Naturalistic Prints and Multiples
to
12
786
157
72
33
32
Overall Width
to
Overall Height
to
21,214
19,104
10,886
6,348
5,282
2,725
1,568
1,445
1,156
912
910
438
354
193
83
40
35
32
26
221
658
149
53
17
9
4
6
1
4
3
8
2
1
211
661
405
9
243
239
152
152
95
83
81
75
51
47
46
40
39
37
37
32
31
30
29
27
443
402
208
106
60
123
259
452
143
Style: Naturalistic
Villa di Castel Pulci del Signor Marchese Riccardi, Italy, engraving, 1744
Located in Melbourne, Victoria
Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767).
From 'Vedute delle ville, e d'altri luoghi d...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Lady Stanhope, English mezzotint portrait print after Sir Joshua Reynolds, c1780
By Joshua Reynolds
Located in Melbourne, Victoria
'The Honourable Lady Stanhope'
Anne Hussey (Delaval), Lady Stanhope (died 1811) was the wife of Sir William Stanhope of Whig Park.
James Watson (c1739-...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching, Mezzotint
The Bull
The Cow and Calf, English animal cow cattle engraving, 1807
Located in Melbourne, Victoria
Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Bindweed (Convolvulus arvensis), antique botanical lithograph
Located in Melbourne, Victoria
'Bindweed (Convolvulus arvensis)'
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Merendera Aitchisoni, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892).
235mm by 145mm (sheet)
Walter Hood Fitch was a Scottish botan...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
David Livingstone, the African Explorer, 19th century portrait engraving print
Located in Melbourne, Victoria
'David Livingstone, The African Explorer'
Steel-engraving. C1850.
160mm by 125mm (image) 260mm by 170mm (sheet)
David Livingstone was a Scottish missionary and African explorer. ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
The Wine Vase. Jasper. Pl. XXVI
Located in London, London
RATHBONE, Frederick
The Wine Vase. Jasper. Pl. XXVI
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the Decorative or Artist...
Category
1890s Naturalistic Prints and Multiples
Materials
Paper, Lithograph
Townsend
s Rocky Mountain Hare: an Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
White-throated Hummingbirds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio-sized lithograph entitled "Schistes Albogularis (White-throated Wedge-bill Hummingbirds) by John Gould from his monograph " from A Monograph o...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Pulmonaria, English antique blue pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Pulmonaria'
Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890.
Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehan...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Wild Mustard (Brassica sinapistrum), antique botanical lithograph
Located in Melbourne, Victoria
'Wild Mustard (Brassica sinapistrum. Boiss.)'
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Tah-Col-O-Quoit: Original 19th Century Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Col-O-Quoit", lithographed b...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Boats - Original Etching by Giovanni Fattori - 1895 ca.
Located in Roma, IT
Etching on a zinc plate.
Very Good conditions.
Ref.
- A. Baboni, L'Ottocento: le incisioni di Giovanni Fattori, Pacini Editore, 2001. p. 128, n.106
Giovanni Fattori was an Italian ...
Category
1890s Naturalistic Prints and Multiples
Materials
Etching
Rothenberg
Located in Middletown, NY
Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Handmade Paper, Etching, Aquatint
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
The Milking Girl - Original Etching by Filippo Palizzi - 1889
Located in Roma, IT
The Milking Girl is an original modern artwork realized in 1889 by Filippo Palizzi.
Original Etching.
Signed and dated on plate on the lower right c...
Category
1880s Naturalistic Prints and Multiples
Materials
Etching
Three Vases in Grey-Blue Jasper. Pl. XXXVIII
Located in London, London
RATHBONE, Frederick
Three Vases in Grey-Blue Jasper. Pl. XXXVIII
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the Decorat...
Category
1890s Naturalistic Prints and Multiples
Materials
Paper, Lithograph
Wedgewood Vases, Green and Tri-colour Jaspar. Pl. XLV
Located in London, London
RATHBONE, Frederick
Wedgewood Vases, Green and Tri-colour Jaspar. Pl. XLV
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, th...
Category
1890s Naturalistic Prints and Multiples
Materials
Paper, Lithograph
Esper Antique 18th century Moth engraving with original hand-colouring
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of a moth, caterpillars and chrysalis. Printed on hand made laid paper. Engraved by JC Bock.
From Eugenius Esper's "Die S...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Aquatint
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Drury Lane Theatre, London, colour aquatint, 1808, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
A Large Jardiniere or Monteith. Jasper. Pl. XXXVII
Located in London, London
RATHBONE, Frederick
A Large Jardiniere or Monteith. Jasper. Pl. XXXVII
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the D...
Category
1890s Naturalistic Prints and Multiples
Materials
Paper, Lithograph
Young Mahaskah, An Ioway Chief: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Prints and Multiples
Materials
Paper, Drypoint, Etching
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Yarrell
s Wood-star Hummingbirds: A 19th Century Hand-Colored Gould Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Calothorax Yarrelli", Yarrell's Wood-star Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three green, white, grey, and a little blue colored hummingbirds amid green cactus plants with white and pink colored flowers. The hummingbirds are augmented by gum-arabic paint, which gives them an iridescent appearance in areas in which it is used.
This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original descriptive text page from Gould's 19th century publication is included.
