Paintings on Sale

17th century style Interior Still Life, English School A well executed 20th century work on canvas. A colorful interior still life depicting a seated white dog with raised paw resti...

Large acrylic painting on canvas with butterfly in center. Artist signed Andersen in bottom right corner.

Vintage painting, probably acrylic on paper, African-inspired art painted by a Belgian, signed bottom left, we think we can tell 'Weyne' from it, ca. second half of the 20th century....

Monumental Sailboat Painting by Lee Reynolds of Vanguard studios. Minimalist design of sailboats in muted cream and brown tones. Framed in a gun metal colored frame. White glove ship...

A figurative painting of two Vietnamese woman admiring a bouquet of flowers. Retaining original frame. Artist signature lower right is undecipherable. A charming painting reflecting ...

Mid Century recycled artwork by Andre Pailler. France ca. 1970. Mixed media, black and blue grey paint. Recycled items, plexiglass, wood.  

Early 19th Century French Portrait of Commander in Legion of Honor By Alexandre Bailly (1764-1835) Beautiful painting purchased in France. Age appropriate wear, see detailed photos ...

Pair of putti reverse paintings on glass. Framed.

Signed lower left P. Fiordalisi (1904-?). Peter Fiordalisi was born in Union City, NJ and produced this fine abstract oil paint on canvas circa 1969. The artist uses segmented color,...

Fine Art, Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream. Charles born in England, the son of a German decorative painter started his career helping his father painting clock faces and snuff boxes and became renowned in his own right for his animal paintings, later being appointed by George III and George IV. Exhibiting at the Royal Academy between 1809 and 1814. His works can be found at - Temple Newsam House, Lotherton Hall, York Museum trust, National Trust, Florence Court, Leeds City Museum and Galleries, The Ferens Art Gallery and Newstead Abbey...

O/8272 - Italian school about 1920 - This pair of still life oil paintings depict flowers on copper are in their original frames. They ...

Parisian cityscape, signed and framed oil on canvas by Serge Belloni, ‘57 This painting has all the quintessential features of Belloni’s renowned Parisi...

Antique Oil on Board Portrait Painting of a Noble Woman, Giltwood Framed, C1880 Measures- 37.25"H x 31"W x 2"D This antique oil on board painting, dating to circa 1880, features a po...

Oil on wood panel from the 19th century, Troubadour School. Beautiful oil on panel depicting a Church square scene, a scene of life on a town square, village at the foot of a church....

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Beautiful framed painting signed and painted by Shao Ang in 1987 Zhao Shao Ang (1905-1998) was born in Guangzhou (Canton, China) he moved back and forth...

Impressionist Flower Still Life Painting New Hope School. Beautiful Poppy flower still life painting in oil on masonite. It is a representation of the Pennsylvania Impressionist Mov...

FOR SALE: Stunning Folk Art Oil Painting – Andean Woman & Child with Birds Bring color and culture into your space with this marvelous folk art (outsider art) oil painting on a wood...

A Navajo sand painting mosaic art wall panel of the Navajo mythological Father Sky or Thunderbird created in the 1960s in a non traditional format...

One of a kind and very beautiful work by René Genis, a French painter known for his serene and poetic style, depicts a sown field from an unusual perspective, cut by a foreground of...

Antique Oil On Canvas Laid On Board Portrait Of A Gentleman By Wheeler. Framed and signed in lower right corner, Early 19thC. Measures - 42.5"H x 35"W x 2.25"D This early 19th-centur...

English School, 19th century. A fine quality English School oil painting on canvas of a duck pond which has a small family boarding a tiny boat. Surrounded by lush trees, a dirt pat...

Pair of 18th Century painted architectural fragment panels with putties, one of the panels has Louis Seize decorations The panels were ...

Oil on canvas by Austrian artist Alexander Demetrius Goltz (1857-1944) depicting a spring allegory subject, from circa 1900. Titled "Fruhling" or "Girl...

Large oil painting on canvas, Rape of Europe, 18th century, more modern frame. Dimensions: 190x130cm. Good condition - used with small signs of aging & blemishes ADDITIONAL PHOTOS AND INFORMATION CAN BE REQUESTED BY EMAIL. WE SHIP WORLDWIDE, WRITE US AN EMAIL FOR A PRECISE ESTIMATE OF THE TRANSPORT COSTS. Grande dipinto olio su tela, Ratto d'Europa, XVIII secolo, cornice più moderna. Dimensioni:190x130cm. Buone condizioni - usato, con piccoli segni dell'età e macchie. Grande Peinture à l'Huile, Ratto d'Europa, 190cm, 18ème siècle. Gran Óleo, Ratto d'Europa, 190cm, siglo XVIII...

English oil on canvas portrait dating from the late 1700s painted in the manor of Joshua Reynolds. We believe the giltwood frame could be the original as it is right for the period. ...

'Freedom Warriors on Horseback' by Purvis Young USA, circa 1980s Purvis Young,'Freedom Warriors on Horseback, a large work painted on air handler...

An absolutely exquisite pair of Italian 19th century Neapolitan gouaches in 20th century giltwood frames. One depicts the volcano eruption of 1822 in Naples, the other is an affluent...

The work is a lively portrayal of an African nude woman in her bedroom. Under the bed, a discontent cat harbors grudges against its owner robbing its yellow cushion. The painting is ...

A beautiful Italian Still Life oil painting on old canvas of an urn holding a bouquet of assorted flowers set on a ledge. 17th century....

19th century Swiss mechanical clock painting circa 1820 This antique and unique clock painting is created in oil on metal circa 1820 in Switzerlan...

