International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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The Bathers
By Winslow Homer
Located in Fairlawn, OH
The Bathers
Woodengraving, 1873
As published in Harper's Weekly, August 2, 1873 (p. 668)
Provenance:
Wunderlich & Co., Inc., New York, NY (Their stock no. 84.003.8 in pencil recto a...
Category
1870s American Realist International Fine Print Dealers Association Art
Materials
Woodcut
Baigneuse Debout, à Mi-Jambes — French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category
1910s Impressionist International Fine Print Dealers Association Art
Materials
Etching
Henryk. Citizen Kane
By Henryk Tomaszewski
Located in New York, NY
Tomaszewski, Henryk. Citizen Kane. 1952, 2nd edition Offset. Film poster.
One of the finest poster and graphic artists, an illustrator and teacher, pione...
Category
1950s Modern International Fine Print Dealers Association Art
Materials
Offset
Profile of an African Woman — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Cloud
By William Wegman
Located in New York, NY
William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventional, avoiding the typical "cuddly...
Category
Early 2000s Contemporary International Fine Print Dealers Association Art
Materials
Pigment
CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition.
Carl Pappe...
Category
1940s International Fine Print Dealers Association Art
Materials
Woodcut
L
Abside de Notre Dame
— Vintage 1920s Paris, Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'L' Abside de Notre Dame' (The Apse of Notre Dame), etching, 1st state, c. 1927. Signed, titled, and annotated 'First State', in pencil. A supe...
Category
1920s Realist International Fine Print Dealers Association Art
Materials
Etching
The Gothic Spirit
By John Taylor Arms
Located in Plano, TX
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
$2,500 Sale Price
28% Off
Two Open Squares Within a Green Area
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
2010s Minimalist International Fine Print Dealers Association Art
Materials
Etching
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters International Fine Print Dealers Association Art
Materials
Etching
Varietesoubrette, Schwalbennest
also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed.
Published in Die Schaffenden...
Category
1920s Bauhaus International Fine Print Dealers Association Art
Materials
Drypoint
Blizzard in Woods
By Charles E. Burchfield
Located in Fairlawn, OH
Blizzard in Woods
Graphite on paper, c. 1945-1963
Unsigned
Provenance: Sid Deutsch Gallery, New York
Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Graphite
Juniper, Lake Tenaya
By Edward Weston
Located in Fairlawn, OH
Juniper, Lake Tenaya
Gelatin silver print, 1937
Unsigned
Edward Weston Estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward, printed in...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Silver Gelatin
Storms (At Sea)
By Louis Oscar Griffith
Located in Fairlawn, OH
Storm (At Sea)
Oil on board, c. 1908
Signed: L. O. Griffith lower left (see photo)
Titled on label verso
Image: 6 5/8 x 8 3/4"
Frame: 10 x 12 x 1 1/2"
Provenance: Estate of the Arti...
Category
Early 1900s American Impressionist International Fine Print Dealers Association Art
Materials
Oil
LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
By John Taylor Arms
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953)
LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.)
Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Etching
Delaware River Bridge
— Mid-Atlantic Regionalism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Delaware Bridge' (Delaware, New Jersey), etching, c. 1927. Signed in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on BFK Rives, cream wove paper, the full sheet with margins (1 1/2 to 2 1/8 inches), in excellent condition. Archivally matted to museum standards, unframed.
Image size 11 7/8 x 8 7/8 inches (302 x 225 mm); sheet size 15 7/8 x 12 1/4 inches (403 x 311 mm).
ABOUT THIS IMAGE
The Benjamin Franklin Bridge, originally named the Delaware River...
Category
1920s Realist International Fine Print Dealers Association Art
Materials
Etching
Virgo-The Virgin
By Eugène Grasset
Located in Fairlawn, OH
From: Les Douze Mois de 1889
As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui.
Published by Sagot, Paris
Proof before letters without the calendarium as published
Very ra...
