Skip to main content

International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

to
610
2,077
1,036
806
311
388
Overall Width
to
Overall Height
to
184
415
3,354
860
122
181
461
392
241
180
326
398
305
244
86
841
743
682
251
110
101
86
81
79
34
23
11
2
2,461
1,928
182
1,855
866
790
714
520
429
294
266
186
184
165
148
126
123
121
114
109
104
103
99
1,244
1,109
609
544
389
100
84
58
57
54
524
147
4,118
704
The Garden — Celebrated Contemporary African American Artist
By Margo Humphrey
Located in Myrtle Beach, SC
Margo Humphrey, 'The Garden (Adam and Eve)', reductive color woodcut, 1989. Signed, dated, and annotated 'A/P' in pencil. Signed and dated in the image, lower right. A fine, richly-inked, artist's proof impression, with fresh, vivid colors, on BFK Rives, heavy, off-white wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Scarce. Image size 27 1/4 x 39 1/8 inches (692 x 994 mm); sheet size 29 1/2 x 42 inches (749 x 1,067 mm). ABOUT THIS WORK "Humphrey continued to reinterpret stories from the Bible with African American figures. In 1989 she published the woodcut print 'The Garden' at Magnolia Editions in Oakland, CA. For this rare foray into relief printmaking, she employed the reductive method, which uses only one block that is successively carved for each color segment, reducing the block with each cutting. Technically challenging, this lush and elaborate print is a testament to Humphrey’s skills as a printmaker. A youthful Adam and Eve are depicted in a luxuriant tropical landscape. Here, Humphrey chooses not to include the traditional symbols of humanity’s downfall but instead portrays them as being protected by angels in an atmosphere of idyllic bounty. ...Although Humphrey challenges traditional representation of Christian themes, her images are not iconoclastic but present a broader, more inclusive engagement with religious spirituality." — Adrienne L. Childs, 'Margo Humphrey, The David C. Driskell Series of African American Art: Volume VII,' Pomegranate Communications, Inc., 2009, page 71. ABOUT THE ARTIST American printmaker, illustrator, and art teacher Margo Humphrey was born in Oakland, California, in 1942. She earned a BFA in Painting and Printmaking from the California College of Arts and Crafts and a Master of Fine Arts degree in Printmaking from Stanford University. Humphrey began teaching in 1973 at the University of California Santa Cruz and has since taught at the University of Texas at San Antonio, the San Francisco Art Institute, and the School of the Art Institute of Chicago. She has also taught at the University of the South Pacific in Suva, Fiji; Yaba Technological Institute of Fine Art, Ekoi Island, Nigeria; the University of Benin in Benin City, Nigeria; the Margaret Trowell School of Fine Art in Kampala, Uganda, and the Fine Art School of the National Gallery of Art, Harare, Zimbabwe. In 1989, she was appointed Department Head of Printmaking at the University of Maryland in College Park. Humphrey has worked in lithography, monoprint, and woodcut with significant printmaking ateliers, including the Rutgers Center for Innovative Print and Paper, the Bob Blackburn Printmaking Workshop, and the Tamarind Institute in New Mexico. She was one of the earliest African-American woman artists to distinguish herself as a lithographer in a highly technical, male-dominated profession and was the first to have her prints published by Tamarind in 1974. Humphrey’s imagery combines historical perspective, autobiography, and fantasy to illuminate her experience as an African American woman. Bold, saturated color, animated figures, and syncopated rhythmic arrangements are hallmarks of Humphrey's oeuvre. Though Humphrey labels her distinctive style "sophisticated naive," the narrative complexity and technical skill of her works attest to her artistic virtuosity. Joyful, expressive, and at times humorous, her works offer engaging commentary on the presumptions of American culture and myth while embracing her personal vision of authenticity and spirituality. She developed her 1987 work The Last Bar-B-Que, a vividly colored transformation of the Last Supper, following a three-year period during which she examined portrayals of the iconic subject by artists from Pietro Lorenzetti to Emil Nolde. Her narrative work The Garden, a monumentally scaled reductive woodcut, is a further example of an archetypal subject—Adam and Eve in the Garden of Eden—debunked and rendered with fresh, life-affirming vibrancy. Since her first solo exhibition in 1965, Humphrey’s works have been exhibited internationally. They are held in major institutions, including the Museum of Modern Art, The Smithsonian American Art Museum, the Philadelphia Museum of Art, the Hampton University Museum, the Victoria and Albert Museum (London), the Museum of Modern Art, Rio de Janeiro, and the National Gallery of Modern Art, Lagos. In 1996, she was invited to be part of the World Printmaking Survey at the Museum of Modern Art, New York. In 2011, Hampton University Museum mounted a 45-year retrospective of Humphrey’s work Her Story: Margo Humphrey Lithographs and Works on Paper, jointly curated by Robert E. Steele, executive director of the David Driskell...
Category

