California - Decorative Art

Antique Marquetry Inlaid Scenic Tarsia Panel of Raffigurante "Il Carro Dell'Aurora"

A bold expression of mid-century artistry, this 1970s brass and iron wall sculpture — styled after the celebrated works of Curtis Jeré and William Friedle Bruce...

French Botanical study of various flora from the end of the 19th century and beginning of 20th century, plate includes species identification. The frame is from reclaimed wood. Part ...

Incredibly graphic piece, signed by Ilya Bolotowsky (American, 1907-1981) from the early 1970s. Signed Silkscreen part of the vertical blue ellipse blue series. Silkscreen on Rives p...

Mid-20th century tribal beaded cache-sexe modesty apron (pikuran), Bana Guili people, Mandara Mountains, Cameroon An unusual cache-sexe made of blue and yellow beads so scattered ...

19th C signed Framed Horse Litho By Olso.

Kids Playing Ghost Wall Art Pencil on Paper Brown Wash Decorative object framed. The Original Artist: Richard Westall / Title: A Ghost, engraved by Luigi Schiavonetti (1765-1810), pub. by T. Simpson, 1791A Ghost, engraved by Luigi Schiavonetti (1765-1810), pub. by T. Simpson, 1791, (attaching a colored picture ) . other known artwork Building with a Turret 1790 and many portraits that he was known for. Over the Centuries and the decades, many artists recreated the Artwork and then later copies were made of them. THE ARTWORK WE ARE OFFERING IS NOT A STIPPLE PRINT...

Fine mosaic plaque/tray by Salvador Teran of Mexico and dates fro the 1960's. Deign is of a woman's face. Wonderful abstract design and form. The brass plaque has a wonderful patina ...

Very Large Landscape Verdure Pastoral Oil on Canvas, Ch. Boulogne Cows Watering Verdure painting. Signed Artwork. The “Cows Watering by the River at Sunset” 4 feet height x 7 feet &...

Antique sign for the "Richmond Skating Club." The sign features a classic arched top design with hand-painted lettering and graphics, including a red ice skate and a shield with the...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...

A fine flemish 18th-19th century Verdure landscape tapestry, the wool and silk tapestry centered by a scene of a tall tree within a forest background and a foliage border. Circa: 180...

1970s Los Castillo Virgin Mary Silver Black Wall Art Taxco Mexico Silver on Black Lacquered Wood 10.25 H x 5 W x .75 Thick Made in Mexico. Maker sta...

Animal Sculpture in stock and ready to ship. The frog is made of cast bronze with vedigris patina. The base is a Nero Marquina marble base. Dimensions: w 23 x d 18.5 x h 35 cm w 9....

Vintage French Art Deco Le Verre Francais Glass Wall Sconce Covers, 1930s. This lovely pair of glass sconce covers date to the art deco period. Ad...

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Spring Love" depicting a standing young maiden holding a wicker basket filled with fresh flower as she is bei...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

18th C. School Jean Baptiste Greuze Peasant Child in a white bonnet antiques LA 18th C. School Jean Baptiste Greuze Peasant Child in a white bonnet antiques LA . This exceptional pa...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

Condition: Original Vintage Condition Materials: Wood Frames

Mid-20th century tribal beaded cache-sexe modesty apron (pikuran), Mandara Mountains, Cameroon These colorful cache-sexe were worn for celebrations, rit...

Large handcrafted decorative Indian Mughal Moorish brass tray. Embossed and hammered with floral and mystique animal scenes with Arabic script etched. Large decorative hanging...

For your consideration, a vintage modern last supper in the manner of Emaus or Talleres Nomasticos. Constructed with mahogany and silver plated metal with abalone. Backboard painted ...

Orientalist Moorish gravure scene of Turkish women dancing in the harem. After Luigi Crosio (Italian, 1835-1916), Moorish Scene, "The Dancer" Luigi Crosio...

Antique 1900s Moroccan hand-hammered brass tray, intricate artwork, very fine Islamic metalwork brass hand etched designs with a five pointed star in the center. Handcrafted decorati...

This folky original painted hand made Holsteins Milk metal farm trade sign has the original chain for hanging.It has spots that has paint loss and mino...

An Italian mid-19th century oil on board representing a "Mother and Child". The Renaissance revival style painting in the manner of a Raphaelite Madonna and Child, of a seated young ...

Mughal Rajasthani Black Marble Inlay Pietra Dura Table Top India. This is an exceptional handcrafted Mughal Rajasthani black marble Pietra Dura inlay table top, featuring the same intricate craftsmanship seen in the Taj Mahal. The table showcases the traditional Indian art of Parchin Kari (Pietra Dura), where semi-precious stones like lapis lazuli, cornelian, and agate are meticulously inlaid into a marble surface, creating stunning floral and geometric patterns. Handcrafted Mughal Rajasthani Black Marble Pietra Dura Table Top, India. This stunning table top features intricate Mughal-style Pietra Dura inlay work, showcasing the artistry found in the Taj Mahal. Skilled artisans meticulously inlay semi-precious stones like lapis lazuli, carnelian, malachite, and agate into black marble, creating beautiful floral and geometric patterns. The technique, known as Parchin Kari, involves engraving grooves in the marble and filling them with precisely cut stones, each piece hand-shaped and polished to perfection. This vintage, octagonal marble table top from Rajasthan, India, blends traditional craftsmanship with vibrant colors, making it an exquisite decorative piece. The combination of lapis lazuli, jade, turquoise, jasper, and carnelian adds a rich depth to the design. This piece can also be used as a tray or accent table, making it a versatile addition to any space. This is a spectacular very fine Pietra Dura inlay black marble in an octagonal shape with wonderful colors and quality craftsmanship. This beautiful handcrafted marble inlay table...