Category
1880s Art Nouveau International Fine Print Dealers Association Art
Materials
Lithograph
Architectura Curiosa Nova, Chalice Garden Fountain
By Georg Andreas Böckler
Located in Myrtle Beach, SC
George Andreas Böckler, 'Chalice Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked ...
Category
1660s Realist International Fine Print Dealers Association Art
Materials
Engraving
Woodland Reflection — Mid-Century Modern
Located in Myrtle Beach, SC
Irving Lehman, Untitled (Woodland Reflection), watercolor, c. 1955. Unsigned, with the artist's estate stamp verso: 'Original Artwork By: IRVING G. LEHMAN Russian/American 1900-1982'...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Watercolor
Parisian Boulevard
By André Gisson
Located in Plano, TX
Beautiful Impressionist painting featuring elegantly-dressed Parisians out for an afternoon stroll. Bouquets of flowers rest in a tub to the left of the streetlamp, while a horse-dra...
Category
Mid-20th Century Impressionist International Fine Print Dealers Association Art
Materials
Oil
$2,500 Sale Price
37% Off
Salient in February
— Mid 20th-Century Surrealism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Salient in February', color serigraph, 1945, edition 40, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh col...
Category
Mid-20th Century Surrealist International Fine Print Dealers Association Art
Materials
Screen
European Landscape
—Mid-century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist International Fine Print Dealers Association Art
Materials
Drypoint
Derriere Le Miroir-Page 9
By Alexander Calder
Located in Fairlawn, OH
Derriere Le Miroir-Page 9
Color lithograph, 1973
From: Derriere Le Miroir, No. 201, January 1973
Unsigned (as issued)
Publisher: Maeght Editeur, Paris
Printer: L’Imprimerie Arte, Adr...
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Chicago Harbor
— Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
Judgment of Souls
— Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'Judgment of Souls', lithograph, c. 1935, edition 20. Signed, titled, and numbered '17/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full marg...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Birds
Flowers — Hopei Folk Art, Mid-Century Chinese Cut paper and Watercolor
Located in Myrtle Beach, SC
'Birds & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum s...
Category
Mid-20th Century Folk Art International Fine Print Dealers Association Art
Materials
Watercolor
Man on His Back, Nude
By George Wesley Bellows
Located in Fairlawn, OH
Man on His Back, Nude
Lithograph, c. 1916
Signed by the artist lower right: Geo Bellows (see photo)
Annotated bottom left: No. 3 by the artist (see photo)
An unredorded trial proof b...
Category
1910s Ashcan School International Fine Print Dealers Association Art
Materials
Lithograph
Commuters
— Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, 'Commuters', linocut, 1922-23, edition 20. Signed, dated '22, titled, and annotated '9/20' in pencil. Initialed in the block 'G.J....
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Linocut
Flowers 1 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category
Mid-20th Century Folk Art International Fine Print Dealers Association Art
Materials
Watercolor
SNOWBOUND
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958)
SNOWBOUND c.1928
Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9”
Laid down on backing board. The usual slight browning a...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Color, Linocut, Woodcut
UNTITLED
By Louise Nevelson
Located in Portland, ME
Nevelson, Louise. UNTITLED. Baro 36. Tamarind Number 801. Lithograph, 1963. Edition of 20, plus 2 Printer's Proofs, 1 Trial Proof, and 3 Artist's Proofs. Inscribed "Tamarind Impressi...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
St. Marks on the Bowery
- Famed New York City Landmark
By Leon Dolice
Located in Myrtle Beach, SC
'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm).
Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums.
ABOUT THE ARTIST
Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world.
In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history.
During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead.
Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections.
ABOUT ST. MARKS CHURCH
St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan.
In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel.
Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter.
While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project.
