Skip to main content

Naturalistic Prints and Multiples

to
12
786
157
72
33
32
Overall Width
to
Overall Height
to
21,213
19,104
10,880
6,349
5,282
2,725
1,568
1,444
1,156
913
910
438
354
193
83
40
35
32
26
221
658
149
53
17
9
4
6
1
4
3
8
2
1
211
661
405
9
243
239
152
152
95
83
81
75
51
47
46
40
39
37
37
32
31
30
29
27
443
402
208
106
60
123
259
452
143
Style: Naturalistic
Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
Category

1760s Naturalistic Prints and Multiples

Materials

Engraving

Apauly-Tustennuggee: 19th C. Hand-colored McKenney Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Apauly-Tustennuggee, A Creek Chief" after a painting by Charles Bird King from McKenney and Hall's "History of the Indian Tribes of North America", published in Philadelphia by Daniel Rice and James G. Clark in 1843. McKenney described him as “a chief and a warrior...a firm, brave man - and of good sense.” This original McKenney and Hall large hand-colored folio-size engraving measures 20" high and 14" wide. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category

1840s Naturalistic Prints and Multiples

Materials

Engraving

Canada Grouse: An Original 19th C. Audubon 1st Ed. Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original rare first octavo edition John James Audubon hand-colored lithograph entitled "Canada Grouse, 1. 2 Males, 3. Females, 4. Trillium pic...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Engraving, Aquatint

Ahyouwaighs, Chief of Six Nations: Hand-colored McKenney Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Ahyouwaighs, Chief of the Six Nat...
Category

1830s Naturalistic Prints and Multiples

Materials

Engraving

Amy Melious Leaves and Branches Series – Set of Four Signed Botanical Prints
Located in Plainview, NY
Amy Melious (Canadian, b. 1956) Leaves and Branches Series – Set of Four Signed Botonical Prints -Framed and Matted This sophisticated set of four botanical prints forms part of Amy...
Category

20th Century Naturalistic Prints and Multiples

Materials

Archival Paper

White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Engraving, Aquatint

"White American Wolf" an Audubon Hand Colored by J.T. Bowen Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Spoonbill "Platalea leucorodia": An 18th Century Hand-colored Nozeman Engraving
Located in Alamo, CA
This a rare 18th century hand-colored large folio-sized copperplate engraving entitled "Platalea leucorodia" (Spoonbill) by Cornelius Nozeman in volume II of his publication 'Nederlandsche Vogelen', engraved by Christiaan Sepp or his son Jan Christiaan Sepp, published in Amsterdam in 1770. This engraving depicts a Platalea leucorodia Spoonbill, a large bird that lives mainly in Europe, Asia and Africa. It commonly migrates long distances on thermal air currents from the colder Northern European climates to Sub-Saharan Africa in the winter, sometimes as far long as Finland to South Africa. The Asian black stork...
Category

1780s Naturalistic Prints and Multiples

Materials

Engraving

28: Thames East Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

1820s Naturalistic Prints and Multiples

Materials

Etching

Cynthia MacCollum, Disco, 2020, Hand-Altered Monotype, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category

2010s Naturalistic Prints and Multiples

Materials

Printer s Ink, Acrylic, Rag Paper

31: Dutch Galliot
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

1820s Naturalistic Prints and Multiples

Materials

Etching

33: Dutch Schuyt
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

1820s Naturalistic Prints and Multiples

Materials

Etching

Woodpeckers, Ceylonese Pygmy: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Iyngipicus Gymnophthalamus" (Ceylonese Pygmy Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The print, which was drawn by Gould and W. Hart and lithographed by Hullmandel and Walton, depicts two striped brown and ivory-colored woodpeckers with white and black on their heads. One is perched on a tree limb with pea green-colored leaves and the other on a round rose, brown-colored fruit. Both are pecking at fruit. This beautiful Gould hand-colored woodpecker lithograph measures 21" x 14.13". There is minimal faint focal discoloration in the lower margin. It is otherwise in excellent condition. The original text page is included with a round blindstamp in the right lower corner. There are several other unframed Gould woodpecker and other bird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Harrisoniae" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category