There are several other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Black-headed Pitta Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Pitta Atricapilla (Black-headed Pitta) by John Gould, which is plate 19 from his monograph "The Birds of Asia", published in L...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Merano La Conca d"oro dell
Alto Adige original vintage lithograph poster
Located in Spokane, WA
Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige"
The water flows f...
Category
1940s Naturalistic Prints and Multiples
Materials
Lithograph
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category
Early 17th Century Naturalistic Prints and Multiples
Materials
Engraving
Sweet-scented Lachenalia. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Lachenalia Fragrant - Sweet-scented Lachenalia'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Canvass Back Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Wa-Kawn, A Winnebago Chief: Folio-sized Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Wa-Kawn, A Winnebago Chief", after a painting by Charles Bird Kin...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Hardy Phloxes, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Hardy Phloxes'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Ap-Pa-Noo-Se, A Saukie Chief: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Harlequin Humming-Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Pied Flycatcher Birds: 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Loup-de-mer (Sea Wolf), original signed etching by William Lee Hankey, c1915
Located in Melbourne, Victoria
'Loup-de-mer' (Sea Wolf)
Signed in pencil below the image. Monogram in plate and blind stamp monogram below image.
William Lee-Hankey was a British painter and etcher of landscapes...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Etching
Representation Generale de la Voute de La Galerie du President, French engraving
Located in Melbourne, Victoria
Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718.
Depicts a ceiling design commissioned for the Hot...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Rent Day, English antique engraving after Sir David Wilkie
By Sir David Wilkie
Located in Melbourne, Victoria
'Rent Day'
Engraving by Abraham Raimbach (1776-1843) after Sir David Wilkie RA (1785-1841). Circa 1820.
'Second Plate' printed under engraver's name.
Wilkie was an important Scot...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Aurora Borealis and Eskimos, America, 19th century lithograph.
Located in Melbourne, Victoria
'Aurora boreale nel pausi plari' / 'Uomo e donna degli Eschimosi'
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli,...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Downy Squirrel: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Downy Squirrel, No. 5, Plate XXV", from John James Audubon's Quadrupeds of North America, published in Philad...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Tshusick, Ojibway Woman: Original Folio Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized McKenney and Hall lithograph of a Native American entitled "Tshusick, An Ojibway Woman", lithographed by J. T. Bowen after a...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Mid-18th Century Naturalistic Prints and Multiples
Materials
Engraving, Mezzotint
Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
African Rhinoceros Hunting, antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
The Old Horse - Etching by Giovanni Fattori - 1900-1908 ca.
Located in Roma, IT
Image dimensions: 20.2 x 15.3 cm.
The Old Horse is a superb original etching (on copper matrix) on paper, signed on plate by the Italian Macchiaioli master...
Category
Early 1900s Naturalistic Prints and Multiples
Materials
Etching
"King Duck": An Original First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "King Duck, 1. Male, 2. Female", No. 81, Plate 404, from A...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Marsh Hare: Original 19th Century 1st Octavo Ed. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored first octavo edition lithograph entitled "Marsh Hare", No. 4, Plate XVIII, 18, from Audubon's "Quadrupeds of North America", printed and colored by Nagel & Weingaertner and published in New York in 1849. It depicts a pair of Marsh Hares/rabbits, presumably a male and a female, lying on grass, nose to nose, with plants in the background.
This antique hand-colored Audubon quadruped lithograph has a few faint spots, but the print is otherwise in very good condition. The sheet measures 7" high and 10.5" wide. The descriptive text pages, 151-156, from Audubon's original publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Palm Leaf Over Blue Sky, Handmade Botanical Cyanotype on Paper, Tropical Vintage
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a beautiful Palm Tree Leaf.
Details:
+ Title: Palm Tree Leaf Over Blue Sky
+ Year: 2025
+ Edition Size: 100
+ Stamped a...
Category
2010s Naturalistic Prints and Multiples
Materials
Paper, Watercolor, Lithograph
Lily-leaved Ophrys. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ophrys lilifolia - Lily-leaved Ophrys'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the o...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Colorful Flower Bouquet Mix, Close Up Wild Flowers, Giclee Print Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive limited edition color Giclée print, printed on matte photographic paper.
This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...
Category
2010s Naturalistic Prints and Multiples
Materials
Emulsion, Photographic Paper, C Print, Giclée
Home Away From Home, Desert Modernism Architecture, Blue Tones Cyanotype, Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement.
It's made by layering paper cutouts...
Category
2010s Naturalistic Prints and Multiples
Materials
Paper, Monotype, Lithograph
Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporting a...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Isaac Newton, physicist, scientist, 19th century portrait engraving print
Located in Melbourne, Victoria
'Isaac Newton'
Steel-engraving. C1850. Facsimile signature below title.
80mm by 60mm (image) 260mm by 170mm (sheet)
Sir Isaac Newton (1642 – 1726/27) was an English polymath acti...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney
Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.
More Ways To Browse
Andy Warhol Coke
Andy Warhol Fish
Andy Warhol Flowers Poster
Andy Warhol Movie Poster
Architecture Prints Georgian
Bearbrick Pink
Colonial Africa Poster
Dali Milky Way
Frank Romero On Sale
Gilles Aillaud
Gregory Colbert
Gretchen Dow Simpson
Gwenda Morgan
Jean Cocteau 1957
Jim Webb
Kaws Set 2 Clean Slate
Ken Rush
Lebanon Poster