St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Victim of Misfortune and Folly
— Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'Victim of Misfortune and Folly, lithograph, c. 1935, edition 20. Signed, titled, and numbered '17/20' in pencil. A fine, richly-inked impression, on cream wove paper, wi...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
The Heavenly Suite (purple)
By Robyn Denny
Located in London, GB
Screenprint
Category
1970s International Fine Print Dealers Association Art
Materials
Screen
From: You Are The Weather
By Roni Horn
Located in New York, NY
Two-color silkscreen on Arches,
20 x 24” (50,7 x 60,4 cm),
in wooden frame, 20 3/4 x 24 3/4” (54,4 x 64,5 cm),
printed by Atelier für Siebdruck, Lorenz Boegli, Zurich,
Ed. 60/XX, sig...
Category
1990s International Fine Print Dealers Association Art
Materials
Screen
Tunnel /Target
By June Wayne
Located in Santa Monica, CA
JUNE WAYNE (1918 - 2011)
THE TUNNEL II, 1951 (B.69; G.14; Conway 67)
Lithograph, signed, numbered, dated July 1951 and titled incorrectly The Target.
Edition 35. 15 3/4 x 19 3/4 inc...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
$975 Sale Price
39% Off
DESERT BARRIER
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958)
DESERT BARRIER c. 1933
Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...
Category
1930s American Impressionist International Fine Print Dealers Association Art
Materials
Woodcut
$4,975 Sale Price
31% Off
Up
By Robert Cook
Located in New York, NY
Bronze, 1967. Height 59" (149.9 cm) width max 15" (38 cm).
Signed on base "R Cook." This unique large sculpture was made using the lost wax process.
“ ...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Stone, Bronze
$35,000
Rue Furstenberg
By James Abbott McNeill Whistler
Located in Plano, TX
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Late 19th Century Impressionist International Fine Print Dealers Association Art
Materials
Lithograph
$5,500 Sale Price
26% Off
Tree, Manhattan
— Classic American Realism
By Martin Lewis
Located in Myrtle Beach, SC
Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...
Category
1930s American Realist International Fine Print Dealers Association Art
Materials
Drypoint
The White House
— Vintage Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches.
ABOUT THE ARTIST
Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
Too Many
By William Wegman
Located in New York, NY
image size: 8 3/4 x 8 inches
William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from convention...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Pigment
Peace
By Anton Refregier
Located in Fairlawn, OH
Peace
Woodcut printed in orange red ink on japanese paper
Signed and titled in pencil lower right (see photo)
Titled lower left (see photo)
Created along with an illustrated book project Song of Peace, 1950-1959.
Condition: Excellent
Image: 10 1/2 x 4 7/8"
Sheet: 16 1/8 x 7";
Anton Refregier (March 20, 1905 – October 10, 1979) was a painter and muralist active in Works Progress Administration Federal Art Project commissions, and in teaching art. He was a Russian immigrant to the United States.
Among his best-known works is his mural series The History of San Francisco, located in the Rincon Center in downtown San Francisco, California. It depicts the city's history across twenty seven panels that he painted from 1940 to 1948.
Life and early career
Refregier was born in Moscow and emigrated to the United States in 1920. After working various odd jobs in New York City, he earned a scholarship to the Rhode Island School of Design in 1921. After finishing school, Refregier moved back to New York in 1925. To earn a living, Refregier worked for interior decorators, creating replicas of François Boucher and Jean-Honoré Fragonard paintings...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
On the Beach (Coney Island, New York) — 1930s Graphic Modernism, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches.
Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City.
Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library.
ABOUT THE IMAGE
Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
Sculpturegraph
— Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category
1980s American Modern International Fine Print Dealers Association Art
Materials
Monoprint
Jane Hading
By Henri de Toulouse-Lautrec
Located in Fairlawn, OH
Jane Hading
Lithograph, 1898
Monogramed in the stone upper left corner (see photo)
From the First Edition, printed posthumously before 1906
c. 400 impressions (per Wittrock)
The sitt...
Category
1890s French School International Fine Print Dealers Association Art
Materials
Lithograph
Counterpoint
— Mid-Century Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Counterpoint', color serigraph, 1942, edition 25, Ryan 45. Signed, titled, and annotated 'Edition 25' in pencil. A fine impression, with fresh colors, on cream, wove paper; the full sheet with margins (7/8 to 2 1/2 inches). A 1 1/2 inch crease across the top left sheet corner, well away from the image, otherwise in excellent condition. Scarce.