1980s Expressionist International Fine Print Dealers Association Art

Materials

Woodcut

Diver — 1930s American Modernism
By Rockwell Kent
Located in Myrtle Beach, SC
Rockwell Kent, 'Diver', wood engraving, 1931, edition 150, Burne Jones 88. Signed, and titled 'The Diver' in pencil.. A brilliant, black impression, on cream, wove Japan paper; the f...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

Untitled 6 - Animals in the Light
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category

1990s Outsider Art International Fine Print Dealers Association Art

Materials

Foam Board, Felt Pen

The Parable of the Prodigal Son, Mo. III, The Return
By James Jacques Joseph Tissot
Located in Fairlawn, OH
The Parable of the Prodigal Son, Mo. III, The Return Etching, 1881 Signed and dated in the plate (see photo) From: The Prodigal Son (four plates and title plate) This being an impre...
Category

1880s Impressionist International Fine Print Dealers Association Art

Materials

Etching

East River View of N.Y.
By Mark Freeman
Located in Fairlawn, OH
East River View of N.Y. Etching, 1934 Signed, dated and titled in pencil by the artist From a very small edition. Brilliant impression Condition: Excellent Image/Plate size: 5-1/8 x...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Etching

Feast of Lights: Hanukkah
By Abraham Rattner
Located in Fairlawn, OH
Feast of Lights (Poster) Signed in the stone 17 color lithograph Published by Kennedy Galleries Edition: Unknown edition, signed in the stone There was also a pencil signed edition o...
Category

1970s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

THE THREE GRACES
Located in Portland, ME
Barrer, Gertrude (American, 1921-19920. THE THREE GRACES. Oil on panel. Signed "Barrer," lower left. Not dated. 27 1/2 X 20 1/2 inches, framed to 29 x...
Category

Mid-20th Century International Fine Print Dealers Association Art

Materials

Oil

POEMS OF LEOPOLD SEDAR SENGHOR
Located in Portland, ME
Senghor, Leopold Sedar. POEMS OF LEOPOLD SEDAR SENGHOR with illustrations by Lois Maillou Jones. Limited Editions Club, NY, 1996. Number 88 of the e...
Category

1990s International Fine Print Dealers Association Art

Materials

Screen

Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category

1850s Edo International Fine Print Dealers Association Art

Materials

Woodcut

VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category

1920s Modern International Fine Print Dealers Association Art

Materials

Woodcut, Linocut

On the Yard, plate 3.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Laver 139, Hurst 246. 8 7/8 x 13 7/8 (sheet 11 1/2 x 16 1/4). Trial proof. No published edition. An extremely rich impression with plate tone printed on 'antique laid paper countermarked 'DS&Pine 17940 with a Strasbourg lily watermark. Signed and annotated 'trial' in pencil. An exceptional proof of the greatest rarity. Housed in a 16 x 20-inch archival mat, suitable for framing. In 1899 Briwcoe acquired a studio in Malden, Essex, and bought a 3-ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast, and through the Dutch waterways, constantly sketching and painting in both oil and watercolor. In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category

Early 20th Century Modern International Fine Print Dealers Association Art

Materials

Etching

"Kitten Went in the Night" (A black cat playing with broom and Halloween ghost)
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
"Kitten Went in the Night" (A black cat playing with broom and Halloween ghost) from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right Cats were a symbol of fr...
Category

1890s Impressionist International Fine Print Dealers Association Art

Materials

Other Medium

Untitled 5 - Herd Animals
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category

1990s Outsider Art International Fine Print Dealers Association Art

Materials

Foam Board, Felt Pen

GRASS FIRE. - Very Scarce Early signed Impression
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1883 – 1963) GRASSS FIRE, 1928 (Wien 53) Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...
Category

