International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Old Cedars
– Early New Mexico Landscape, Southwest Regionalism
By George Elbert Burr
Located in Myrtle Beach, SC
George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...
Category
1920s Realist International Fine Print Dealers Association Art
Materials
Etching
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern International Fine Print Dealers Association Art
Materials
Mezzotint
$138 Sale Price
25% Off
Chinoiserie
— Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Chinoiserie', color serigraph, 1947, edition 50, Ryan 36. Signed in pencil in the image, lower right. Titled, dated, and annotated '4 COLORS – EDITION 50' in the scree...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Screen
Nu assis, penché à droite (Nude sitting, leaning to the right)
By Marcel Gromaire
Located in Chicago, IL
Signed and dated, lower right
Provenance:
Atelier of the artist
Category
1960s International Fine Print Dealers Association Art
Materials
Paper, Ink
WORKING ON IT INCESSANTLY
By Mary Corita (Sister Corita) Kent
Located in Santa Monica, CA
CORITA KENT (Sister Mary Corita) 1918–1986
WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches.
Provenance: Marjorie Kauffman Graphics on original period label.
Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...
Category
1970s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Screen
SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS)
SEA TREASURES...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Woodcut
$975 Sale Price
50% Off
Spring in Brown County
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring in Brown County
Oil on canvas mounted on phenolic resin support, c. 1925
Signed lower right: L. O. Griffith (see photo)
Condition: Excellent
Painting size: 10 x 13 3/4 inches
...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Oil
Rowboat
By Alex Katz
Located in New York, NY
Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Aquatint
$10,000
Fly Fishing, Saranac Lake
By Winslow Homer
Located in Storrs, CT
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...
Category
Late 19th Century American Modern International Fine Print Dealers Association Art
Materials
Etching
$40,000 Sale Price
20% Off
Nets – Mid-Century Modernism, Atelier 17
By Sigismond Kolos-Vari
Located in Myrtle Beach, SC
Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed.
Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm).
ABOUT THE ARTIST
Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930.
Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962.
Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...
Category
Mid-20th Century Abstract Expressionist International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Riders at Sundown
— Mid-Century Southwest Regionalism
By Gene Kloss
Located in Myrtle Beach, SC
'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Drypoint, Aquatint
Chion-in Temple Gate
from
Eight Scenes of Cherry Blossoms
— Jizuri Seal
By Hiroshi Yoshida
Located in Myrtle Beach, SC
Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist.
Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted.
Provenance: M. Nakazawa, Tokyo.
Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May.
Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston.
ABOUT THE IMAGE
Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds.
ABOUT THE ARTIST
Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement.
Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development.
In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...
Category
1930s Showa International Fine Print Dealers Association Art
Materials
Woodcut
Iris (5)
By Leonard Baskin
Located in Myrtle Beach, SC
Leonard Baskin, 'Iris ( 5 )', etching, 1988, artist proof before the edition of 10, outside the book edition. Signed and annotated 'proof' in pencil. A fine impression, with expertly...
Category
1980s Impressionist International Fine Print Dealers Association Art
Materials
Etching
Composition au verre a pied (Composition with stemmed glass)
By Pablo Picasso
Located in Fairlawn, OH
Composition au verre a pied (Composition with stemmed glass)
Lithograph (Ink drawing, pen and brush transferred to lithograph stone) , 1947
Unsigned
Editi...
Category
1940s Cubist International Fine Print Dealers Association Art
Materials
Ink, Lithograph
MADRE INFELIZ (Unhappy Mother)
By Francisco Goya
Located in Santa Monica, CA
FRANCISCO GOYA (1746 - 1828)
MADRE INFELIZ (Unhappy Mother) circa 1811-13. (Delteil 169; Harris 170)
Aquatint with etching, Plate 50 From Los Disastres de la Guerra. (Disasters of ...
Category
1810s Old Masters International Fine Print Dealers Association Art
Materials
Etching, Aquatint
The French Farm
— Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'The French Farm', color serigraph, 1942, Ryan 86. Signed, titled, and annotated 'Edition 50' in pencil. A superb impression, with fresh colors, on cream, wove paper; ...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Screen
$2,240 Sale Price
20% Off
Connais-tu le Pays (Primavera) apres J. Rolshoven (Do you Know the Country)
By Theophile Narcisse Chauvel
Located in Fairlawn, OH
Connais-tu le Pays (Primavera) apres J. Rolshoven
(Do you Know the Country -Spring)
Etching, 1889
Signed "Julius Rolshoven" in pencil...
