Paintings on Sale

This 17th Century Italian Baroque painting, executed in oil on copper, depicts the Crucifixion of Christ with remarkable depth and dramatic composition. Christ is shown on the cros...

Stunning oil painting on canvas of a European waterfront buildings. It look like a strip in the French Rivera. Framed with ornate wide gold frame. It had fresh air color and calm fe...

While signed, "Elvgren" I would say that this is a very well executed period pin up after Gil Elvgren (March 15, 1914 – February 29, 1980), born Gillette Elvgren in Saint P...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

(Slavic School, 19th Century) A Large Oil Painting "Saints Cyril and Methodius"   Very good quality painting, and subject. Painted by a master, apparently ...

Les « p'tits poulbots », créés par Francisque Poulbot au début du XXe siècle, capturent avec humour la vie des enfants pauvres de Montmartre. Ces illustrations emblématiques ont évol...

Robert Duffy (American, 1928-2015). Oil On Canvas "Robert “Bob” Duffy is a “Plein Air Artist” who paints primarily in New England. Frequently, he can be seen in Northern Vermont ar...

Midcentury decorative painting with a bouquet of flowers painted in oil on wood Beautiful bouquet of flowers framed in a spectacular gilded Rococo or French Baroque frame. A very dec...

Vintage Oil On Board Painting Of A French Street Scene Signed By Leroy C1950 Measures - 30 3/4" x 34 1/4" x 3 1/8" A vintage oil on board painting depicting a lively French street ...

Catalan Baroque S.XVI The Adoration of the Magi Oil on wood 92cm x 68cm Dated 1527 At the beginning of the Renaissance period, Gothic forms coexisted in Catalonia with other new solutions, in which religious fervor was mixed with the attention to detail of everyday life. Following the medieval tradition, the altarpieces are thought from a narrative vision, and flat painting...

A pair of domestic conversation pieces, one showing a girl teasing kitten with her mother's skein of silk, the other a mother dressing daughter for fancy dress party. Both oils on c...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Magnificent French Floral Oil Painting from Paris Universal Exposition in 1900. This captivating 19th-century still life oil painting by the award-winning French artist Charles Henr...

Quiet and at peace, with almost a smile on his face, the expired Saint Sebastian depicted here -- in the nude, as is customary, and wounded with multiple arrows -- probably dates to ...

Charles Harry Eaton (1850-1901) Inspired by the Barbizon style of painting and devoted to the Detroit landscape for much of his career, Charles Harry...

This painting is an illustration of the classic Japanese novel, "The Tale of Genji," written by Murasaki Shikibu. It captures the aristocratic atmosp...

Late 19th Century Oil Painting of Sheep & Shepherd - By James Desvarreux (1847-1937) Beautiful painting purchased in France. Age appropriate wea...

Antique large German painting with an Italian landscape - Many European painters came to Italy to paint its beautiful natural landscape, full of sun. This painter was Franz Krause, born in Germany 31th March 1823 , died in Leitmeritz on 18th March 1878. If you want, You can use the large frame for a MIRROR, leaving the picture free...

This stunning example of Art Deco painting illustrates the dramatic moment when the hunter Actaeon, having seen the nude Diana in her bath, is meeting his death. Here Actaeon himself is fully nude, and is being transformed into a deer as he is being pursued by Diana's avengers. The classic myth...

19th Century American Antebellum Portrait of a Lady, Original Giltwood Frame Oil on Canvas 36-inches high x 30-inches wide Apparently Unsigned USA, Circa 1850s This 19th-century ...

A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...

A late entry in America's string of public murals painted in the 1930s, 40s and 50s telling the story of various towns and regions, this 1962 Art Deco study b...

Orientalist Painting Wall Art Arab Market Scene Dutch G. Huijsser Antique Frame. Very nice oil on cardboard by Gerard Huijsser, Dutch painter, depicting a gathering of people in a or...

This is a KPM style hand painted plaque of Saint Catherine of Alexandria. The bright colors of her robes highlight her porcelain skin. Sh...

18Th Century, Pair of Italian Allegorical Paintings By Vittorio Amedeo Rapous Pair of paintings depicting the Allegory of Spring with putti and the Allegory of Autumn with putti, Vi...

Decorative abstract painting by N. Golain.

A 19c naive oil painting on a thin wooden panel of a young girl in an architectural and wooded landscape in a black painted frame with gilt slip. A regency period portrait...

Architectural Capriccio of Roman Ancient Ruins with Figures. Italian, 18th century large painting in oil on canvas is from the school of Giovan...

1869 English oil painting men on horse back preparing for the fox hund Painted on wood panel Signed Dave

1866 Oil on canvas of a still life table setting Set in agilt frame Image size 29.5x24 " signed lower right

Rare set of four Japanese Showa period door panels known as Fusuma in Japanese architecture. Similar to a Shoji room divider but made of an opaque materia...

Stunning piece of abstract artwork. Very decorative and interesting midcentury original abstract composition, oil on board. Abstract Expressionism was a movement or artists that be...

Group of Three WPA Era Paintings, American, circa 1930s-1950s. From left to right, they are: 1) Brick mason oil painting, American, circa 1930s. It ...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...

This charming signed oil on board painting from the early 1900s captures a timeless moment of quiet reflection. The artwork depicts a young woman seated outdoors, dressed in traditio...

A striking, energetic piece of original abstract artwork dating from the 1960s/70s. Acrylic and oil have been used to create bold lines and brushwork on the canvas giving the piece a...