French Botanical study of various flora from the end of the 19th century and beginning of 20th century, plate includes species identification. The frame is from reclaimed wood. Part ...

For your consideration, a beautiful bronze art (framed) of a "Still Life". Made in Italy. Mid Century Modern period. Walnut frame. Dimensions: 12.5 W x 15 H x 1.75 D. Art 4 W x 5.7...

Modern "Daybreak" artwork printed under glass, features a serene scene with a reclining woman and a standing girl set against rolling hills, a tranquil body of water, and classical a...

Earl Daniels (1920-1999), California painter of landscapes, seascapes, coastal scenes, still- lives and abstracts, was born in New York City where he worked both as a commercial arti...

School of Pieter van Bloemen (Flemish, 1657-1720) oil on Canvas "Hunting & Ruins Scene". The capriccio scene depicting two male hunters in robes, on...

Robert Haviland & C. Parlon Limoges France Decorative Plate 1974 Limited Ed. Limited Edition collectible plate "The Lady and the Unicorn" by Robert Haviland & Co and Limoges France. Haviland Limoges France Limited Edition Porcelain Collector Plate "La Dame a La Licorne". La Chasse a La Licorne Limoges Haviland C. Parlon Collectible Plate. 1970s French Limoges limited edition and 22-karat gold collectors plate by Haviland & Parlon. This coveted and rare collector plate display a scene from the famous late fifteenth century Renaissance Paris French tapestries of unicorn hunting scene ," La Chasse A La Licorne". The plate is hand painted with an incredible amount of detail, bright and bold colors with a 22-karat gold rim. Made of porcelain with a glossy finish, this round plate features a stunning multicolor fairy tale design with a unicorn theme. The plate is handmade and painted, and is part of the Limoge product line series. This vintage Haviland Limoges La Chasse a la Licorne Unicorn Plate...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A set of 40 framed German art plate engravings. These came from a two volume set of Meisterwerke of German Art by Carl Thonet Jutsum published by George Barrie (Boston, New York and ...

Evelyn Ackerman Carved Redwood Panel for Panelcarve, circa 1950s. Features a bird, ram and frog in typical Ackerman style. Measures 36" wide, 12" high and 1" deep. Stamped "copyrig...

17th C. Rare Alms Dish Bowl Luxury Vide Poche Center Tray Decorative Object .German Baroque . A real period collector’s item Circa 1600’s Alms collecting German Baroque dish with inc...

Vintage Fabienne Jouvin French designer decorative Imari Asian wall plates. from the French Parisian designer Fabienne Jouvin the plates with irregular shapes and quite shallow with a beautiful Oriental Asian Japanese style depicting a man and woman portrait on each plate. The portrait are period Imperial style, with Japanese kimono and hair style, vivid colors on each panel of the plate depicting different Asian traditional design motifs. Colorful modern Asian motif decorative plates or shallow bowls made by Fabienne Jouvin Paris...

Large 18th C. Bucolic Painting Garden Nature Scene Landscape Dog Flowers Antique . A Beautiful Hand painted bucolic " Bucolique " painting in the spir...

Rare Carta Blanca beer porcelain metal sign. Mexico, ca. 1940’s.

For your consideration, a framed art of lattice crown. Hand carved and finished with Gilt. Wood frame in red and gilt color. Stamp from the frame maker on the back. China circa the 1...

Mother and Colt Horse painting. Signed and dated 1971.

Elaborately Carved and Finely Detailed Double Sided Gilded Chinese Sign that Announces the Mid Autumn Chinese Festival (a.k.a. Moon Cakes Festival).

Francesco Peluso (Italian, 1836-1916) a fine Italian 19th-20th century oil on canvas "The Village Celebration" depicting a young couple of villagers dressed for Spring festivities and walking through a dirt road while playing musical instruments. The girl playing a tambourine and the boy a wooden noise maker...

Large scale fiber wall sculpture by Margo Farrin O’Connor for Ted Morris & Associates, crafted in the 1970s. Composed of tonal bands of wool and jute in ivory, sand, rust, and ochre,...

Great 1930's European French hand painted Pottery Store Sign. The sign is painted on both sides. Some paint is missing and the sign had wear from years of use.

A rare gemstone artwork in the art nouveau style modeled after Alphonse Mucha's "Spring". The painting was done on the back of glass and applied with quartz to create the iridescent background. The Goddess finely painted, delicately inlaid with natural gemstones. She wears a long mermaid...

