria vine t...

Painting, 19th century, women portrait, oil on canvas. Dimensions with frame 63cm x 77.5cm

18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.

Bruno Paul (1874 Seifhennersdorf - 1968 Berlin). Self-portrait, c. 1895. Pencil on paper, mounted on cardboard, 53.5 x 35 cm, signed 'Paul' at upper left. - Homo nudus - About the artwork In a mirrored situation, Bruno Paul looks at himself in the picture. While his body, which is the size of the format, is shown in profile parallel to the picture, he turns his head into the picture in order to become aware of himself there, whereby the lighter use...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

Edouard Drouot, 1859 Sommevoire – 1945 Paris Bronze signed 40 cm hoch Very good state of preservation, expressive design. Édouard Drouot (1859–1945) was a French sculptor known for ...

1922-2004 Honored Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State price.

Bronze 48 cm hoch signed Jules Moigniez (1835–1894) was a French sculptor best known for his highly detailed bronze animal sculptures, especially birds. Born: 1835 in Senlis, Fran...

This large-scale oil painting presents a refined balance between intimacy and distance, capturing a contemplative moment at the water’s edge. Two figures are suspended in quiet dialo...

It Is Significant For Us To Have Met Each Other When We Did Gestural movements were used to capture and reflect the details and emotions of the flowers which were given to the artist by the person mentioned in the title. They were given for an exhibition opening a few months prior, and had since died...

Taking inspiration from a photo of a turquoise lake in Switzerland. The piece has since moved away from form to become painted horizontal lines and dripped vertical lines. About the...

Oil paint pushed with a palette knife to create swathes and streaks of colour. The resulting piece is contrasting and vibrant with green, white, orange, blue and yellow. This is par...

Purple and turquoise swirled together. Purple and turquoise oil paint was pushed around in swirl-like motions with a palette knife. This is part of the artist’s ongoing practice, ...

Eugène Marioton französisch, 1854 - 1933 Muscular Nude Male Bronze Eugene Marioton - Bronze Statue, um 1900 A handsome and very fit partially draped young nude male with rippling mu...

The picture is oil on canvas and signed. Wilhelm Julius August Nabert (1830-1904) was a German landscape painter of the Düsseldorf School. He was born on September 15, 1830, in Brau...

Painting Flowers To Fight Off Anxiety (Dead Flowers In A Water Jug) Gestural movements were used to capture and reflect the details and emotions of the flowers mentioned in the ti...

I Keep Thinking This Is Over, This Is Not Over / Red Green Purple Blue Created by lying on the ground and using a 2 meter stick to paint, this action is an intentional loss of con...

Philosophical Description: This artwork explores the delicate boundary between individuality and collective identity. The central figure, painted in deep blue, symbolizes emotional d...

Philosophical Description: This artwork explores the delicate boundary between individuality and collective identity. The women appear similar — repeating poses, matching hats, mirro...

This painting is included in the series "Blue", it is about special moments, people, situations and feelings. Oil paints are used in the work, relief is given by mastichin. Painting...