Category
1880s Barbizon School International Fine Print Dealers Association Art
Materials
Etching
The Beach at Kaiganji in Sanuki Province
— Lifetime Impression
By Kawase Hasui
Located in Myrtle Beach, SC
Kawase Hasui, 'The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama),' from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso.
Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm).
Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison.
ABOUT THE ARTIST
“I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui
Hasui Kawase...
Category
1930s Showa International Fine Print Dealers Association Art
Materials
Woodcut
La Duchesse de Marlborough, Consuelo Vanderbilt
By Paul César Helleu
Located in Storrs, CT
Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...
Category
Late 19th Century Impressionist International Fine Print Dealers Association Art
Materials
Drypoint, Etching
$16,000 Sale Price
36% Off
‘LE REPOSE du MODELE
- Rare First State
By Henri Matisse
Located in Santa Monica, CA
HENRI MATISSE (French 1869-1954)
LE REPOSE du MODELE 1922 . (Duthuit 416)
Original lithograph, FIRST STATE, on Chine volant paper BEFORE image was reduced at the left edge. An uns...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Lithograph
Peintre et Modele
By Pablo Picasso
Located in Fairlawn, OH
Peintre et Modele
Etching and aquatint on Rives wove paper, 1966
Signature stamp lower right (see photo)
Annotated in pencil lower left: "epreuve avant acierage" (see photo)
One of t...
Category
1960s Modern International Fine Print Dealers Association Art
Materials
Aquatint
Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category
2010s Abstract International Fine Print Dealers Association Art
Materials
Color, Linocut, Woodcut
Choice I - In Celebration of Pride Month
By Radek Husak
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Radek Husak, a contemporary process-driven mixed media artist, was born in Poland i...
Category
21st Century and Contemporary Pop Art International Fine Print Dealers Association Art
Materials
Pencil, Pigment
$975 Sale Price
25% Off
Confident
By Mikio Watanabe
Located in New Orleans, LA
Mikio Watanabe created "Confident", a side view of a sensuous female nude, exclusively for Stone and Press Gallery. The 2004 black and white mezzotint was issued in an edition of on...
Category
Early 2000s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
$206 Sale Price
25% Off
Matsu (Pine)
Located in Fairlawn, OH
Matsu (Pine)
Woodcut, 1968
Signed: "'Matsu' Naoko Matsubara" in pencil by the artist (see photo)
Annotated in pencil "Ed 25" (see photo)
Edition: 25
Condition: 7" long waterstain at ...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Woodcut
Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula
Located in New York, NY
Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm).
A classic example of a world ma...
Category
17th Century Other Art Style International Fine Print Dealers Association Art
Materials
Engraving
The Bather
— Iconic American Modernism
By Rockwell Kent
Located in Myrtle Beach, SC
Rockwell Kent, 'The Bather', wood engraving, 1931, edition 120, Burne Jones 63. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 1/2 to 3 1/4 inches); slight skinning at the top sheet edge, verso, otherwise in excellent condition. Archivally matted to museum standards, unframed.
Image size 5 3/8 x 7 7/8 inches (137 x 200 mm); sheet size 11 1/8 x 14 1/2 inches (283 x 368 mm).
Impressions of this work are held in the following public collections: Burne Jones Collection (Illinois), Chazen Museum of Art, Chegodaev Collection (Moscow), Kent Collection (New York), National Gallery of Art, Philadelphia Museum of Art; SUNY Plattsburg Art Museum, Princeton University Library, Pushkin Museum (Moscow), Smithsonian American Art Museum, Spector Collection (New York), University of Illinois.
ABOUT THE ARTIST
Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world.
Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University.
Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper.
Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
Sylvan Maze
— Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Sylvan Maze', color lithograph, 1946, edition 20. Signed, dated, titled and numbered '112' and '11/20' in pencil. A fine, richly-inked impression with fresh colors, on heavy, off-white wove paper; full margins (1 to 1 1/2 inch), in excellent condition. Image size 13 11/16 x 9 11/16 inches; sheet size 16 1/8 x 12 5/16 inches. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
$1,750 Sale Price
30% Off
The Web
By Ray H. French
Located in Fairlawn, OH
The Web
Engraving and soft ground, 1950
Signed, titled, dated and numbered by the artist
Edition: 35 (26/35)
Printed by Master Printer, Jon Clemens, 2000
Provenance:
Estate of the ar...
Category
1950s Surrealist International Fine Print Dealers Association Art
Materials
Engraving, Etching
"Apparition at the Border of Language"
By Enrique Chagoya
Located in Lyons, CO
This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations.
