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Style: Naturalistic
Dragonfly #3 : Monochrome etching
By Lisa Dinhofer
Located in New York, NY
Lisa Dinhofer's work is presented in a realist style, deftly creating meticulous portraits of creatures - dragonflies, turtles, birds, bats and grasshoppers - that comprise her surro...
Category
1990s Naturalistic Prints and Multiples
Materials
Etching
Ass and the Lion Hunting, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
A Chippeway Widow: An Original 19th C. Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This an original 19th century hand colored McKenney and Hall Lithograph of a Native American entitled "A Chippeway Widow, No. 64", published by Rice, Rutter & Co. in 1865.
Her name ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Nicolas Poussin, French painter, 19th century artist portrait engraving print
Located in Melbourne, Victoria
'N Poussin'
Steel-engraving, by J Posselwhite after a self-portrait by Poussin. C1850.
125mm by 100mm (image) 270mm by 175mm (sheet)
Nicolas Poussin was a French painter who was ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
David Livingstone, the African Explorer, 19th century portrait engraving print
Located in Melbourne, Victoria
'David Livingstone, The African Explorer'
Steel-engraving. C1850.
160mm by 125mm (image) 260mm by 170mm (sheet)
David Livingstone was a Scottish missionary and African explorer. ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Queen of Rewa, 19th century Fiji portrait engraving print
Located in Melbourne, Victoria
'Queen of Rewa'
Portrait of seated Fijian woman, draped from the waist in tapa cloth, holding a fan, wearing jewelry and an elaborate headdress.
From Narrative of the United States...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'262. Helvella pityophila 263. Helvella crispa 264. Helvella elastica'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique,"...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Long-Haired Squirrel: Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Long Haired Squirrel, No. 6, Plate XXVII", from John James Audubon's Quadrupeds of North America, published i...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Red
Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
1.ere Vue d
un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'1.ere Vue d'un passage du Mont St Gothard'
French copper-line engraving by Nee after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated', ...
Category
1780s Naturalistic Prints and Multiples
Materials
Engraving
Four Pheasants
By Joseph Wolf
Located in London, GB
WOLF, Joseph (artist)
Four Pheasants
London, For the author, Red Lion Court, Fleet Street, 1871
Four original hand-coloured lithographic plates by Joseph Smit after Joseph Wo...
Category
1870s Naturalistic Prints and Multiples
Materials
Watercolor, Gouache, Lithograph
St James
s House, London, engraving, Johannes Kip after Leonard Knyff, 1708
By Johannes Kip after Leonard Knyff
Located in Melbourne, Victoria
'St James's House - Le Palais Royal de St James'
Engraving by Johannes Kip after Leonard Knyff.
Kip was a Dutch engraver who moved to London circa 16...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching, Aquatint
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Flowering Cotton Plant: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)". It is plate 551 in Johann Weinmann's monumental publication "Phy...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Tah-Col-O-Quoit: Original 19th Century Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Col-O-Quoit", lithographed b...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Downy Squirrel: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Downy Squirrel, No. 5, Plate XXV", from John James Audubon's Quadrupeds of North America, published in Philad...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Shau-Hau-Napo-Tinia, Ioway Chief: A 19th C. Hand-colored McKenney
Hall Litho
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Shau-Hau-Napo-Tinia, An Ioway Chief", lithographed by J. T. Bowen after a pa...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Cream-coloured Plover, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Aquatint
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Missouri Meadow Lark: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Missouri Meadow Lark, Male", No. 98, Plate 489 from Audubon's "Birds of America, lithographed, p...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Nah-Et-Luc-Hopie: 19th C. Hand-colored McKenney
Hall Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Nah-Et-Luc-Hopie", created by...
Category
1830s Naturalistic Prints and Multiples
Materials
Engraving
$1,020 Sale Price
20% Off
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
American Bittern: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background.
This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Blattpflanzen II (Leaf plants), German antique botanical plant chromolithograph
Located in Melbourne, Victoria
'Blattpflanzen II'
(Leaf plants)
German chromolithograph, circa 1895.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Haut Rhin, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. du Bas Rhin', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This mountainous area is part of the Alsace wine region ...