Hans Zatzka, Austrian (1859-1945) A Fine Oil on Canvas "Portrait of Haunz Javorasky Als Knabe Dressed as a Sailor" within a carved gildwood frame. The charming portrait depicts a sea...

Paris Street Scene Oil Painting of Horse and Carriage. Artist signed I distinctly lower left.

Antique Verre Eglomise Chinese Export reverse glass painting. Beautiful Chinese reverse glass painting of two women in a Chinese garden with a scroll. This painting is particularly vibrant and exquisite in color and detail. The wood frame painting...

Pair of early Swedish Rococo Folk Art wooden paintings or table tops.

1958 Willy Mucha Abstract Oil Painting on Canvas, Signed Offered for sale is a 1958 Mid-century Modern abstract oil painting on linen canvas by Willy Mu...

This 18th-century Baroque painting presents a tender depiction of The Holy Family with an Angel. Rendered in oil on copper panel, a common technique of that period for its durability...

One of the finest depictions of an American worker from the 1930s that we have seen, this monumental painting of a shirtless bricklayer, resting against a curved brick niche, with a ...

Antique Oil On Canvas Portrait Of A Debutant Unsigned C1820 $800-$1,500 Measures - 29 3/4" x 25" x 1/16" An exquisite antique oil on canvas portrait depicting a young woman debutant ...

Adam and Eve Oil on canvas signed below left «E.R. Ménard 1923» Labels on the back, including one from the Carnegie Institute in Pittsburgh, Pennsylvania in 1925. Titled in a cartou...

Lithograph by Gianni Dova, created in the 1960s. Measures: Ø cm 60 H cm 84 Gianni Dova (Rome, 8/01/1925 - Pisa, 14/10/1991) was an Italian painter. He was among the protagonists of the Spatialist Movement that grew up around the Galleria del Naviglio in Milan and he signed several posters including: - the fourth (Manifesto of Space Art...

Beautiful Mid Century Modern oil/masonite painting by reknown Haitian artist, Gabriel Lévéque, of a vase with a lovely flower arrengement. He has made use of the whole surface by co...

Oil on canvas signed B H Stone. Depicting a Canadian winter landscape encased in a carved frame. Dimensions Height 25 inches Width 29.5 inches Depth ...

John Harris (1791-1873), after Bennett Hubbard (fl.1839-1864), ''Cure-All'', Winner of the Grand National Liverpool Steeple Chase, 1945, Ridden by the Owner, Mr. W.G. Loft, of Healin...

Oil on canvas paintings by the english artist John Hall, depicts an English country landscape with a stream and cottage signed “J. Hall” and mounted in a gilt frame. Measures: H:...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

A painting, prior to 1678, from a famous fresco of the Triumph of the Name of Jesus from the Gesù Church in Rome, completed in 1684, attributed to the Old Master Painter Giovanni Bat...

Antique Oil On Canvas Portrait Of A Maiden With Newcomb Macklin Frame attr Signed By R. Grant C1890 Measures - 26 1/2" x 20 1/4" x 3 1/2" An antique oil on canvas portrait of a mai...

Substantial framed gouache on paper art piece by American painter and sculptor, James Byrd. The painting encompasses a diptych of Fine art water color paper. Secondary colors of blue...

“The Odalisques” 19th Century Orientalist Oil on Canvas, Signed Raupp An exquisite 19th-century European Orientalist oil painting on canvas, ...

A Universal Exhibition Painting on Plaque after the painter James Bertrand Hand-painted Polychromed Painting on Porcelain Plaque Representing The Marguerite of Faust Signed Lower Left Titled on the reverse: “Marguerite Folle d’Après James Bertrand, Exposition Universelle 1889” After the painting by James Bertrand "The Marguerite of Faust" In its original frame Circa 1890 Faust and Marguerite Faust is tired of his old life and wants to kill himself. In a final burst of bitter anger, he invokes the devil. The devil appears in the guise of Mephistopheles and offers him a pact: he will grant him what he desires most in the world in exchange for his servitude. Faust asks him for youth and his help in seducing Marguerite. When he achieves his goal, bound by his contract with the devil, Faust abandons the latter who is waiting for her child. Filled with remorse, he returns to her, but kills Valentin, Marguerite's brother who tries to stop him, during a duel. He then tries to save the life of Marguerite who is imprisoned for infanticide, but he fails. Like this multifaceted character, the vocal treat-ment chosen by Gounod is differentiated: sometimes very lyrical with touching flights, sometimes very cold and repetitive to evoke her detachment from the world of men. Marguerite is young and naive. She lets herself be seduced by the charming and mysterious character of Faust and thus causes her own downfall as well as that of her family (her brother and her child will die). Hortense Richard (1858-1940) Marie Sophie Hortense Jeanne Schrenk was born in Charonne in 1858, the natural daughter of Louise Christine Frederika Schrenk and an unnamed father. Her mother, a German born in Stuttgart, officially recognized her in August 1879. A few days later, Hortense married his fellow painter Désiré Alfred Magne...

One of the most brilliantly-hued paintings by Albert Gleizes we have seen, this highly abstract Cubist work is a rotating knot of curving forms in periwinkle, carmen, olive green, sky blue, burnt sienna and grey flannel, as vivid now as when it was painted a hundred years ago. Early in his life he was influenced by Fernand Leger, Robert Delauney...

A fine, antique brass easel with Pietra Dura panels and three handpainted portrait miniature paintings, circa 1880. The brass easel of triangular ...

refined Indian brush painting of a nobleman riding on a horse, intricate detail, ink, color and gold gilt on paper, Conservation framed