Bernhard Pankok (1872 Münster - 1943 Baierbrunn), General Wilhelm von Blume, 1915, aquatint etching, 34 x 29.5 cm (sheet size), 26 x 22 cm (plate size), signed in the plate at upper left, in pencil at lower right and dated in pencil at lower left. - At lower left old collection stamp, at the right broad margin with a small spot, otherwise very good condition. About the artwork The 1915 aquatint etching of General Wilhelm von Blume is based on a 1912 oil painting in the LWL-Museum für Kunst und Kultur in Münster. A second oil portrait of the general by Pankok is in the Staatsgalerie Stuttgart. When Pankok painted the first oil portrait in 1912, the general had already been retired for 16 years. It is therefore a retrospective portrait. Accordingly, the orientation of his head is such that he is looking back in both the oil painting and the etching. Without fixing on anything in particular, he looks thoughtfully inwards and reflects on his life. Uniformed and highly endowed, it is his military activities in particular that he is reviewing attentively and, as his gaze reveals, quite critically. Pankok has literally written the sum of his experiences on Wilhelm von Blume's face: The physiognomy is a veritable landscape of folds, furrows, ridges and gullies, all the more striking against the flat background. It is clear that each of the medals was also won through suffering. However, by breaking the boundaries of the picture, his bust appears as an unshakable massif, which gives the general a stoic quality. The fact that the design of the portrait was important to Pankok can be seen from the different versions, the present sheet being the third and probably final revision, which Pankok dates precisely to 18 February 1915. Compared with the previous state, the light background now has a dark area against which the sitter's face stands out, the dark background in turn combining with the uniform to create a new tension in the picture. Pankok's taking up of the portrait of the high-ranking military veteran and its graphic reproduction can also be seen in relation to the First World War, which had broken out in the meantime. In the face of modern weapons of mass destruction, Wilhelm von Blume's warfare and military writings were relics of a bygone, more value-oriented era. About the artist After studying at the Düsseldorf Art Academy from 1889 to 1891 under Heinrich Lauenstein, Adolf Schill, Hugo Crola, and Peter Janssen the Elder, Bernhard Pankok went to Munich in 1892, where he worked primarily as a graphic artist for the two major Jugendstil magazines "Pan" and "Jugend," which established his artistic success. Through this work he met Emil Orlik, with whom he had a lifelong friendship. In 1897, he exhibited his first furniture, and in 1898, together with Richard Riemerschmid, Bruno Paul and Hermann Obrist...

Maritime oil painting 19th century, by Prof. Alfred Jensen. Ship and boat at sea. Around 1900. Signed lower left. Unframed Age-related condition. Alfre...

Rudolf Hayder (active in the 1st half of the 20th century), Heron. Color woodcut on thin Japanese paper, 24 x 29 cm (image), 29 x 36 cm (sheet size), signed by hand at lower right "R. Hayder" and titled by hand as "Reiher". Lower left inscribed by hand "Orig.[inal] woodcut, hand print". - A little bit stained in the margins and very occasionally in the image, minimal hole above the signature, traces of creasing. At the back side's margins with remnants of an old mounting. About the artwork In the context of French Japonism, the color woodblock print, which was widespread in the Asian region, was rediscovered for Western art. The artists of the time, such as Édouard Manet, Claude Monet, Edgar Degas, Paul Gauguin and Vincent van Gogh, were inspired not only by the cultural influence, but also by the two-dimensionality of the pictorial spaces. Thus, color woodcuts became an important moment in the development of the modern pictorial concept founded by Impressionism. In Rudolf Hayder's "Herons", too, the two-dimensionality of the pictorial space is decisive for the pictorial effect. The herons, surrounded by reeds, are framed by the yellow background of the lake, followed by the dark blue-greenish stripe of the opposite shore and, above it, the sky in a lighter blue-green. Formally, it is a sequence of planes, but the two-dimensionality of the motif creates a spatial effect. This spatiality in the surface creates an intense pictorial effect. Hayder intensifies this effect with the blazing lake. In terms of color, the water becomes a sunset. The yellow turns reddish brown toward the shore, then fades to brownish red, while the shore is a watery turquoise...

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), From the Book of the Dead of a City (IV), 1983. Color etching, copy 16/60, 15.5 x 18.5 cm (imag...

Sheets of colour, folding over each other. Cyan turquoise with purple, covered by lime yellow. This is part of the artist’s ongoing practice, where he intuitively paints for a few...

The painting is oil on canvas. Unsigned Philippe de Marlier or Philips de Marlier, also called "Fat Lup" (fat Philip) (also: Philips de Marli; Philips de Merlyn; first name also: F...

Polyphon Record Automaton 1890-1900 Music Large luxury model Sounds beautiful in its original condition and has been retuned. Records are approximately 40 cm in diameter. Polyphon ...

High Alpine Landscape, Alps. Oil Painting by Otto Werner Henning von Kameke. Kameke was already a captain when he switched to art in 1860, went to Rome a...

"Anyway you look at it" is a bright artwork depicting nature, a forest, leaves. At the same time it is an abstract work with realistic connotations. Please have a look at the detail...

The picture is oil on canvas and signed Julius Friedrich Antonio Schrader (1815–1900) was a German painter known for his portraits and history paintings. A prominent figure of the D...