The artist de...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Becquet
By James Abbott McNeill Whistler
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category
Mid-19th Century American Impressionist International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Sportsmen
By Louis Legrand
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category
Early 1900s Post-Impressionist International Fine Print Dealers Association Art
Materials
Drypoint, Etching
$800 Sale Price
54% Off
Untitled (Young woman seen from the back)
By Paul César Helleu
Located in Fairlawn, OH
Untitled (Young woman seen from the back)
Sanguine crayon, charcola and watercolor on paper, c. 1910
Signed with the estate stamp, Lugt 5169 lower left corner
Provenance:
Estate of ...
Category
Early 1900s Impressionist International Fine Print Dealers Association Art
Materials
Charcoal
Marche aux Legumes a Pontoise
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903)
MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii)
Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
Category
1890s Impressionist International Fine Print Dealers Association Art
Materials
Aquatint
Portrait of a resting young lady (Marjorie Organ)
By Robert Henri
Located in Fairlawn, OH
Portrait of a resting young lady (Marjorie Organ)
Black chalk on paper. c. 1907
signed in ink by Henri's nephew, John C. LeClair, the executor of the Henri estate
"Robert Henri JLC"
Note: The sitter for this portrait is depicted in two drawings of similar size, illustrated in Chapellier Galleries Inc., Robert Henri 1865-1929, 1976, nos. 15 & 16.
Please see the attached photo of Marjorie Organ, Henri's second wife
Condition: Excellent
Image/Sheet size: 10 3/8 x 7 1/2 inches
Provenance: Estate of the Artist
John C. LeClair, Estate Adminitrator
Private Collection, Pawling, New York
Biography
Robert Henri was born Robert Henry Cozad in Cincinnati, Ohio, on June 24, 1865, the son of a professional gambler and real estate developer. The family lived in Nebraska and Colorado, but fled east when the father shot and killed a rancher over a land dispute and was indicted for manslaughter. They changed their last name because of the ensuing scandal and eventually settled in Atlantic City, New Jersey, during the early 1880s.
In 1886 Henri enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia, where he studied under Thomas Anshutz, Thomas Hovenden...
Category
Early 1900s American Impressionist International Fine Print Dealers Association Art
Materials
Graphite
SLOW TRAIN THROUGH ARKANSAS
By Thomas Hart Benton
Located in Portland, ME
Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...
Category
1940s International Fine Print Dealers Association Art
Materials
Lithograph
Brooklyn Bridge
— Iconic New York City Landmark
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil.
A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Etching, Aquatint
The Draped Figure, Seated
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbered: "No. 20" in pencil
Printed by Thomas Way, London
A beautiful impression with tonal variations in the stump work (shading)
As published in: L'Estampe Originale, Paris, 1893, Album IV
Edition: 107 impressions, this No. 20
There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London
Lacking the huge support sheet and embossed series stamp by Charpentier
With the letterpress lower left: "T. Way. Imp London"
The stone erased in 1904
The majority of the lifetime impressions are in public collections
Condition: Excellent condition
Hinges from original issuance of L'Estampe Originale verso at top as described in Spink
Three hinges residue along right edge of the sheet from a later matting of the print
Image size: 8 1/4 x 6 3/8 inches
Sheet size: 11 3/8 x 9 1/16 inches
Reference: Spink/Tadeschi 72, published edition
Levy 74
Way 46
A superb Neoclassical lithograph...
Category
1890s American Impressionist International Fine Print Dealers Association Art
Materials
Lithograph
Piazza del Popolo con Obelisco Egizio
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio
Etching, 1752
Signed in the plate lower left (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8.25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
1750s Old Masters International Fine Print Dealers Association Art
Materials
Etching
Carp and Water Chestnut
— Showa lifetime impression
By Ohara Koson
Located in Myrtle Beach, SC
Ohara Koson (1877-1945), 'Carp and Water Chestnut', color woodblock print, 1926. A fine impression, with fresh colors, on cream Japan paper; the full sheet, in excellent condition.
Signed 'Koson' with the artist’s red seal 'Koson'. Published by Watanabe Shozaburo. With the Watanabe 'C' seal in the lower right margin, indicating a lifetime impression printed between 1929-1942.
Image size 13 1/2 x 7 1/4 inches (343 x 184 mm); sheet size 14 1/2 x 7 1/2 inches (368 x 191 mm). Archivally sleeved, unmatted.
Literature: 'Crows, Cranes, and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001. S39.1, pl 169.
Collections: National Museum of Asian Art (Smithsonian), Smart Museum of Chicago (University of Chicago).
