International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Portrait of James McBey.
By Walter Tittle
Located in Storrs, CT
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Plowing It Under
— WPA Era American Regionalism
By Thomas Hart Benton
Located in Myrtle Beach, SC
Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...
Category
1930s American Realist International Fine Print Dealers Association Art
Materials
Lithograph
untitled (Maine Landscape near Mt. Desert Island)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Landscape near Mt. Desert Island)
Watercolor on paper, c. 1945-1955
Signed by the artist lower left (see photo)
Provenance: Estate of the artist
Condition: Excellent
...
Category
1940s American Impressionist International Fine Print Dealers Association Art
Materials
Watercolor
Untitled Abstraction
By John von Wicht
Located in Fairlawn, OH
Untitled Abstrraction
Gouache, watercolor and pigments on paper, c. 1960
Signed lower right in pencil (see photo)
Image: 17 x 22 inches
Sheet: 25 1/4 x 29 3/4 inches
Frame: 25 1/4 x ...
Category
1960s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Watercolor
Mountainous Landscape, Mexico
Located in Fairlawn, OH
Mountainous Landscape, Mexico
Monotype in colors on heavy paper, c. 1960's
Signed in ink lower left "G Ceniceros"
Condition: Excellent
Image size: 6 x 14 1/2" (15.24 x 36.83cm)
Sheet size: 12 7/8 x 19 11/16 inches
Guillermo Ceniceros (born May 7, 1939) is a Mexican painter and muralist, best known for his mural work in Mexico City, as well as his figurative easel work. He began his mural painting career as an assistant to mural painters such as Federico Cantú, Luis Covarrubias and then David Alfaro Siqueiros who was a mentor and a key influence. Ceniceros is the most notable of Siqueiros' assistants. While he has experimented with abstract expression, his easel work mostly classifies as figurativism and is influenced by the geometrical construct of Mexican muralism. He has had over 300 individual and collective exhibitions in Mexico and the International stage. His work has been recognized by the Mexican Ministry of Culture and several of its institutions. He has painted over 20 large scale Mural Paintings with some of the most notable being the large scale work for the Legislative Palace of San Lazaro (Mexico's Legislative Building) as well as his murals in the Metro Subway System. He is a member of the Salón de la Plástica Mexicana. In 1995, the State of Durango, Ceniceros' native state, opened to the public the Guillermo Ceniceros Art Museum within the oversight of the Ministry of Culture. Ceniceros has been reviewed by notable critics such as Berta Taracena, Raquel Tibol, Alaide Foppa, Graciela Kartofel, José Angel Leyva and Eduardo Blackaller among others. There are several publications about his work including a vast review of his art life endeavors developed by the Ministries of Culture of Durango and Nuevo León. He is married to the artist Esther González and lives in his studio house in the Colonia Roma of Mexico City.
Life
Interview with the subject Ceniceros and Siqueiros
Ceniceros was born in a small village called El Salto, located in the municipality of Pueblo Nuevo in the Mexican state of Durango. His father was a woodworker who made toys and furniture in his workshop. His father's shop would become an influence in Ceniceros' life long interest in developing his own innovative working tools. When he was twelve the family moved to Monterrey to seek better economic opportunities. There he attended school and when he was fourteen he entered the Fabricación de Máquinas, S.A. (FAMA), a school/business, where he studied industrial drawing. He considers this early training important as it taught him the importance of geometry, use of space and materials. While at FAMA he met painters Gerardo Cantú and Ignacio Ortiz, and collaborated with them on sketches for publications of Alfonso Reyes, Pedro Garfias and other notable writers.
In 1955, he enrolled in the Taller de Artes Plásticas at the Universidad Autónoma de Nuevo León, graduating in 1958. At the Taller he met fellow Mexican artist Esther González, whom he married and with whom he has two children.
In 1962 he moved to Mexico City with the goal of working in the Taller of the Maestro David Alfaro Siqueiros. He became Siqueiros' first assistant working on his last murals while at the same time working at night on his easel painting work. Siqueiros supported Ceniceros decision to leave his Taller and supported him in his career until his death in 1974. By then Ceniceros was already a break thru artist having had several individual exhibitions including the prestigious Palacio De Bellas Artes as well as other recognitions. Thru the 70's and 80s Ceniceros continued his work with an emphasis on exhibits and exchanges abroad and traveling to Eastern Europe, Cuba, China, Chile, Ecuador, Italy and the United States. His Mexico City contemporaries and circle would include names that today have become reference such as Sebastian, José Luis Cuevas, Gilberto Aceves Navarro, Benjamin Dominguez, Gustavo Arias Murueta, Byron Galvez, Leonel Maciel among others. In the 70's his Row-House neighbors in the colonia Roma were Francisco Toledo and Alejandro Jodorowski.