Eutrope Bouret Bronze Spyche Eutrope Bouret (French, 1833-1906) Late 19th century. Signed on the base Bouret (French, 1833–1906) was an important 19...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Signed and numbered 'AP' in pencil. Limited edition of 2 AP. Printed 2018. On japanese Gampi.

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Oil painting, 19th century, river and mountain landscape. Oil on canvas. Illegibly signed. Frame damaged. Free shipping only without frame. 76 cm x 94.5 cm without frame.

Light’n’Lines No.20 is an abstract painting by contemporary German artist Doris Marten, featuring a striking composition of vertical lines in intense hues of blue that merges into d...

Layers Object No. 16 is a unique ink drawings on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 41 × 91 cm (16.1 × 35.8 in). The artwork is signed, sold unfr...

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...

FRANCOIS-RAOUL LARCHE 1860 SAINT-ANDRÉ-DE-CUBZAC - 1912 PARIS Signed on the base with "RAOUL LARCHE," foundry mark "SIOT DECAUVILLE PARIS FONDEUR," and number "R 276." Total height...

Antique oil painting, Willi Krug, "Snowy Birch Path" This painting by Willi Krug entitled "Snowy Birch Path" captures the quiet magic of a winter day. The scene is covered by a deli...

The automaton has been completely overhauled and tuned. The spring housing has been adjusted. Comb has been completely tuned. The case has been overhauled. 10 plates are included...

"This painting is included in the series ""Blue"", it is about special moments, people, situations and feelings. Oil paints are used in the work, relief is given by mastichin. Painti...

Flemish Baroque painting. Romantic scene. Signed and dated. J. HOREMANS 1760. This 100% authentic painting captivates with its powerful colors. A real eye-catcher. Dimensions witho...

shipped in roll “Where the Light Stays” captures the warmth of late summer — that moment when the sun grows softer, yet its radiance continues to live in everything it touches. The s...

Decorative oil painting, fishing boat and sailing ship. Dimensions with frame in cm 81 x 96

Layer No.51 is a unique Indian ink on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 80 × 200 cm (31.5 × 78.7 in). The artwork is signed, sold unframed and c...

Bronze Emile Louis Picault "Charity-Bien Faisance," a French bronze figure by Emile Louis Picault. 50 cm Bronze signed Emile Louis Picault. With cast stamp. Wonderful work with a ...

shipped in roll “Just a Perfect Day” reflects the symbols and rituals of contemporary life — the small pleasures that have become part of our visual language of comfort and control. ...

Many layers of oil were applied in horizontal streaks over a few months. In the process video the non-linearity of how the layers are applied can be seen. At times a recent layer wil...

Bronze patinated bronze, H 69 cm Signed on the bronze base bornJean Didier Début (Moulins 1824 - 1893 Nimrod) Mythological or allegorical subjects Fine detailing and smooth fini...

"“The Knowing Path” continues the exploration in the Untamed series — delving into those deep impulses that cannot be constrained or subdued. This work is about inner freedom — the ...

This painting invites the viewer to rise above the noise of everyday life and see the world from a higher perspective. From above, the scene unfolds in serene contrast — the vast, te...

Emil Orlik (1870 Prague - 1932 Berlin), Love Scene Under a Tree, 1912. Mixed media on paper, 14.5 cm x 25 cm (sheet size), 35.5 cm x 46 cm (frame), signed “ORLIK.” lower right and da...

A vibrant oil on canvas landscape by German painter Paul Lehmann-Brauns Fahrwasser (1885–1970), signed lower right. The composition captures a North German rural scene with thatched-...

Willibrord Haas (*1936 Schramberg), Rising, 1980. Etching, 35 cm x 22 cm (plate size), 53.5 cm x 38 cm (sheet size). Signed “Willibrord Haas” in pencil by the artist, dated “1980”, t...

Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without f...

Decorative oil painting. View of the most famous Berlin streets. Unter den Linden and Friedrichstr. The painting shows a very busy scene (after the r...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Christ with Crown of Thorns, 1902. Brass relief plate in niello technique with raised sections, 38 cm x 40 cm. Monogrammed and dated “hTh 1...