Naturalistic Prints and Multiples
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Style: Naturalistic
America Marches Ahead
Located in Saint Petersburg, FL
Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 135 / 200.
There are 200 pieces in the edition all signed and numbered b...
Category
1970s Naturalistic Prints and Multiples
Materials
Lithograph
Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Late 17th Century Naturalistic Prints and Multiples
Materials
Engraving
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving
Armadillo: An Original 19th Century Hand-colored Lithograph by John J. Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Nine-banded Armadillo", No. 30, Plate CXLVI, from Audubon's "Viviparous Quadrupeds of North Amer...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Prints and Multiples
Materials
Paper, Drypoint, Etching
Yellow-belied Marmot: An Original 19th C. Hand-colored Lithograph by J. Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Yellow-belied Marmot", No. 27, Plate CXXXIV, from Audubon's "Viviparous Quadrupeds of North Amer...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
African Rhinoceros Hunting, antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Military Uniforms, German antique army soldier chromolithograph print.
Located in Melbourne, Victoria
'Uniformen des deutschen Reichsheeres und der Marine'
(Uniforms of the German Imperial Army and Navy)
German chromolithograph, circa 1910. Central vertical fold as issued.
245mm ...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Lithograph
Buff-breasted Merganser: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Duff House, Bamffshire, Scotland. Cordinier C18th landscape engraving
Located in Melbourne, Victoria
‘Duff House, the Seat of the Earl of Fife, in Bamffshire’
Engraving by P Mazell After C Cordiner,
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Sco...
Category
18th Century Naturalistic Prints and Multiples
Materials
Engraving
Hummingbirds: 19th C. Gould Hand-colored "Cyanifrons", Blue-capped Saucerottia
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Saucerottia Cyanifrons", Blue-capped Saucerottia Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two green, blue and a little brown colored hummingbirds about a plant with green leaves and pink flowers.
This beautiful Gould hand-colored hummingbird lithograph has a few very small faint spots, but it is otherwise in excellent condition. The original text page is included.
There are other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Ap-Pa-Noo-Se, A Saukie Chief: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
A Family of Common Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Scolopacinus" (Common Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Rotating Mobile, Handmade Unique Monotype Cyanotype Diptych in Blue and White
By Kind of Cyan
Located in Barcelona, ES
Blue Floating Mobile I is a unique handmade cyanotype on watercolor paper, presented as a striking abstract triptych. The artist layers fluid, organic shapes in luminous shades of bl...
Category
2010s Naturalistic Prints and Multiples
Materials
Handmade Paper, Monotype
Bearded Tree Swift Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs'
Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs.
Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category
Early 1900s Naturalistic Prints and Multiples
Materials
Lithograph
White Stork "Storch Ciconia": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Der Storch Ciconia" (White Stork) by Johann Leonhard Frisch is plate 19...
Category
1730s Naturalistic Prints and Multiples
Materials
Engraving
West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching, Aquatint
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Engraving, Aquatint
$7,660 Sale Price
20% Off
Tshusick, Ojibway Woman: Original Folio Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized McKenney and Hall lithograph of a Native American entitled "Tshusick, An Ojibway Woman", lithographed by J. T. Bowen after a...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
$1,580 Sale Price
20% Off
Townsend
s Rocky Mountain Hare: an Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Chromolithograph of Quail
Located in London, GB
Chromolithograph of Ducks, laid on to contemporary card (as published).
[Charles Scribner's Sons, New York, 1878].
Alexander Pope, Jr., was an American sculptor and painter. He’s kn...
Category
1870s Naturalistic Prints and Multiples
Materials
Handmade Paper, Lithograph
Young Mahaskah, An Ioway Chief: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Wa-Bish-Kee-Pe-Nas, A Chippewa: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This an original 19th century hand colored McKenney and Hall lithograph of a Native American entitled "Wa-Bish-Kee-Pe-Nas, A Chippewa, No. 85", published by Rice, Rutter & Co. in 186...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Indigenous People, Stage Coach, Mexico, America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Indiani in viaggio' / 'Diligenza Messicana'
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, published in Venice,...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Neartktische Fauna (Neartic Fauna), German antique animal chromolithograph
Located in Melbourne, Victoria
'Neartktische Fauna'
(Neartic Fauna)
German chromolithograph, circa 1895. Key to animals in German below the image.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Sortie de Theatre a Londres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches.
Provenance: unknown collector’s mark verso (GOE in oval)
A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark.
The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category
1910s Naturalistic Prints and Multiples
Materials
Drypoint
Spotted Dead Nettle, English antique flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Spotted Dead Nettle'
Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890.