His focus on mural painting is renewed in the mid 80's thru his large scale work in the Metro Subway System with him working on major commissions consistently and into the new century. While the Mexican school of Muralism had been challenged by the Ruptura members, the interest in Mural painting as a unique national form of expression continues.
He lives in Mexico City at a studio/home in the Colonia Roma. His home is a frequent gathering place for writers, poets, painters, singers, actors and journalists. He has a strong interest in Spanish language literature. Juan Rulfo...
Category
1960s Modern International Fine Print Dealers Association Art
Materials
Monotype
School Children, L
Ile Saint Louis, Paris — Mid-Century Photogravure
Located in Myrtle Beach, SC
Rémy Duval, 'School Children, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives p...
Category
1940s Modern International Fine Print Dealers Association Art
Materials
Photogravure
Untitled (Children Sleeping)
By Amalia Polleri
Located in Myrtle Beach, SC
Amalia Polleri, 'Untitled (Sleeping Children)', Conté crayon on cream wove drawing paper, signed and dated '43 in ink beneath the image, lower right; with 1/4 margins all around. Arc...
Category
1940s Modern International Fine Print Dealers Association Art
Materials
Conté
Meditation and Minou
By Will Barnet
Located in Fairlawn, OH
Meditation and Minou
Color lithograph and serigraph, 1980
Signed and numbered in pencil (see photo)
Printer Styria Studio, Inc. New York
Publisher: Harry Abrams...
Category
1980s American Realist International Fine Print Dealers Association Art
Materials
Screen
Christmas Pine Cones, festive printed image has the feel of a watercolor wash.
By Frederick Mershimer
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion
Frederick Mershimer (American, b. 1958)
Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category
1990s American Modern International Fine Print Dealers Association Art
Materials
Mezzotint
Trio
By Georges Rouault
Located in Fairlawn, OH
Trio
Color aquatint, 1938
Edition 250 printed on Montval wove paper with Maillol watermark
From: Les Fleurs de Mal III (12 color aquatints)
Published by Ambrose Vollard, 1940, Paris
...
Category
1930s French School International Fine Print Dealers Association Art
Materials
Aquatint
The Death of Hercules
from
The Temple of the Muses
— 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
1730s Baroque International Fine Print Dealers Association Art
Materials
Engraving
VALLEY RAMPARTS -
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958)
VALLEY RAMPARTS 1933
Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...
Category
1930s Impressionist International Fine Print Dealers Association Art
Materials
Woodcut
Margit Smiles
By Alex Katz
Located in New York, NY
signed and numbered lower image
edition 7/40
Catalogue raisonné 00269
Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Aquatint
$30,000
George
s Dock, LIverpool.
By Sir Frank Short
Located in Storrs, CT
1890. Etching. Hardie 245. 5 7/8 x 7 3/4 (sheet 8 1/4 x 10 1/8). Two hinge stains in the top sheet edges; otherwise excellent condition. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. Housed in a 16 x 20-inch archival mat.
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George's Dock was located on the River Mersey, England, within the Port of Liverpool. It was connected to Canning Dock to the south and George's Basin to the north. The dock, which opened in 1771, was designed and built by Henry Berry and expanded by John Foster, Sr.
In 1899 the dock and the adjoining George's Basin were filled in to create what is now the Pier Head...
Category
19th Century Modern International Fine Print Dealers Association Art
Materials
Etching
7th Avenue Canyon
By Anton Schutz
Located in Fairlawn, OH
7th Avenue Canyon
Etching, 1927
Signed and titled in pencil by the artist (see photo)
Depicts what was then referred to s the Garment Disctrict in New York City.
References And Exhib...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Etching
The Gate of Hundred Sorrows
By William Strang, R.A., R.E.
Located in Fairlawn, OH
The Gate of Hundred Sorrows
Etching, 1900
Signed in the plate lower right (see photo)
From: A Series of Thirty Etchings by William Strang, Illustrating Subjects from the Writings of...
Category
Early 1900s English School International Fine Print Dealers Association Art
Materials
Etching
Semi-Circle I
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
1990s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
The Furnace
— American Expressionism
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Drypoint
GIRLS WITH LOTS OF QUAILS
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996)
GIRLS WITH LOTS OF QUAILS, 1965
鶉と少女
Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...