Image size 13 9/16 x 14 5/16 inches (344 x 364 mm); sheet size 14 15/16 x 17 inches (379 x 432 mm). Matted to museum standards, unframed.
Literature:
'A Spectrum of Innovation: Color in American Printmaking', David Acton, New York, London, 1990.
'American Screenprints', Reba and Dave Williams, New York, 1987.
'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008.
Impressions of this work are held in the following museum collections: Albright-Knox Art Gallery, National Gallery of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931 he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938.
Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940.
Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Screen
Golf (Wall Plaque)
By Viktor Schreckengost
Located in Fairlawn, OH
Golf (Wall Plaque)
Polychromed ceramic, c. 1930-1
Signed with the artist's initials: VS recto
Very rare, only a few produced prior to the closure of Cowan Pottery
Format: Round ceramic plate, 11 1/4 inches
Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Polo," and "The Hunt."
According to Henry Adams, the number of examples created was very limited due to the closing of Cowan Pottery in 1931. Very rare
Condition: Good, with the usual craquelure of the glazes used.
Note: Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges...
Category
1930s Art Deco International Fine Print Dealers Association Art
Materials
Ceramic
La Casa Vivienda
By Emilio Sanchez
Located in New York, NY
“LA CASA VIVENDA”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1990s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Navajo Medicine Ceremony of the Night Chant
— Native American Subject
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dat...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Butterfly
Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Butterfly & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed.
Image size 5 1/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches.
ABOUT THIS WORK
Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category
Mid-20th Century Folk Art International Fine Print Dealers Association Art
Materials
Watercolor
FISH MARKET
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
FISH MARKET 1930
Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...
Category
1930s International Fine Print Dealers Association Art
Materials
Woodcut
Love and Death.
By Sir Frank Short
Located in Plano, TX
Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder
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Winged Love...
Category
Early 1900s Victorian International Fine Print Dealers Association Art
Materials
Mezzotint
$1,000 Sale Price
33% Off
Arrangement with Blue Major
— Musically Inspired Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Arrangement with Blue Major', color serigraph, edition 40, 1942, Ryan 9. Signed, titled, and annotated 'Edition 40' in pencil. A superb impression, with fresh colors, on cream, wove paper; the full sheet with margins (3/4 to 1 5/8 inches), in excellent condition. Image size 15 x 9 3/4 inches (381 x 248 mm); sheet size 17 15/16 x 11 3/4 inches (456 x 298 mm). Matted to museum standards, unframed.
'Arrangement with Blue Major' was selected for the landmark ‘Artists for Victory’ exhibition at the Metropolitan Museum of Art in 1942. Impressions of this work are also in the collections of the Asheville Art Museum, Five Colleges and Historic Deerfield Museum Consortium, Georgetown University (Special Collections), Mount Holyoke College Art Museum, Rutgers University, Smith College Museum of Art, and the Springfield Museum of Fine Arts.
ABOUT THE ARTIST
Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938.
Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940.
Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...
Category
Mid-20th Century Abstract International Fine Print Dealers Association Art
Materials
Screen
Derrier le Miroir, cover, Volume 141
By Alexander Calder
Located in Fairlawn, OH
Derrier le Miroir, cover, Volume 141
Original color lithograph, 1963
Unsigned and unnumbered (as issued)
From: Derriere le Miroir, No. 141
Published by A. Maeght, Paris
Condition: E...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Mercury
By Sam Francis
Located in London, GB
Sam Francis
Mercury
1963
Lithograph on BFK Rives paper, Edition of 20
60 .3 x 47.6 cms (23 3/4 x 18 3/4 ins)
SF16664
Literature:
The Prints of Sam Francis: A Catalogue Raisonne 196...
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
$8,500
PKZ Fox
By Alois Carigiet
Located in New York, NY
1935. Color Lithograph.
Alois Carigiet was a Swiss graphic designer, painter, and illustrator. He may be known best for six children's picture books set in the Alps, A Bell for Ur...