In Japanese art, the carp represents good luck and good fortune.
ABOUT THE ARTIST
Koson Ohara...
Category
1920s Showa International Fine Print Dealers Association Art
Materials
Woodcut
VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND)
By André Derain
Located in Portland, ME
Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...
Category
1920s International Fine Print Dealers Association Art
Materials
Lithograph
Le Resesquement a l
Advocats (The Legal Reservation)
By Jean Louis Forain
Located in Fairlawn, OH
Le Resesquement a l'Advocats
(The Legal Reservation)
Pastel on paper, c. 1910
signed lower right
Image size: 10 3/4 x 14 inches
Frame size: 23-1/2 x 26-1/2 x 2-3/8 inches
Condition: ...
Category
Early 1900s Impressionist International Fine Print Dealers Association Art
Materials
Pastel
Tiger Lily
By Nishimura Hodo
Located in Fairlawn, OH
Tiger Lily
Color woodcut, 1939
Unsigned (as usual)
Publisher: Takemura Hideo
(active Yokohama 1926-1940)
Condition: Excellent
Image/sheet size: 15 3/8 x 10 7/8 inches
Provenance: Robert O. Muller Estate
Biography
Hodo Nishimura...
Category
1930s Modern International Fine Print Dealers Association Art
Materials
Woodcut
Le banc de jardin (The Garden Bench).
By James Jacques Joseph Tissot
Located in Storrs, CT
Le banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot catalog 79, Béraldi catalog 66, Wentworth catalog 75 state ii/iii. 16 1/2 x 22 1/8 (s...
Category
19th Century Impressionist International Fine Print Dealers Association Art
Materials
Mezzotint
$1,800 Sale Price
71% Off
Flower Vase, Red Camellia, white plum, white daffodils and orchids
Located in Fairlawn, OH
Flower Vase, Red Camellia, white plum, white daffodils and orchids
Color woodcut, c. 1950
Signed "B. Ohno" (see photo)
Seal: Bakufu (see photo)
Series: Flowers of the Four Seasons
Ca...
Category
1950s Other Art Style International Fine Print Dealers Association Art
Materials
Woodcut
Symphony in White No. 2, The Little White Girl
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Clifford James (active 1900-1930)
After James Abbott NcNeill Whistler (1834-1903)
Symphony in White No. 2, The Little White Girl
Color mezzotint, 1922
Signed in pencil by James (see ...
Category
1920s Pre-Raphaelite International Fine Print Dealers Association Art
Materials
Mezzotint
Chrysanthemums
Located in Fairlawn, OH
Chrysanthemums
Color woodcut, c. 1950's
Signed lower right (see photo)
Publisher: Uchida (see photo of red seal)
Note: Chrysanthemums, a symbol of the sun, the Japanese consider the ...
Category
1950s Modern International Fine Print Dealers Association Art
Materials
Woodcut
A. M.
By Janet Fish
Located in Portland, ME
Fish, Janet (American, born 1938). A. M. Color Screenprint, 1994. Edition of 60, printed and published by Stewart & Stewart. Signed in pencil and numbered 16/60. 24 x 36 inches (ima...
Category
1990s International Fine Print Dealers Association Art
Materials
Screen
$4,800
Avalon South
—— Mid-Century Modernism
Located in Myrtle Beach, SC
Morris Blackburn, 'Avalon South', wood engraving, 1951, edition 30. Signed, titled, and numbered '12/30' in pencil. A fine black impression on cream wove Japan paper, with wide margins (1 3/8 to 2 1/4 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 5 x 7 inches (127 x 178 mm); sheet size 8 5/8 x 10 7/8 inches (219 x 276 mm).
ABOUT THE ARTIST
Morris Blackburn was a prominent painter, printmaker, and graphic artist, as well as a respected teacher at the Philadelphia Museum School of Industrial Art and the Pennsylvania Academy of Fine Arts.
Born in Philadelphia, where he spent most of his career, Blackburn was a descendant of the notable colonial portrait artist Joseph J. Blackburn (c. 1700–1780). He developed an interest in art early on and studied architectural drawing at the Philadelphia Trade School. In 1922, he took classes at the Graphic Sketch Club and later attended the School of Industrial Art. While working for the well-known Philadelphia furniture designer Oscar Mertz, he studied at the Pennsylvania Academy of the Fine Arts from 1925 to 1929. During his studies, he learned painting from Henry Bainbridge McCarter...