Category
1960s Modern International Fine Print Dealers Association Art
Materials
Stencil
$1,150 Sale Price
23% Off
Female Torso, Nude
By Asa Cheffetz
Located in Fairlawn, OH
Nude Female Torso
Charcoal on paper, c. 1920
Stamped and initialed in pencil "Asa Cheffetz/A.D.C"
Estate signature by wife, A.D.C.
Exhibited: Museum of F...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Charcoal
WATTS TOWER
By Gloria Stuart
Located in Santa Monica, CA
GLORIA STUART (1910 – 2010)
WATTS TOWERS, 1971
Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native.
In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground
A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi
The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100
Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100.
.......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums.
Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson.
Stuart had been diagnosed with lung cancer five years ago.
“She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.”
In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills.
“She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday.
As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.”
As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.”
She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.”
But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.”
After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946.
By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books.
Writer-director Cameron’s $200-million “Titanic” changed that.
Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace.
Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...
Category
1970s American Modern International Fine Print Dealers Association Art
Materials
Oil
Beauty Otami - Kabuki
By Utagawa Kunisada (Toyokuni III)
Located in Fairlawn, OH
Beauty Otami - Kabuki
Note: Kabuki actor Nakamura Matsue is in the role of courtesan otami. She is standing in front of a small tea shop in a garden.
Color woodblock, c. 1800-1810
Si...
Category
Early 1800s International Fine Print Dealers Association Art
Materials
Woodcut
The Helmsman
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Here They Come !
By Frank W. Benson
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Drypoint
La Negresse (The Negress)
By Louis Legrand
Located in Fairlawn, OH
La Negresse (The Negress)
Etching & drypoint, 1909
Unsigned (as issued in the portfolio)
From the album "Les Bars" (8 plates plus cover illustration)
Editi...
Category
Early 1900s Art Nouveau International Fine Print Dealers Association Art
Materials
Etching
Medicine Drawings
By John Cage
Located in Houston, TX
John Cage
Medicine Drawings , 1991
Handmade paper with various medicinal herbs (set of twelve)
14 x 12 in (35.6 x 30.5 cm) each
Category
20th Century Contemporary International Fine Print Dealers Association Art
Materials
Handmade Paper
WOMAN DRAWING
Located in Portland, ME
Packard, Emmy Lou (American, 1914 - 1998). WOMAN DRAWING. Color Woodcut, not dated. Edition size not known. Signed in pencil. 18 1/16" x 14 1/8" inches (...
Category
1940s International Fine Print Dealers Association Art
Materials
Woodcut
Locomotives Watering
— Ashcan School Social Realism
By Reginald Marsh
Located in Myrtle Beach, SC
Reginald Marsh, 'Erie R.R. Locos Watering (Locomotives Watering)', etching, 1934, edition 100 (Whitney, 1969), Sasowsky 155. Unsigned as published; numbered '68/100' in pencil. A su...
Category
1930s Ashcan School International Fine Print Dealers Association Art
Materials
Etching
Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category
1910s American Modern International Fine Print Dealers Association Art
Materials
Etching
$150 Sale Price
25% Off
Untitled (Horses)
By Laura Owens
Located in New York, NY
Los Angeles-based artist, Laura Owens' horse prints often incorporate her characteristic style, which challenges traditional assumptions about figuration and abstraction . Her work f...
Category
Early 2000s Contemporary International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Lichtenstein Paper Plate — Pop Art Icon
By Roy Lichtenstein
Located in Myrtle Beach, SC
Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York.
Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping.
Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16.
Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82.
Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color).
Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45.
Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...
Category
1960s Pop Art International Fine Print Dealers Association Art
Materials
Screen
$960 Sale Price
20% Off
UNTITLED
By Yaacov Agam
Located in Portland, ME
Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 165, signed with marker, and numbered 164/165. 18 1/2 x 47 3/4 inches, 470 x...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Screen
$2,800
Untitled 2 - Abstract Squares on Red Background
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category
1990s Outsider Art International Fine Print Dealers Association Art
Materials
Foam Board, Felt Pen
$375 Sale Price
25% Off
The Wildwood Etchings
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
The Wildwood Etchings (set of 3)
Direct to plate photogravure and aquatint.
Edition 35
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Etching
MAB: (ETCHING I) 1971 GREY
By McArthur Binion
Located in Berkeley, CA
Color aquatint, hardground, and softground.