Late 20th century oil on canvas seascape / coastal painting titled "Costa Brava" by Salvador Caballero. Shows a view of the coastal town from the beach with boats in the foreground. ...

"Cattle at the Water's Edge" Oil on Canvas with Board Backing William Hart (American, 1823–1894) 20.25" w x 18.25" h (Frame), 10.5" w x 8.375" h (canvas) This exquisite oil painti...

18th century, Italian pair still life with flowers and fruit by Michele Antonio Rapos Measures: Oil on canvas, diameter 71 cm, with frame diameter 80 cm x W 5 cm The two circular c...

A large 19th century German Meissen rectangular porcelain plaque depicting Mary Magdalene reclining reading from a book. After Antonio Allegri (Ita...

Earl Daniels (1920-1999), California painter of landscapes, seascapes, coastal scenes, still- lives and abstracts, was born in New York City where he worked both as a commercial arti...

Vintage oil painting on canvas depicting a softly hued European city nestled in a lush hilly landscape off the coast. Carved giltwood frame with white linen border. Dimensions: 28....

18th Century French Oil Painting of a Nobleman. Beautiful piece purchased in France. Age appropriate piece, see detailed photos or message us with details. Excellent condition.

Monumental oil on canvas by caricaturist Georges Goursat, also known as SEM. Georges Goursat - 23 November 1863 - 26 November 1934 - was a French caricaturist and portraitist famous during the Belle Époque and Art Deco periods. This painting greeted visitors to the cellars...

Large Vintage Lee Reynolds Abstract Butterfly Painting, Framed Offered for sale is a large late 20th-century framed abstract painting of a...

Oversized Lee Reynolds acrylic on canvas painting signed in lower left corner. Painting has great texture with a white wood frame that has a silver accent. Hanging hardware is attached.

Oil on canvas abstract painting depicting figures and horse races. This bright and colorful artwork contains the use of bold, rapid brushstrokes and dynamic angles. Signed. Ar...

Poujol, Biblis changée en source (Byblis Transformed into a Spring), 1898 Artist: Poujol Nationality: French Date: 1898 Medium: Oil on canvas Signature: Signed and dated lower left...

A rare and magnificent example of a mural influenced by both the Arts & Crafts and Art Nouveau movements, this painting of a plumed knight on horseback...

19th-Century Framed Oil on Canvas Depicting Village We present you this oil on canvas depicting a landscape with a small house, people and animals. It is signed by Germain Postelle....

Antique Watercolor on Paper Landscape Signed N. S. Bowdish C1890 Measures- 13.25"H x 21.25"W x .25"D

Hutschenreuther German Painting on Porcelain of a Beauty, Signed Wagner Germany, circa 1900 A beautiful Hutschenreuther German painting on porcelain of ...

19th century Victorian oil on canvas portrait painting of Great, Great Grandmother (Elizabeth Craford 1798-1865) by Laura Birge, circa 1870, signed middle left. Laura C Birge (b.1846 - 1928), was born in Seneca Falls, New York. As a young girl she learned, for several years, to draw with Clara Soule (1834 - 1902). She then went to New York City and studied under William Rimmer...

Beautiful oil painting on canvas not signed. Excellent pictorial quality. A lake landscape with some boats and people. There are some defects caused by the passing of the centuries. ...

This classic example of WPA-period mural painting, executed by Verona Burkhardt for the Immigration and Naturalization Center in Los Angeles, depicts five Pueblo Indians in the foreground and a magnificent landscape of canyons and Pueblo dwellings in the background. This served as a study for one of five large canvases she delivered to California in 1941 or 1942, but the building was cordoned off due to America's entrance into World War II. Burkhardt (or Burkhard) was the daughter of two important artists and was introduced to painting and crafts at an early age. In her prime, she won seven U.S. Government mural commissions in national competitions for buildings in Wyoming, Montana, North Carolina, and Washington, D.C. She settled in Grand Junction...

A very colorful oil on canvas painting by French painter Alain Boyer. Professionally framed. Alain Boyer is a self-taught French painter, established at the Maison des Artistes s...

JFK MLK RFK- NO MORE DREAMS Purvis Young (1989-1999) A moving mourning work, depicting a funeral procession of John F. Kennedy, Martin L. King and Robert F. Kennedy. Painted ...

This charming European double-sided early 20th Century still-life oil painting features a loaf of bread next to a glass of red wine. The double sided-painted is a landscape scene. Pa...

Italian 19th century oil on canvas titled "The Music Professor" depicting a mid-19th century music-room scene of an elder man, the music professor, holding his violin, hat and umbrel...

Clearly influenced by Raoul Dufy, Marie Laurencin and Hollywood set designs, this striking depiction of two nude female figures around a table with a bowl of fruit was painted in 194...

Signed Original Art, Girl with a Greyhound Dog Portrait Perfect for the greyhound lover is this original watercolor pencil work, a distinctive human/pet portrait with an impressionis...

Rare set of portraits of Napoleon with his wife Marie Louise of Austria. Hand painted and framed in ebony. ref. O/7439/2.

Italian painting from the first half of the 20th century. Oil on canvas artwork depicting a contemporary copy of the famous painting by Gino Piccioni, Nude on the Beach (Florence, Fr...

Leopoldina Zanetti Borzino (Italian 1826-1902). Born in Venice, Leopoldina was the niece of Daniel Manin, a hero statesman, who would become the President of San Marco, a revolutiona...

The grand Georgain oil on canvas portrait stands nearly five feet tall and depicts a handsome middle aged gentleman wearing a wig, a smart dress coat with long waistcoat and white si...