Hulme was known as a teacher and an amateur botanist. He was the Professor o...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Forced Shrubs, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Forced Shrubs'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Caribbean Indigenous People / Orinoco, America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Famiglia di Karaibi' / 'Tartarnughe deponenti le uova alle sponde dell' Orenoko''
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Gi...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Mexican Dress and Mexican Idols, Mexico, America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Mode degl' Indiani in Mechoacan' / 'Idoli del Messico''
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, publishe...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Willet or Stone Curlew: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Semipalmated Snipe, Willet or Stone Curlew, 1. ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Streptanthera cuprea, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Hardy Phloxes, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Hardy Phloxes'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Silene Hookeri, native of California, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892).
145mm by 235mm (sheet)
Walter Hood Fitch was a Scottish...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Crinium Giganteum
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Crinium Giganteum
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Handmade Paper, Engraving
German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Fiel...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Bird of Prey: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored woodcut engraving of a bird of prey is plate 219 from Ulisse Aldrovandi’s 'Opera Omnia', published ...
Category
Early 17th Century Naturalistic Prints and Multiples
Materials
Engraving
William Woollett, engraver, late 18th century artist portrait engraving print
Located in Melbourne, Victoria
William Woollett, Engraver
Proof before letters. Etching by Francesco Bartolozzi after Thomas Hearne, 1795. Wove paper.
William Woollett (1735-85) was an important English 18th cen...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching
Original Audubon Hand Colored Lithograph of "The Sewellel"
Located in Alamo, CA
An original John James Audubon hand colored lithograph entitled "The Sewellel", No. 25, Plate CXXIII, from John James Audubon's Quadrupeds of Nort...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
$220 Sale Price
20% Off
Townsend
s Shrew Mole: Original 19th Century Audubon Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Townsend's Shrew Mole", No. 29, Plate CXLV, from Audubon's "Quadrupeds of North America", printe...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Rothenberg
Located in Middletown, NY
Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...
Category
Early 20th Century Naturalistic Prints and Multiples
Materials
Handmade Paper, Etching, Aquatint
Remains of Henry II
s Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching, Aquatint
Kish-Ke-Kosh, Fox Brave: Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kish-Ke-Kosh, Fox Brave", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. Kish-Ke-Kosh, means 'The Man with One Leg' or 'He with a Cut Hoof'. He had a reputation for being a fierce warrior. He was a representative of the delegation of Sioux and Fox and Sauk chiefs who attended the gathering with the War Department in 1837. The Fox tribe lived in the Great Lakes region of the United States and merged with the Sauk tribe.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are tiny spots in the lower left margin, another in the right lower margin and mild smudging in the left margin, but the print is otherwise in very good condition. The original descriptive text pages, 119-120, from McKenney and Hall's 19th century publication are included.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Leaden Hall Market, London, colour aquatint, 1809, after Thomas Rowlandson
Located in Melbourne, Victoria
Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
Charles Wilkes, 19th century American US naval explorer portrait engraving print
Located in Melbourne, Victoria
'Charles Wilkes'
Steel-engraving after Alonzo Chappel's sketch after a photograph. 1864. Facsimile signature under the engraving.
Charles Wilkes (1798 - 1877) was an American naval...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Yellow-breasted Rail Bird: Original 19th C. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840 and 1841. It depicts an adult male yellow-breasted Rail bird on the left standing on a rock on the bank of a body of water, looking to the right, perhaps at something in the water or on an island on the right with trees. The landscape surrounding the bird is striking.
This original 1st octavo edition hand-colored Audubon lithograph...
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Woodpeckers, Sonnerat
s Pygmy: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Iyngipicu Maculatus" (Sonnerat's Pygmy Woodpeckers) by John Gould from his monograph "The Birds of Asia", published in London ...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Sir John Ross, Arctic Explorer, 19th century portrait engraving print
Located in Melbourne, Victoria
'Sir John Ross'
Steel-engraving. C1850.
220mm by 130mm (sheet)
Sir John Ross (1777-1856) became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 18...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Prints and Multiples
Materials
Engraving, Etching, Aquatint
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
1810s Naturalistic Prints and Multiples
Materials
Engraving
Emma Malietoa, 19th century Samoa portrait engraving print
Located in Melbourne, Victoria
'Emma Malietoa'
Portrait of Samoan woman Emma Malietoa, daughter of Chief Malietoa, of Apia, Upolu Island, Samoa.
From Narrative of the United States Exploring Expedition ... / Cha...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Engraving
Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category
1760s Naturalistic Prints and Multiples
Materials
Engraving
Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Prints and Multiples
Materials
Aquatint
American Coot: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Kee-Shes-Wa, A Fox Chief: An Original Hand-colored McKenney
Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kee-Shes-Wa, A Fox Chief", litho...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Naturalistic prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Naturalistic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, McKenney
Hall, William Curtis, and Samuel Howitt. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic prints and multiples, so small editions measuring 0.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $41,500, while the average work sells for $321.
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