1880s Naturalistic Prints and Multiples

Materials

Engraving

Green Painted Sea Shell Lithograph Edition 33 of 34
Located in Houston, TX
Green shell lithograph of a cone shell. Print is edition 33 of 34. Signed and dated by the artist along with titled. Print is framed in a golden frame...
Category

1970s Naturalistic Prints and Multiples

Materials

Lithograph

Horse Team - Etching by F. Jacque - Late 19th Century
By Frédéric Jacque
Located in Roma, IT
Horse Team is a black and white etching realized by Frederic Jacque in the late 19th Century. The artwork represents a farmer and horses struggling with rural jobs Good condition e...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Etching

"Saint Michael s on the Danube" Church in Austria Medieval Town Landscape Alps
Located in Austin, TX
Hand colored, Copperplate Etching on Paper Image size: 9.5 x 9 in Frame size: 23.25 x 22.25 in. Date: 1935 An illustrative view of Saint Michael's, a Late Romanesque, early Gothic e...
Category

1930s Naturalistic Prints and Multiples

Materials

Ink, Archival Paper, Etching, Intaglio

PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm. [Paris 1805]. Prevost came from a lo...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Engraving, Handmade Paper

96: Labrus julis, Indented-Striped Wrasse
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Etching

Azaleas, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Azaleas' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Pyrethrums, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Pyrethrums' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Giant Petrel, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Prints and Multiples

Materials

Engraving

Camas Rat (Gopher): An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "The Camas Rat" (Gopher), No. 29, Plate CXLII from John James Audubon's Quadrupeds of North America, published...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'54. Hygrophorus chrysodon 55. Hygrophorus cossus 56. Hygrophorus hypothejus 57. Hygrophorus conicus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons ...
Category

Early 20th Century Naturalistic Prints and Multiples

Materials

Lithograph

Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melansporum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de...
Category

Early 20th Century Naturalistic Prints and Multiples

Materials

Lithograph

East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
'East Side of the Chapel of St Paul' Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. Fro...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Engraving, Etching, Aquatint

"Hermit, " a High-Bred Modern Foxhound
Located in Columbia, MO
"Hermit, " a High-Bred Modern Foxhound 1887 Etching 3 x 5
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Etching

HERBST. A Group of Four Crustaceans
By Johann Friedrich Wilhelm Herbst
Located in London, London
A Group of four hand-coloured engraved plates of Crabs by Schellenburg, P. Haas, Heidenreich and Ludwig Schmidt. Framed and glazed, overall size: 36.4 x 53.8 cm. Johann Friedric...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Engraving, Handmade Paper

Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Ornamental Plants, German antique botanical garden chromolithograph print.
Located in Melbourne, Victoria
'Zierpilanzen II' (Ornamental Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 30...
Category

Early 20th Century Naturalistic Prints and Multiples

Materials

Lithograph

Fritillaria Imperialis
Located in London, London
REDOUTÉ, Pierre-Joseph. Fritillaria Imperialis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category

Early 19th Century Naturalistic Prints and Multiples

Materials

Handmade Paper, Engraving

Apple of Sodom (Solanum - sodomaeum, Linne), antique botanical plant lithograph
Located in Melbourne, Victoria
'Apple of Sodom (Solanum - sodomaeum, Linne)' Colour lithograph, 1909.
Category

Early 20th Century Naturalistic Prints and Multiples

Materials

Lithograph

Mimulus roseus, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

Petunia violacea, antique botanical purple flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Engraving

THORNTON. The Superb Lily.
Located in London, London
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category

1790s Naturalistic Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Helvella Crispa, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-2 Helvella Crispa 3-6 Peziza Repanda' (White Saddle and Palomino cup) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after ...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Agaricus Ovoideus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Ovoideus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Agaricus Casareus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Casareus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Blue Mountain Ridge, Minimalist Diptych, Handmade Cyanotype Landscape on Paper
Located in Barcelona, ES
This handmade monotype cyanotype presents a serene composition of layered blue forms that evoke distant mountain ridges dissolving into atmosphere. Built through subtle tonal transit...
Category

2010s Naturalistic Prints and Multiples

Materials

Handmade Paper, Monotype

Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland. Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category

1780s Naturalistic Prints and Multiples

Materials

Engraving

Vue d un Village près de la Ville de Berne, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un Village près de la Ville de Berne' French copper-line engraving by Masquelier after Claude Louis Chatelet (1753-1794). From 'The Scenery and Science of Switzerland illust...
Category