1920s International Fine Print Dealers Association Art

Materials

Woodcut

Tokaido — Mt. Fuji Rising – Mid-Nineteenth Century Woodblock Print
By Utagawa Kunisada (Toyokuni III)
Located in Myrtle Beach, SC
Utagawa Kunisada (Tokoyuni III), 'Tokaido', color woodblock, 1863. Signed in the cartouche, lower right. A fine impression, with rich, fresh colors and pronounced woodgrain, the full...
Category

1860s Edo International Fine Print Dealers Association Art

Materials

Woodcut

HAMBURGER KNIEPPE
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...
Category

Early 1900s Expressionist International Fine Print Dealers Association Art

Materials

Etching

Soaring New York — 1930s American Modernism, New York City
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Etching, Aquatint

OBSEQUIO á el MAESTRO (‘A gift for the master’)
By Francisco Goya
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category

1790s Old Masters International Fine Print Dealers Association Art

Materials

Etching, Aquatint

HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left
By Giulio Bonasone
Located in Santa Monica, CA
GIULIO BONASONE (Italian 1500/10-1574) HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230) Engraving. Lettered in roundel held by putto at right: 'Iulio / Bonasone' Sheet 10 5/8 x 16 7/8 inches. Thread margins outside border line. A fair impression. Early annotations lower left verso, as well aa a collectors stamp: Lugt 2773 - A. Freiherr von...
Category

16th Century Old Masters International Fine Print Dealers Association Art

Materials

Engraving

Eurybia and Eros
By George Braque
Located in Fairlawn, OH
Eurybia and Eros Etching, 1932 Printed on BFK Rives paper Unsigned (as issued by Vollard) Published by Ambrose Vollard, Paris From the suite of 16 illustrations for Hesiod's Theogony...
Category

1930s French School International Fine Print Dealers Association Art

Materials

Etching

RECLINING FIGURE (GREGORY EVANS)
By David Hockney
Located in Portland, ME
Hockney, David. RECLINING FIGURE. Etching and sugarlift aquatint in black, 1974. Edition of 75 published by Petersburg Press, London and printed on Inveresk paper. Signed, dated and ...
Category

1970s International Fine Print Dealers Association Art

Materials

Etching, Aquatint

Blizzard in Woods
By Charles E. Burchfield
Located in Fairlawn, OH
Blizzard in Woods Graphite on paper, c. 1945-1963 Unsigned Provenance: Sid Deutsch Gallery, New York Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...
Category

1940s American Modern International Fine Print Dealers Association Art

Materials

Graphite

PONTE DEL TRINITE, FLORENCE
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...
Category

Early 1900s International Fine Print Dealers Association Art

Materials

Etching

Feu sous L eau (Fire Under Water) —Mid-century Modernism, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category

1950s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Engraving, Etching

SAN GIMINIANO
By Ben Nicholson
Located in Portland, ME
Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...
Category

1960s International Fine Print Dealers Association Art

Materials

Etching

Interlinear K50 — Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interlinear K50', zinc plate lithograph offset to stone printing, 1962, edition 20, Danilowitz 151. Signed, titled, dated, and numbered '14/20' in pencil. A superb, ri...
Category

1960s Abstract Geometric International Fine Print Dealers Association Art

Materials

Lithograph

Untitled 90-13
By Dale Chihuly
Located in Lyons, CO
Color monotype.
Category

1990s Contemporary International Fine Print Dealers Association Art

Materials

Monotype

Dei Praestitis Signumexaere — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category

1730s Realist International Fine Print Dealers Association Art

Materials

Engraving

Auction
By Bernhard Kretzschmar
Located in New York, NY
Bernard Kretzschmar (1889-1972), Auction, etching, drypoint, and burnished aquatint, 1921, signed and dated (’20) in pencil lower right [also initialed in the plate lower left] Refe...
Category

1920s Expressionist International Fine Print Dealers Association Art

Materials

Drypoint, Etching, Aquatint

The Nativity of Christ
Located in Fairlawn, OH
Anonymous 15th Century Italian, Probably Milan area The Nativity of Christ Pigments, ink and gold leaf on vellum Unsigned as is always the case with illuminated manuscripts The Virgi...
Category