Edition of 25
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Etching
French Landscape
Located in Storrs, CT
Brilliantly-colored oil on canvas depicting the French countryside, with "les flâneurs," (people strolling) along the bank of the river. The eye of the viewer follows the river past ...
Category
20th Century Impressionist International Fine Print Dealers Association Art
Materials
Oil
$1,750 Sale Price
27% Off
Still Life — Mid-century Modern
By Charles Quest
Located in Myrtle Beach, SC
Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters.
After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’
In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York.
In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’
At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951.
Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’.
An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
PAYSAGE D’ ITALIE
By Jean-Baptiste-Camille Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
1860s Romantic International Fine Print Dealers Association Art
Materials
Etching
Foreign Soldiers from Five Countries at the Port of Yokohama
By Utagawa Yoshitora
Located in Fairlawn, OH
Foreign Soldiers from Five Countries at the Port of Yokohama
Color woodcut triptych, c. 1860's
Signed in the block lower left corner Signed: "Ichimosai Yoshitora ga"
Condition: Mounted to a rose colored silk backing (stable)
Staining (visible) in the joining of the right and center sheets
Colors very slightly faded
Image size: 15 3/8 x 31 3/8 inches (triptysch sheets joined to make one print)
The 1854 Treaty of Kanagawa opened Japan to the West. Curiosity about the never-before-seen foreigners spurred a market in Yokohama-e (Yokohama prints), named for the area to which foreign dignitaries and merchants were confined. Yoshitora became one of the best known and most active artists of the Yokohama-e school.
Utagawa Yoshitora (歌川 芳虎) was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. However, he was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (Yokohama-e). He may not have seen any of the foreign scenes he depicted.
Yoshitora was prolific: he produced over 60 print series and illustrated over 100 books. In 1849 he produced an irreverent print called Dōke musha: Miyo no wakamochi ("Funny Warriors—Our Ruler's New Year's Rice Cakes"), which depicts Oda Nobunaga, Akechi Mitsuhide, and Toyotomi Hideyoshi...
Category
Mid-19th Century International Fine Print Dealers Association Art
Materials
Woodcut
At Once I Knew I Was Not Magnificent - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Murnaghan was well known for his striking underwater photography, capturing his sub...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Inkjet
$1,500 Sale Price
25% Off
Lithographie originale pour XXe Siecle, No. 20
By Max Ernst
Located in Fairlawn, OH
Lithographie originale pour XXe Siecle, No. 20
Color lithograph, 1962
Unsigned (as issued)
From: XXe Siecle, No. 20, Christmas
Publisher: G. di San Lazzaro, Paris.
Printer: Mourlot?
Large edition: c. 1500?
Condition: Excellent/Mint
usual glue on reverse from binding in book
Image/Sheet size: 12 3/16 x 9 1/2 inches
New series of XXe Siecle
Back in Paris in 1949, Gualtieri di San Lazzaro resumed 20TH century publishing in 1951.
It hosts many of the most important writers and art critics of the 1950s and 1960s, including Alain Bosquet , Genevieve Bonnefoi, Camille Bourniquel , Georges Borgeaud, Marcel Brion , Georges Boudaille, Jacques Brosse , Michel Butor , Jean Cassou , Denys Chevalier, Pierre Courthion, Hubert Damisch , Pierre Descargues, Bernard Dorival , Jacques Dupin , Mircea Eliade , Jean-Louis Ferrier , Pierre Francastel , André Frenaud , Roger Van Gindertael...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Gaspe: St. Lawrence Village
By William Grauer
Located in Fairlawn, OH
Signed by the artist in pencil, lower right
Provenance:
Estate of the Artist
With the artist's original presentation (Frame and matting)
Two similar titles were exhibited in The ...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Watercolor
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant
Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters International Fine Print Dealers Association Art
Materials
Etching
Flowers and Ko-Imari
— Taisho/Showa Shin Hanga Woodblock Print
Located in Myrtle Beach, SC
Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A superb, painterly impression, with fresh colors,...
Category
1960s Modern International Fine Print Dealers Association Art
Materials
Woodcut
Untitled (Black Woman Crouching) — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Black Woman Crouching)', lithograph, edition 250, 1929. Signed and numbered 16 in pencil. Number 16 of Volume 2, a series of...
Category
1920s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
$760 Sale Price
20% Off
The Column of Marcus Aurelius
By Giovanni Battista Piranesi
Located in Chicago, IL
A fine impression with the address of the artist (Autore, Strada Felice) and the price (Paoli 2 1/2) as well as Hind Watermark no.3 (Fleur-de-lys-in-a-Double-Circle), all correspondi...