French Botanical study of various flora from the end of the 19th century and beginning of 20th century, plate includes species identification. The frame is from reclaimed wood. Part ...

A rare, mid-century wall plate with primitive incised design and textured glaze by Nancy Wickham Boyd (1923-1987). Piece measures 10" by 10.5" and i...

Antique double sided trade sign for Ingersoll Watches in the shape of a pocket watch. Excellent old sign in original condition. American, late 19th-ear...

Jacques Adnet attributed wall hanging notepad holder with built in pencil. Notepad can slide into leather sling to write down grocery list /or notes.

Brutalist mixed metal wall sculpture by Henrik Horst, 1970's. In original condition with a great patina. There is some wear to the corners of the frame, consistent with its age and u...

Beautiful original plein air impressionistic and realistic style, oil on canvas painting, features a wooded landscape, with magnificent trees which dwarf a woman and child, who are w...

Beautiful continuous black line drawing of a woman by Jean Negulesco. Vintage color serigraph print with blind stamp in corner. New custom maple frame with UV plexi.

JAMES RIZZI "City People" Rosenthal Germany Collectible Plate Limited Edition. 1970s Rosenthal collectible porcelain plate 'City People', designed by James Rizzi, Executed by Rosenthal, Germany, limited edition, no./1500 Limited edition, signed and numbered. Framed plate is in excellent condition, plate size is 12". Frames is not in good condition, white became yellowish shows wear. About James Rizzi: AMERICAN, 1950-2011 James Rizzi (October 5, 1950 – December 26, 2011) was an American pop artist who was born and raised in Brooklyn, New York. Best known for his vibrant, youthful graphics and his three-dimensional prints. He was the official artist for the 1996 Olympic Games in Atlanta, adorning the famous logo with his noodle-like drawing style. Rizzi was most famous for his 3D artwork, "especially the large, elaborate prints and teeming anthropomorphic cityscapes. His merry maximalism and delight in delirious detail and elaborate minutiae created a true art brand, a trademark style as recognizable as any in the world." About Rosenthal: German porcelain manufactory Rosenthal was originally founded as a ceramics-painting studio by Philipp Rosenthal Sr. (1855-1937) in 1879 at Schloss Erkersreuth in Bavaria, near the Czech border. Its first highly popular product was an ashtray inscribed with the words “Resting place for lit cigars.” In 1890, the company moved to the neighboring hamlet of Selb and, a year later, began to manufacture its own porcelain, since white porcelain was, at that time, in short supply. Rosenthal’s first complete table service was called Empire; it was exhibited along with other lines at Paris’s Exposition Universelle in 1900. With the dawn of the 20th century, Rosenthal began producing porcelain tableware and services formed and decorated in the latest styles, like the Jugendstil Botticelli (1903), the Art Nouveau Darmstadt (1905), and the all-white Maria (1916) lines. Successes with this au courant approach led the company to launch an art pottery division in 1910, dedicated to luxury tableware, vases, and other decorative objects. By the 1930s, figurines were another important Rosenthal product, most notably the Disney-licensed Mickey Mouse pieces introduced in 1931. In 1934, Philipp Rosenthal was forced to leave his company and country when his Jewish ancestry came under persecution by the Nazi regime. Despite the loss of its founder, the Rosenthal company remained the premier supplier of high-quality porcelain tableware to the Third Reich. After the war, in 1950, Philip Rosenthal Jr. (1916-2001) joined his father's company as an advertising manager. By 1958, he had become its CEO, continuing his father’s vision to produce high-quality porcelain in line with progressive tastes. Through the rest of the 20th century, Rosenthal was the most commercially successful porcelain producer in Germany. In the postwar era, Rosenthal’s most famous tableware lines have included 2000 by Raymond Loewy and Richard Latham (1954), Magic Flute by Bjørn Wiinblad (1959), Suomi by Timo Sarpaneva (1976), and Moon by Jasper Morrison (1997). The company has enjoyed many popular and critically acclaimed collaborations with designers and brands, like Salvador Dalì, Tapio Wirkkala, Walter Gropius, Andy Warhol, Ron Arad, Enzo Mari, Konstantin Grcic, and Versace. Rosenthal's product lines have encompassed more than ceramics over the years. In 1972, the company began producing furniture, under the subsidiary Rosenthal Einrichtung, in Espelkamp, Germany. Standouts from this arm of Rosenthal include Gunter Ferdinand Ris and Herbert Selldorf’s futuristic Sunball Lounge Chair (1969), Verner Panton’s Relaxer Rocking Chair (1974), Burchard Vogtherr's Vario Pillo...

Set of 3 Mid-century era Chinese Silk Embroidery Tapestry Art of Tropical Landscape in Rattan Frames. Each piece depicts a different tropical ...

A fine pair of Continental 19th century porcelain plaques each depicting George Washington, the first President of the United States and his wife Martha Washington within an ornate V...

Barn in Moonlight by Frederick John Mulhaupt American Oil Canvas Laid on Board “Barn in Moonlight” By FREDERICK JOHN MULHAUPT (1871 – 1938) AMERICAN. Signed / Oil On Canvas laid on...