15th Century and Earlier Old Masters International Fine Print Dealers Association Art

Materials

Pigment

UNTITLED
By Louise Nevelson
Located in Portland, ME
Nevelson, Louise. UNTITLED. Baro 36. Tamarind Number 801. Lithograph, 1963. Edition of 20, plus 2 Printer's Proofs, 1 Trial Proof, and 3 Artist's Proofs. Inscribed "Tamarind Impressi...
Category

1960s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

Taos Pueblo, New Mexico (square hole)
By Edward Weston
Located in Fairlawn, OH
Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Silver Gelatin

Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category

Mid-20th Century Folk Art International Fine Print Dealers Association Art

Materials

Watercolor

Profile of an African Woman — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Fenway Park, Boston — New England Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'Fenway Park, Boston', watercolor, c. 1920. Signed and titled in pencil, lower left. A fine, spontaneous work, with fresh, undiminished colors...
Category

1920s Impressionist International Fine Print Dealers Association Art

Materials

Watercolor

Side View Seated Female Nude
By Frank Duveneck
Located in Fairlawn, OH
Side View Seated Female Nude Graphite on paper, c. 1890's Unsigned Provenance: Rookwood Pottery Factory Collection, Cincinnati Spanierman Gallery, New York (label) Drawings from the...
Category

1890s American Impressionist International Fine Print Dealers Association Art

Materials

Graphite

Inside the Flowers (Java Sparrow and Peach Blossoms) — Mid-Century Japanese
Located in Myrtle Beach, SC
Shoko Uemura, 'Inside the Flowers (Java Sparrow and Peach Blossoms)', color woodcut, c. 1950s, edition 300. Signed in ink with the artist’s red seal beneath. A superb impression, with fresh, delicate colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Image size 12 3/4 x 18 1/2 inches (324 x 470 mm); sheet size 14 3/4 x 20 3/16 inches (375 x 513 mm). Published by The Momose Print Company of Tokyo. ABOUT THE ARTIST Uemura Shoko (1902-2001) was the son of the famous shin-hanga artist Uemura Shoen...
Category

1950s Showa International Fine Print Dealers Association Art

Materials

Woodcut

ACADEMIC MALE NUDE FIGURE STUDIES
Located in Portland, ME
Michallet (attributed). ACADEMIC MALE NUDE FIGURE STUDIES. Four Charcoal drawings, each on heavy wove paper, 19th Century. 24 1/2 x 19 1/8 inches (s...
Category

Mid-19th Century Academic International Fine Print Dealers Association Art

Materials

Charcoal

Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)
By Lyonel Feininger
Located in New York, NY
Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)” 1919, Woodcut. Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...
Category

1910s Bauhaus International Fine Print Dealers Association Art

Materials

Woodcut

Untitled #2
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category

2010s Abstract International Fine Print Dealers Association Art

Materials

Aquatint

AMERICA
By John Speed
Located in Santa Monica, CA
IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND JOHN SPEED (1552-1629) AMERICA - With Those Known Parts In That Unknown Worlde (sic), 1626-(76) (Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676 15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the World”. Generally good condition. A repaired split in lower centerfold. This is the most common version of this important map...
Category

1620s Old Masters International Fine Print Dealers Association Art

Materials

Engraving

AMERICA
AMERICA
$4,080 Sale Price
52% Off
WARNING! Register*Vote, INFLATION means DEPRESSION
By Ben Shahn
Located in Fairlawn, OH
WARNING! Register*Vote, INFLATION means DEPRESSION Photo lithograph, 1946 Signed in the image lower left Published by CIO (Congress of Industrial Organizations) before their merger w...
Category

1940s American Realist International Fine Print Dealers Association Art

Materials

Offset

Ocelot by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXXXVI. P...
Category

1850s International Fine Print Dealers Association Art

Materials

Paper

A Ballynakill Woman.
By Gerald Leslie Brockhurst
Located in Storrs, CT
A Ballynakill Woman. c. 1926. Oil on canvas. 30 x 25. Housed in an elegant gold leaf frame. Signed 'Brockhurst' in green paint, in the blanket, lower right. Provenance: Provenance...
Category