Category
Mid-18th Century International Fine Print Dealers Association Art
Materials
Etching
Seascape
By George Adomeit
Located in Fairlawn, OH
Seascape (Off Monhegan, Maine)
Oil on canvas, mounted to board by the artist, c. 1940
Signed: George G. Adomeit lower right
A view of the Maine coas...
Category
20th Century American Impressionist International Fine Print Dealers Association Art
Materials
Oil
$7,500
Venus
— German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Venus, Ex Libris - Hanns U. Herta Heeren', woodcut, 1923, edition not stated but small. Signed, dated, and numbered 'op.154' in pencil. Signed in the block, lower left. A fine impression, on cream Japan paper, with full margins (15/16 to 2 11/16 inches), in good condition. Printed by the artist. Matted to museum standards (unframed).
.
Translation: Venus Ex Libris for Hanns and Herta Heeren.
Image size 5 15/16 x 4 inches (156 x 102 mm); sheet size 9 5/8 x 6 inches (245 x 152 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints.
Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category
1920s Expressionist International Fine Print Dealers Association Art
Materials
Woodcut
ACAPULCO
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857 - 1926)
ACAPULCO 1901-08.
Colored pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image 10 x 14 inches to just ab...
Category
Early 1900s American Impressionist International Fine Print Dealers Association Art
Materials
Pastel, Gouache
$900 Sale Price
45% Off
Westminster Abbey
— Royal Church, London
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
Autumn Landscape — 1940s Post-Impressionism
Located in Myrtle Beach, SC
Henri Pierre Fortier, Untitled (Autumn Landscape), gouache, c. 1940s. Signed in ink. Inscribed 'To my Friend CLINTON R. MULFORD'. A fine, painterly watercolor, with rich, layered colors, on heavy dark brown drawing paper with approximately 1/4 inch margins; an unfinished figurative sketch...
Category
1940s Impressionist International Fine Print Dealers Association Art
Materials
Gouache
Count Three
By William Wegman
Located in New York, NY
image size: 8 5/8 x 7 7/8 inches
William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from convent...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Pigment
Sister Kate — Mid-century, Jazz-inspired Modernism
By James Houston McConnell
Located in Myrtle Beach, SC
James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce.
Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'.
ABOUT THE IMAGE
"I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister.
Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Screen
Insomnia
s Green Ledge
By Terrell James
Located in Houston, TX
Terrell James
Insomnia's Green Ledge, 2022
Oil on canvas
66 x 66 in (167.6 x 167.6 cm)
Category
21st Century and Contemporary Abstract International Fine Print Dealers Association Art
Materials
Canvas, Oil
Traditional Japanese Geisha (Kiba II)
By Tatsumi Shimura
Located in Burbank, CA
A beautiful Japanese geisha dressed in a traditional robe shyly claps her hands together. She stands in front of a backdrop of a bamboo screen. This print...
Category
Early 2000s Showa International Fine Print Dealers Association Art
Materials
Giclée
$975 Sale Price
50% Off
Body and Soul
— Mid-20th Century Surrealism
By Federico Castellon
Located in Myrtle Beach, SC
Federico Castellon, 'Body and Soul', 1938, lithograph, edition 30, Freundlich 3. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked, atmospheric impression on cr...
Category
1940s Surrealist International Fine Print Dealers Association Art
Materials
Lithograph
The East River
, Brooklyn Bridge — Mid-Century Realism, New York City
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Drypoint
DEAUX FEMMES MAORIES ACCROUPIES
By Paul Gauguin
Located in Santa Monica, CA
PAUL GAUGUIN (French 1848 - 1903)
DEAUX FEMMES MAORIES ACCROUPIES. 1894-5 (Kornfield 26: Guerin 87 )
Zincograph (Lithograph) on smooth, cream imitation Japan paper, edition 200. Pu...
Category
1890s French School International Fine Print Dealers Association Art
Materials
Lithograph
$3,700 Sale Price
22% Off
Financial District
, New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed.
Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987.
Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker.
Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest.
Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937.
He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Study of Lucie (Ralph) Belin seated in an interior
By Edouard Vuillard
Located in Fairlawn, OH
Study of Lucie (Ralph) Belin seated in an interior
Graphite on paper, 1915
Signed with the estate stamp, Lugt 909b, the stamp faded from blue to brown (see photo)
Provenance:
Neffe-D...
Category
1910s Impressionist International Fine Print Dealers Association Art
Materials
Graphite
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