Category
1950s Modern International Fine Print Dealers Association Art
Materials
Woodcut
TallerOr
By Victor Vasarely
Located in Fairlawn, OH
TallerOr
Screen print printed on "card board" (cream poster board), 1968
Signed and numbered in pencil
Edition: 150 (54/150), plus 11 for the Vasarely Fou...
Category
1960s Op Art International Fine Print Dealers Association Art
Materials
Screen
Blue Rythms (Agerup 188) after the 1966 painting, Peinture.
By Zao Wou-Ki
Located in Fairlawn, OH
Blue Ruthms (Agerup 188)
after the 1966 painting, Peinture.
Etching with aquatint, 1968
Signed, dated and numbered in pencil (see photos)
Edition: 95 (74/95)
Plate: 17 1/2 x 21 1/2"
...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Aquatint
Dancing
—
les années folles
Paris Masterwork, 1928
By Yasuo Kuniyoshi
Located in Myrtle Beach, SC
Yasuo Kuniyoshi, 'Dancing', lithograph, 1928, edition 30, Davis L-29. Signed, dated, and numbered '8/30' in pencil. A superb, richly-inked impression, printed on cream chine appliqué on heavy off-white wove backing; the full sheet with wide margins (1 3/8 to 4 7/8 inches), in excellent condition. Printed by Desjobert, Paris. Scarce. Matted to museum standards, unframed.
Impressions of this work are in the collections of the Museum of Modern Art, Whitney Museum of Modern Art, and Yasuo Kuniyoshi Museum (Japan).
ABOUT THIS WORK
The French economy boomed from 1921 until the Great Depression reached Paris in 1931. This period called 'Les années folles' or the 'Crazy Years', saw Paris reestablished as a capital of art, music, literature, and cinema. Paris in the 1920s and 1930s was the home and meeting place of some of the world's most prominent painters, sculptors, composers, dancers, poets, and writers. For those in the arts, it was, as Ernest Hemingway described it, "A moveable feast". Paris was home to an exceptional number of galleries, art dealers, and a network of wealthy patrons who offered commissions and held salons.
Pablo Picasso, perhaps the most famous artist in Paris, shared renown with a remarkable group of others, including the Romanian sculptor Constantin Brâncuși, the Belgian René Magritte, the Italian Amedeo Modigliani, the Russian émigré Marc Chagall, the Catalan and Spanish artists Salvador Dalí, Joan Miró, Juan Gris, and the German surrealist...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Folio from Communion of Saints, Reading from the Book of St. Matthew.
Located in Fairlawn, OH
Readings from the "Communion of Saints": folio from an Italian Missal
Pigment on vellum
Mid 17th century
Provenance:
Otto F. Ege (1888-1951)
Phillip Duechnes Bookseller, New York, c. 1948
References And Exhibitions:
Otto F. Ege Box Folio 27
Ege describes these folios as: Epistolary (Epistolarium), Italy, Middle 15th century
Latin Text: Rotunda or Round Gothic Script, square rhetorical neumes
Sister folio are in the following rare book libraries:
Case Western Reserve University
Cincinnati Public Library
Cleveland Institute of Art
Cleveland Public Library
Denison University
Kent State University
Kenyon College...
Category
15th Century and Earlier Old Masters International Fine Print Dealers Association Art
Materials
Ink, Vellum
Las Cabanas
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...
Category
1990s Other Art Style International Fine Print Dealers Association Art
Materials
Lithograph
Diptych
— Modernist Abstraction, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm).
Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing.
Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green.
An impression of this work is held in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category
1960s Modern International Fine Print Dealers Association Art
Materials
Engraving
Butterfly and Heart
By Damien Hirst
Located in Fairlawn, OH
Butterfly and Heart
Drawing in black felt pen over color screenprint 'spot' composition
Signed in full (bottom edge) and dedicated (top edge)
Dedicated by the artist
Annotated in fe...
Category
2010s Abstract International Fine Print Dealers Association Art
Materials
Ink
Pups in the Pit
— American Realism
Located in Myrtle Beach, SC
William Wind McKim, 'Pups in the Pit', lithograph, 1967, edition c. 50. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/8 to...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Lithograph
Jonah
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996)
JONAH, 1959
Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
Category
1950s Modern International Fine Print Dealers Association Art
Materials
Woodcut, Stencil
$1,200 Sale Price
20% Off
Houses and Church on the French Countryside (quaint village scene)
Located in New Orleans, LA
A rare color lithograph by late French artist, Éliane Thiollier. Edition of 275, certificate of authentication is provided. Minor acid staining from the old mat.
Éliane Thiollier s...
Category
1950s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
$337 Sale Price
25% Off
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