Category
19th Century Naturalistic Prints and Multiples
Materials
Engraving
Threshing, early 19th century sepia soft ground etching, 1805
Located in Melbourne, Victoria
'Threshing'
Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers,...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...
Category
1790s Naturalistic Prints and Multiples
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
Merendera Aitchisoni, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892).
235mm by 145mm (sheet)
Walter Hood Fitch was a Scottish botan...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Stork Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Ciconia Alba” (A family of storks) by John Gould, from the supplement to his "Birds of Great Brit...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching, Aquatint
"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition
Located in Alamo, CA
This engraving is entitled "Philadelphia, PA- The Centennial Exposition - the Jury of Award on an Inspection Tour in the Wine Vaults of Agricultural Hall", ...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Engraving
$380 Sale Price
20% Off
Native North Americans, German chromolithograph, circa 1895
Located in Melbourne, Victoria
German chromolithograph of native American tribes. Circa 1895.
Each portrait is numbered.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
White Weasel Sloat: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "White Weasel Slout, No. 12, Plate LIX" from John James Audubon's Quadrupeds of North America, published in Ph...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
3 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
View of Greenwich from Deptford Yard, Thames, London, C18th English aquatint
Located in Melbourne, Victoria
'View of Greenwich from Deptford Yard, Thames, London'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Campi Phlegraei - View of a section of a part of the cone of Astruni, Italy
Located in Melbourne, Victoria
Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano
Copper-line engraving with gouache. 1776.
...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Native North and South Americans, German chromolithograph, circa 1895
Located in Melbourne, Victoria
German chromolithograph of native American tribes. Circa 1895.
Each portrait is numbered.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Begonias, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Seedling tuberous Rooted Begonias'
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Villa di Castel Pulci del Signor Marchese Riccardi, Italy, engraving, 1744
Located in Melbourne, Victoria
Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767).
From 'Vedute delle ville, e d'altri luoghi d...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Kowloon by Gleb Derujinsky, Vintage Fashion Photography
Located in Los Angeles, CA
Selected from Derujinsky: The Around The World Portfolio, shot in Kowloon, Hong Kong for Harper's Bazaar
Artist: Gleb Derujinsky
Title: Kowloon
Year: 1957
Estate Edition: signed, stamped and numbered on verso. Signed by Andrea Derujinsky. Archival pigment print on 100% cotton paper, baryta finish. Worldwide authorized edition:
24X24 from a portfolio edition of 20
36X36 from an edition of 5
Gleb was raised in a home dedicated to the arts. His father Gleb Derujinsky Sr. was a renowned sculptor, and his mother, Alexandra Micholoff Derujinsky, a classic pianist. By the age of 6 Gleb’s life long passion for photograph blossomed as he began to shoot, develop and print his own photographs. At 15 he became the youngest member of the famed New York Camera Club where he met and was influenced by the legendary photographers in the club including Edward Steichen and Alfred Stieglitz.
Gleb’s fashion photography...
Category
1950s Naturalistic Prints and Multiples
Materials
Archival Pigment
Gloxinias, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Gloxinias'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Pheasant Pigeon Birds: 19th C. Folio-sized Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Westminster School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'Westminster School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an ea...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Etching
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category
Early 17th Century Naturalistic Prints and Multiples
Materials
Engraving
Kai-Pol-E-Quah: 19th C. Hand-colored McKenney
Hall Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Kai Pol E Quah, White Nosed F...
Category
1830s Naturalistic Prints and Multiples
Materials
Engraving
$1,020 Sale Price
20% Off
Red-throated Diver Bird: Original First Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Champignons, French antique mushroom truffle fungi chromolithograph, 1910
Located in Melbourne, Victoria
'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melanosporum (Truffle) 283. Tuber aestivum (Summer truffle)'
Antique French mushroom / fungi c...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
The Bull
The Cow and Calf, English animal cow cattle engraving, 1807
Located in Melbourne, Victoria
Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Veillot
s Crested Fireback Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
A Canine Aesculapius
, English Victorian vet dog wood-engraving, 1878
By After John Charles Dollman
Located in Melbourne, Victoria
'A Canine Aesculapius' From the Picture by JC Dollman, Exhibited in the Dudley Gallery.
English 19th century fold-out wood-engraving, 1878, from 'The Graphic'.
John Charles Dollma...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney
Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.
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