Early 20th Century Modern International Fine Print Dealers Association Art

Materials

Oil

Eros Vanne - Cupid Exhausted
By Henri de Toulouse-Lautrec
Located in Santa Monica, CA
HENRI de TOULOUSE-LAUTREC (French 1864 - 1901) EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92) Original lithograph, cover of music / song sheet words by Maur...
Category

1890s Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

THE MAKING OF TORTILLAS - Mural Size 47 1/2 inches Long
By Leopoldo Méndez
Located in Santa Monica, CA
LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...
Category

1950s Modern International Fine Print Dealers Association Art

Materials

Linocut

Soleil rouge (Red Sun)
By Raoul Lazar
Located in Fairlawn, OH
Soleil rouge (Red Sun) Etching and embossing, c. 1974 Signed and editioned in pencil by the artist (see photos) Condition: Paper has yellowed. There is a white square at top of shee...
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Plaster Works, Los Angeles, 1925
By Edward Weston
Located in Fairlawn, OH
Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Silver Gelatin

READING BY LAMPLIGHT
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32. Third state of three, with the revisions to the sitter's facial expression and the dar...
Category

1850s International Fine Print Dealers Association Art

Materials

Drypoint, Etching

SIX HEADS - OLYMPIANS
By Henry Moore
Located in Portland, ME
Moore, Henry (British, 1898-1986). SIX HEADS - OLYMPIANS. (C. 657), 1983. Lithograph in colors on Arches paper, signed in pencil and numbered XXV/XXXV (Artist's Proofs additional to ...
Category

1980s International Fine Print Dealers Association Art

Materials

Lithograph

Peking - Paifang Gate — Mid-Century Watanabe Color Woodcut
By Cyrus Le Roy Baldridge
Located in Myrtle Beach, SC
Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted. Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches. ABOUT THE IMAGE A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings. This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China. ABOUT THE ARTIST Cyrus Leroy Baldridge...
Category

1920s Showa International Fine Print Dealers Association Art

Materials

Woodcut

The Orange Point — Mid-Century Modernism
By Thomas A. Robertson
Located in Myrtle Beach, SC
'The Orange Point', color serigraph, edition 54, c. 1940. Signed, titled, and annotated 'Ed/54' in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet wi...
Category

1940s American Modern International Fine Print Dealers Association Art

Materials

Screen

Summer Maple
By Sylvia Plimack Mangold
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category

21st Century and Contemporary International Fine Print Dealers Association Art

Materials

Drypoint

Artem (5071) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This impression is printed on Hahnemuhle archival paper. Hahnemühle FineArt, Inc. ...
Category

2010s Photorealist International Fine Print Dealers Association Art

Materials

Photographic Paper, Digital

DANCE MARATHON
By Phyllis (Pele) De Lappe
Located in Portland, ME
De Lappe, Pele (American, 1916-2007). DANCE MARATHON. Pencil, 1935. Signed in pencil. 13 7/8 x 9 7/8 inches. In very good condition, except for minor creases at the top and bottom ri...
Category

1930s International Fine Print Dealers Association Art

Materials

Pencil

The Connectors — Vintage American Realism, New York City
By James Allen
Located in Myrtle Beach, SC
James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...
Category

1930s American Realist International Fine Print Dealers Association Art

Materials

Etching

Japanese Kimono Fabric Design — Vintage Color Woodblock Print
Located in Myrtle Beach, SC
Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...
Category

Early 1900s Showa International Fine Print Dealers Association Art

Materials

Woodcut

UNTITLED
By Yaacov Agam
Located in Portland, ME
Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 180, signed in blue pencil, and numbered 80/180. 26 3/8 x 33 1/4 inches, 669...
Category

Mid-20th Century International Fine Print Dealers Association Art

Materials

Screen

All
By Emmi Whitehorse
Located in Lyons, CO
Color lithograph, Edition 25. Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes 'personal diaries' of her life as an ...
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Fugue (Are these boats running away from the others)
By Anne Dykmans
Located in New Orleans, LA
In Anne Dykmans' "Fugue", sailing vessels race across the seas. This impression is #65 of 75 and is signed, titled and dated by the artist. Anne Dykmans (Belgian, b. 1952) Anne Dykma...
Category

1990s Contemporary International Fine Print Dealers Association Art

Materials

Mezzotint

Recently Viewed

View All