Category
1930s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
Still Life No. 5
By William H. Bailey
Located in Fairlawn, OH
Still Life No. 5
Lithograph, 1978
Signed, dated and numbered in pencil (see photos)
Edition: 50 (24/50)
Published by Solo Press, New York, 1978
Printer: Judith Solodkin, first femal ...
Category
1970s American Realist International Fine Print Dealers Association Art
Materials
Lithograph
Sunset - Ardgour
By Percival Gaskell
Located in Myrtle Beach, SC
Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed.
Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...
Category
1920s Post-Impressionist International Fine Print Dealers Association Art
Materials
Aquatint
Mayan Trio
By Francisco Dosamantes
Located in Fairlawn, OH
Mayan Trio
Lithograph, 1950
Signed in pencil lower right (see photo)
Edition 250 for Associated American Artists
Publsihed 1950
Reference: AAA Cat.: 1950‑05; 1958‑01
AAA Index 1087
Condition: Excellent
Image size: 13 x 9 1/2 inches
Francisco Dosamantes (b. October 4, 1911 - d. July 18.1986) was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana.
Life
Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. He was not registered into the civil registry until he was about twenty years old on March 6, 1939. His mother’s name is not listed on the certificate. As a child, he demonstrated a strong interest in drawing and color, influenced by his father and his uncle Juan. The Mexican Revolution occurred while he was a young child and he stated that he remembered events such as soldiers on horses charging as well as the execution of rural farm workers.
He attended primary and high school in Mexico City but stated that his education was irregular and deficient. He then entered the Escuela Nacional de Artes Plásticas, where he studied for five years. Initially, however, he was disappointed with the inexperience of the young professors and he left for a short time to study on his own. During this time, some of the dissatisfied professors organized the 30 30 group against the academic system of the school and which whom he sympathized. The effort gained the attention of established artists such as Diego Rivera who intervened.
He died on Mexico City on July 18, 1986
Career
After he graduated, he worked with the cultural missions of the Secretaría de Educación Pública in Oaxaca, Michoacán, Guerrero, Colima, Coahuila and Chihuahua (state) from 1932 to 1937 then again from 1941 to 1945. He stated that this experience was vital to his conscience as he worked with rural farm workers and others he stated were worthy of dignity and respect, but victims of deceit and exploitation. When he returned to Mexico City, he gave classes in high schools from 1937 to 1941. In 1945 he founded and directed the Taller Escuela de Dibujo y Pintura “Joaquín Claussell” in Campeche, Campeche.
Dosamantes was a politically and culturally active artist with most of his work and affiliations related to such. He was a member of the Liga de Escritores y Artistas Revolucionarios from 1934 to 1938. He was a founding member of the Taller de Gráfica Popular, serving as administrator in 1940 and remaining a member until his death except for one short hiatus. He created posters for conferences about fascism and Nazism such as Alemania bajo bayonetas (Germany under bayonets) in 1938. In 1940 he became the secretary general of the Sindicato de Maestros de Artes Plásticas. He was also a member of the Sociedad para el Impulso de las Artes Plásticas en 1948, a founding member of the Salón de la Plástica Mexicana in 1949 and a member of the Frente Nacional de Artes Plásticas from 1952.
He painted a number of murals in rural areas of Mexico generally when he was there on cultural missions. His main mural is at the former home of José María Morelos in Carácuaro, Michoacán, but there are a number at various rural schools. These were all painted between 1941 and 1946.
As a book illustrator he mostly worked for the Secretaría de Educación Pública working on books for literacy campaigns.
He exhibited his works, which included engravings, oils, tempuras and lithographs in Mexico and abroad. His first individual exhibition was in 1930 at the Galeria de Arte Moderno in Mexico City. His major exhibitions include the Excelsior Gallery in Mexico City in 1932, various exhibitions in New York, Washington, Philadelphia and Los Angeles in 1937; the Nelson Gallery of Art in Kansas City, Missouri in late 1947, and the Gallery of Mexican Art in...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
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