1780s Naturalistic Prints and Multiples

Materials

Engraving

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'145. Cortinarius fulgens 146. Cortinarius semi-sanguines 147. Flammula sapinea' ' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category

Early 20th Century Naturalistic Prints and Multiples

Materials

Engraving, Lithograph

Shetland and Orkney Island Sheep, Scotland, animal lithograph print
Located in Melbourne, Victoria
'Race des iles Orcades et Shetland' (Breed of the Shetland and Orkney Islands) Lithograph with original hand-colouring by Hermann Eichens (1813-1886) fr...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

The Fox Terrier, Smooth and Rough
By Baker
Located in Columbia, MO
The Fox Terrier, Smooth and Rough 1887 Etching
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Etching

THORNTON. Group of Carnations
Located in London, London
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...
Category

1790s Naturalistic Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Po-Ca-Hon-Tas: Original Hand-colored McKenney Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Po-Ca-Hon-Tas", lithographed by J. T. Bowen after a painting by Charles Bird...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Joe Louis vs. Max Baer at Yankee Stadium
Located in New York, NY
LOUIS & BAER AT YANKEE STADIUM. This lithograph from circa 1935 was printed in an edition of 50. This particular impression is signed in pencil and inscribed “25/50.” The image size is 15 7/8 x 19 ¾ inches and the paper (sheet) size is 19 1/8 x 22 7/8 inches. There are two small purple estate stamps on verso. "I define fear as standing across the ring from Joe Louis and knowing he wants to go home early." – Max Baer...
Category

1930s Naturalistic Prints and Multiples

Materials

Lithograph

Ladies Dress Shoes. Plate X.
Located in New York, NY
LADIES DRESS SHOES. Plate X. The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe ...
Category

Early 1900s Naturalistic Prints and Multiples

Materials

Lithograph

Superb Craspedophora Alberti Bird lithographed by the ornithologists Gould
Located in Milan, IT
This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...
Category

Late 19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Illustration of Ballet Slippers
By Thomas Watson Greig
Located in London, London
Chromolithographed illustration of a pair of Ballet Slippers, printed with gold and silver inks. [Published by David Douglas, Edinburgh, 1900]. Plate...
Category

Early 1900s Naturalistic Prints and Multiples

Materials

Lithograph

Trumpeter Swan: An Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 77, Plate 383, from Aud...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Coriolis Effect, limited edition etching, black and white art, nature art
Located in Deddington, GB
Coriolis Effect is a limited edition etching by Sarah Duncan. Duncan is influenced by forms and light invisible to the naked eye, she seeks beauty in the realms of science, astronomy...
Category

21st Century and Contemporary Naturalistic Prints and Multiples

Materials

Paper, Etching

Hare Indian Dog: An Original 19th Century Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Hare Indian Dog", No. 27, Plate CXXXII, 132, from Audubon's "Quadruped...
Category

Mid-19th Century Naturalistic Prints and Multiples

Materials

Lithograph

Rare Seaweed "Nature Prints" by Henry Bradbury
Located in London, GB
A beautifully framed set of twelve rare "nature prints" produced in 1856 by Henry Bradbury. Henry Bradbury (1829-1860) is known for the innovative technique of “nature printing”, a...
Category

1850s Naturalistic Prints and Multiples

Materials

Paper

Ladies Dress Shoes. Plate IX.
Located in New York, NY
LADIES DRESS SHOES. Plate IX. The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe...
Category

Early 1900s Naturalistic Prints and Multiples

Materials

Lithograph

Ladies Dress Shoes. Plate XI.
Located in New York, NY
LADIES DRESS SHOES. Plate XI. The charming color lithograph is from the collection of “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by...
Category

Early 1900s Naturalistic Prints and Multiples

Materials

Lithograph

PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prevost's "Collection des Fleurs et Fruits...
Category

Early 1800s Naturalistic Prints and Multiples

Materials

Color, Engraving, Handmade Paper

"Under the Street Lamp" Imp. Etching
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
Category

1920s Naturalistic Prints and Multiples

Materials

Etching, Laid Paper

Naturalistic prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.